Busan Ancient Tombs Dori Gulip was a geollip that was performed in the ancient area of Gobundori, Seodaesin-dong, Seo-gu, Busan, and was called Geolipgut because it received a little rice or money in return for wishing good fortune by visiting Gagahho Lake in the hope that there would be only good things at the beginning of the year.

Busan Ancient Tombs-ri Gulip is a traditional folk religion with a history of more than 150 years, considering that the rite was held in Dangsan, Sijaksan Mountain, a village guardian mountain of Daesin-dong, which was built around 1860.

Busan Gobundori Gulip consists of a total of 37 people, including jisu, Aksa, and Japsaek. First of all, Goha in Dangsan, visit each family to perform a well-being ritual, and then perform a ritual to pray for a good fish, and then perform a dance performance at the Pangutpan.

Busan Gobundori Gulip is distinct from other geolip Nori, such as the detailed composition of the Sungjupuri editorial, the insertion of Yongwanggut section chief, and the musical diversity of Buckunnori and Yeonhee among Seollnori. In addition, the musical composition and editorial composition of Yu Sam-ryong, Lee Myeong-cheol, and Jeong Sang-ryeol, who were the best pungmul jabs of the time, are outstanding. It is considered to be a traditional folk who actually perform geolip on the first day of the year in Seo-gu, Busan, and has sufficient folk and cultural value.

The amphibious landing materials that have been passed down in the Incheon area include 49jae, Baekiljae, Gisegi, Damjae, amphibious landing, Jesujae, Baekjongjae, Oewangjae, Sanshinjae, Yongwangjae, Jowangjae, Sinjungjae, and Jeseokjae, all of which are called Cheondojae.

The difference between the Incheon landing ceremony and other regions is the sound section. While the sounds of other regions use five tones, the Incheon amphibious landing makes six sounds with the sound of Kanseong.

Unlike other regions, there is also an earnest syllable that honors the joys and sorrows of common people and fishermen engaged in fishing. This is due to the influence of the song sung by fishermen when they are sad or excited while fishing in the sea, which is reflected in the amphibious landing materials in Incheon, showing different characteristics from other regions.

Sitting Gut is one of the Korean shamanic rites in which Gyeonggwae sits down and reads Mukyeong and gongs. It is called "Sitting Gut" or "Chungcheongdo Gut" or "Yangban Gut" because it is popular in Chungcheong-do and is especially popular among yangban.

This seated rite originated from Maengseung of the Goryeo Dynasty, and was formed when Myeongtongsi Prehistory, a Buddhist monk of the Joseon Dynasty, was abolished and served as Dokgyeongsa Temple in the private sector as a means of living. However, at the end of the Joseon Dynasty, a seated ritual was established today as a guest of honor, not a policeman.

Sitting Gut in Chungcheong-do is the hometown of Cheongju. So, in the past, a guest of honor from Cheongju was called to the nearest South Chungcheong Province as well as to Seoul for a sitting ritual. However, after the Korean War, the local seongut shamans who came to Cheongju were reading the book, and the contents were greatly reduced and transformed.

Shin Myeong-ho learned sitting ritual from Kim Jong-heon, a student of Yun Chi-seok, who lived in Mochung-dong, Cheongju, and lived in Jangsa-ri, Gadeok-myeon, Cheongwon-gun. However, due to Kim Jong-heon's poor landscape, he went to Hwagwansa Temple in Baekjoksan Mountain, Cheongwon-gun, where he learned Chinese literature and Buddhist scriptures at Mt. Lee Myeong-san, and also learned Seolwisulgyeong and Mukyeong from various senior police officers who were active in Cheongju.

Shin Myeong-ho was born in 1943 (born 1949 in resident registration) in Hwangcheong-ri, Namil-myeon, Cheongwon-gun, as the only son of Shin Man-sik and Ahn Ui-jun, and served as the head of the Chungcheongbuk-do branch of the Korean Gyeongsin Association for 10 years while living as a shaman.

As an important activity, he was responsible for 19 years for the performance of the Mokgye Sinje Bummu, Sodumoni Yongshin Gut, and Cheongju Cheonjon Gut, and won the Gut of the Paldo Gut Contest, hosted by the Korean Gyeongsin Association. In addition, the study of Chungbuk dance was found to be one of the representative shamans of Chungbuk.Muak has been introduced to the academic world.

Shin Myeong-ho is an adviser to the members and their disciples, usually performing ritual and military rites, and advises and instructs them on the great exorcism of the members and disciples, and reads the great scenery that they cannot read.

Shin Myeong-ho is characterized by the fact that he does not repeat the same scriptures and relatively flexible rhythms in the large gut, as well as the Great Views including Okchugyeong, the An Taek-gyeong to pray for blessings, the congratulatory scriptures to ward off disasters, and various congratulatory texts.

The ritual for Danjong in Yeongwol, which was established in 1698 (the 24th year of King Sukjong's reign) and started in 1791 (the 15th year of King Jeongjo's reign), is a Confucian ritual held in Jangneung, and the loyalty of the food group, which began in 1791 (the 15th year of King Jeongjo's reign), was designated as the only royal tomb of Joseon.

Flower reception rite is a shamanistic rite performed to thank God for the virtues of the god in the springtime when flowers bloom. This exorcism includes what shamans do for themselves and what they do at the request of a house called Dangoljip.

The shaman's ritual for the spirit she served and for herself is to appreciate the peace of the family, as the rite for the re-establishment of one's health and prosperity of military work. In other words, the "Flower Greetings" is to thank the gods, and it contains ups and downs of wishing for peace, longevity, and prosperity.

Seoul Saenamgut was performed for the upper classes in Seoul to console the spirits of the dead and pray for their peaceful life in heaven. It is presumed that this rite was first performed during the Joseon Period (1392 –1910) and took on a more developed form during the 17th and 18th Centuries.

The rite is composed of andang Sagyeong Maji (spending time from 1:00 a.m. to 3:00 a.m. in the courtyard) and Saenamgut, which is performed from the following morning by five female exorcists and six dancers to the accompaniment of janggo (hourglass-shaped drum), buk (drums), daegeum (bamboo flute), piri (flute) and other instruments.

Seoul Saenamgut has features that cannot be found in the other exorcism rites. It displays elaborate composition and looks gorgeous. It includes both Buddhist and Confucian elements as well as contents relating to the royal court of the Joseon Period.

Jongmyo, in Seoul, is a royal shrine where the mortuary tablets of deceased royal couples are kept, and is an important site symbolizing the fundamentals of the existence of a state along with Sajikdan Altar, which is the altar for the national soil and grain ceremonies. The regular ancestral rituals were held at Jongmyo in the first month of each season, i.e. January, April, July, and October, while extraordinary rituals were held on special occasions. Since 1945, the ritual has been held only once a year, on the first Sunday of May. The ritual is held in a solemn atmosphere.

The ritual is carried out in a way so as to entertain the spirits of the dead royal ancestors. The procedure for the ritual is as follows: Chwiwi (placing of ancestral tablets), Yeongsin (greeting the spirits), Haengsinnarye (King's obeisance to ancestral tablets), Jinchan (presenting the spirits with food), Choheollye (first obeisance), Aheollye (second obeisance), Jongheollye (last obeisance), Eumbongnye (partaking of sacrificial food), Cheolbyeondu (overturing of ritual dishes), Mangnyo (incineration of prayers). The King had to behave discreetly for four days and keep his body clean for three days before the ritual.

Jongmyo Jerye featured grandeur and solemnity as a ritual that set an example for the people of a Confucian society that attached particular importance to etiquette.

The ritual, along with the music associated with it (Important Intangible Cultural Heritage No.1), was registered with UNESCO in the Representative List of the Intangible Cultural Heritages of Humanity in May 2001.

A craftsman who makes musical instruments is called a musical instrument master. The names of artisans related to instruments such as pungmuljang, jangjang, and gongjang are visible on the factory lanterns of Gyeongguk Daejeon during the Joseon Dynasty. There are about 60 to 70 types of musical instruments produced in Korea and handed down to date, including our own instruments and those from China or the West. There is no craftsman who makes all of these, but each event is classified as a musical instrument.

There is no clear record, but it is believed that there have been professional craftsmen who make musical instruments since the Three Kingdoms Period. Various wind and string instruments for the murals of Goguryeo tombs.The percussion instruments and others appear, and musical instruments are also visible in the patterns of King Beomjong of Silla. A figure of Gayageum figures is also found in Tou, Silla, which is believed to have been around the 4th century. In addition, the birth of musical instruments can be seen in the tales of Wangsanak in Goguryeo, Kasil King in Gaya, and Manpa Sik in Silla, but there are no stories about artisans and methods of production.

During the Joseon Dynasty, the musical instruments were used to make musical instruments and clothing for national rituals and ceremonies, which were valued by Confucianism.instrumental colors, musical instruments inc.A special department was established, such as the Musical Instruments Agency. In addition, the state-run music organization, the Gukjawon, mobilized craftsmen from various fields to direct and supervise the work, and finally supervised the tuning and ending of musical instruments.

Traditional musical instruments can be classified as string instruments, wind instruments, and percussion instruments, or they can be classified according to their materials, and eight important materials are called selling. Gold and silver are instruments made of metal and have backs. Seok is a stone instrument made of pyeongyeong and special features. These include geomungo, gayageum, haegeum, ajaeng, and Bipa, which are made of silk strings attached to a resonator box. The musical instruments made as dead include a flute, milk stand, sugar drum, and Danso. Po has a raw yellow lantern as an instrument with ingredients of a bowl, and clay is baked with soil, with Hun and Bu.Hyuk is an instrument made by covering a round barrel with leather, including Janggo, Galgo, Jwago, Jeolgo, and Sogo. The neck is made of wood and includes Bak, Chuk, Eo, etc.

There are two types of gayageum: Jeongak Gayageum and Sanjoyageum, which differ in materials, size, tone, and coordination. Jeongak Gayageum makes a resonator by digging a thick oak tree, and Sanjo Yageum makes a resonator box by adding chestnut wood board to make a resonator. Unlike standardized Western instruments, the size gradually grows and becomes smaller depending on the physical condition of the performer. Jeongak Gayageum is about 160 to 170 centimeters wide, 30 centimeters wide and 140 centimeters long.Sanjo Yageum is much smaller and lighter in length and width, but it is said that Jeongak Gayageum was reduced and modified to play folk songs at the end of the Joseon Dynasty.

The paulownia tree should be naturally dried for more than five years by roughly trimming it from 30 to 50 years old. When attaching to a tree with different top and bottom, the sides are placed on the left side, where flowers or cherry trees are used. Yongdu and Bongmi are placed at both ends of the upper plate. Yongdu is the head of the gayageum, and Bongmi is the lower part.

On April 23, 2002, Kim Bok-gon was recognized as the holder of the event.

※For more information on the above cultural assets, please contact the Seoul Metropolitan Government Department of Historical and Cultural Heritage (☎02-2133-2616).

The Buddhist rituals on Jeju Island are different from those of the mainland in terms of voice and re-cultivation given to the Buddha. In particular, Beumum, or Beompae, is a ritual song used to convey human wishes to Buddha, as a music dedicated to the Buddha to raise the ashes of Buddhist rituals.

The Jeju Buddhist ritual is distinguished from the land area by its connection with the traditional culture of Jeju as Buddhism was introduced and passed down in Jeju. In other words, Chilseongje and Sansinje are held in Jeju Buddhism, compared to the land area. This is because the ritual for mountain gods and Chilseongje is being passed down in connection with Buddhist rites.

Compared to the mainland, Jeju Island's Buddhist rituals are carried out more solemnly with the importance of the ritual of Sajacheon Stream, and even in the 49th year of Cheondojae, Siewanggakbae, which disappeared from the land area, is being purged to Siewangakcheong, and in the case of the life-long Jesus, a ritual of cursing (Gwanbul) is also inherited. The sound of An Chae-bi, a Buddhist-style music, is very slow compared to the land area and has a local tory of Jeju. In addition, Hwachong (Hesimgok) is also called Jeju Tori, which is different from the sounds sung in the mainland by transforming Buddhist songs.

Water service agents are also called incarnation agents or water supplements. Suncheon Gusan Water Service Festival has the following origins.

Oseongsan Mountain in this neighborhood covers the rising sun, forming the direction of fire or the shape of fire, which is why fires frequently occurred. In order to suppress the energy of fire, the village held a water festival at sunset on the fifteenth of lunar January.

The process of water-making is to first place ducks on a six-meter pole to prevent the fire from blowing in the east, lay yellow soil around the piers and priests set toward the east, and clean them with gold strings.

At 5 p.m. on the fifteenth day of the first lunar month, the memorial service will be held in a Confucian ceremony after offering pig heads, five kinds of fruits, grapes, and rice.

What is unique is that the ritual called 'water-viewing' is performed to mark the amount of water filled in a jar buried under the ground during last year's water service. In other words, if the amount of water is reduced a lot, it will rain a lot that year, and if it is reduced a lot, there will be a drought.

When the water supply system is over, go to the baggage counter and carry out the water service. Then, the "Moon House Burning" play, which is called the after grass, continues, and the Gusan Water Festival ends with the end of the village "Wildang Bapgi."

Currently, the Suncheon Gusan Water Conservation Society has formed and is striving to win the victory.

The village ritual in Bucheon, Siheung, Ansan, Osan, Hwaseong, Suwon, Gwangju, and Anseong, which are located in the southern part of Gyeonggi-do, is called Gyeonggi-gut. This village ritual is performed by the hereditary succession of martial arts, which are called hwarangi or mountain, and women are called miji. The dance of Gyeonggi-do Danggut, which is centered on Hwarangipae or Sani-eul in southern Gyeonggi-do, means the dance that was performed at Gutpan in a broad sense, and in a narrow sense refers to the Gyeonggi-do Danggut Sinawi dance, which is an art of performance, leaving Gutpan. In addition, the accompaniment of the dance is called Gyeonggi-do Danggutsi Nawi Dance because it is so-called Gyeonggi-do Sinawi Dance, which is difficult for experts to understand, such as Seopchae, Banseolumumjangdan, Onigutgeori, Jinsojangdan, Olimchae, Sangjimachi, Garaejo, Valkudre, and Bujeongnoridan. Gyeonggi-do Danggut Sinawi Dance, which is stylized on stage against the backdrop of shamanistic tradition in Gyeonggi-do, includes "Boojeong Nori Dance," "Turberim Dance," "Jinchigi Dance," "Sneakchae Dance," "Olimchae Dance," "Jeseok Dance," and "Dosalpuri Dance," and Maeheon Kim Sook-ja, who is at the center of the dance.



Maeheon Kim Sook-ja (梅軒 19 19: 1926-1991) learned the dance music contained in shamanism from her father Kim Deok-soon, a native of Jaeincheong, Hwaseong, and the entire shamanism from her mother, Jung Gwi-seong. The characteristic element of Kim Sook-ja's Gyeonggi-do Danggut Sinawi Dance, a former hereditary dancer, is that she recreated it as a traditional dance by developing the dance of ritual dance that Hwareang and Moohyeo used to perform at Gyeonggi-do Danggut, which has been handed down in Gyeonggi-do Province. Therefore, Kim Sook-ja's dances were originally performed at Dodang Gutpan in Gyeonggi Province, but they are representative shamanistic dances that were staged and entertainmentized in the process of re-creation and transmission.

The Gyeonggi-do Danggut Sinawi Dance and Gyeonggi-do folk dance, which were passed down to Kim Sook-ja from Kim Deok-soon, father of Maeheon Kim Sook-ja ( 19 1926-1991), and his mother Jeong Gwi-seong, are now preserved through his disciple Lee Jung-hee, and are handed down to his disciple Hansumun.

Depending on the shape of the rite, it can be divided into seongut and seatedgut. Sakyamuni's Gut refers to a general rite performed by a shaman, while Sakyamuni's Gut was named after a shaman sitting in the Chungcheong area reading the scriptures.

Sajingut, which is believed to have historically been formed by interrelationships with other religions such as Buddhism and Taoism, has a long history as a branch of Korean shamanism with the addition of dance to the rite. The Chungcheong area, centered around Daejeon, has a strong tradition of sitting-gut, making it the only shamanistic area in Korea.

Seating Gut in Daejeon has Antaekgut, Madgut, and Seolgyeong, and the owner of Antaekgut and Madgut is Sinseokbong, which is reproduced in the way it was practiced in the 1940s and 50s. Song Sun-ja, the owner of Seolkyung's entertainment show, has been engaged in martial arts since 1977, and has been taught Seolkyung and other sitting gut for 15 years by the late Hwang Ha-cheong.

Cheonwangmaegi refers to the Jisinpuri, which residents of the Bisan-dong area used to do at the beginning of January every year to the kings of Gicheon, Jungcheon and Malcheon, who have been supported as gods for a long time ago. Jisinpuri is a religious village event that repels evil spirits and evil spirits by suppressing Jisin (a god in charge of the land) in the first lunar month, praying for peace in the village, good harvests, and family blessings. The folk instruments such as kkwaenggwari, Jing, drum, janggu, Soenap, and other poems wearing masks, sang Jisinpuri and sang songs from house to house.

It is said that the heavenly trees, shrines, and mountains were located in the place where each heavenly king was located, and that the shrine contained images of the heavenly king. The process of the event will be followed by Daenaerim, the selection of a priest, Jilgut in front of the shrine, Mungut in front of the Sadangmun Gate, reading a congratulatory message, Cheonwangmaegi, and Pangut. Usually, Jisinbapgi is performed from door to door, and Cheonwangmaegi in Bisan-dong is characterized by a village ritual that ends with exciting music and dancing in the front yard of the shrine.

Anseom Danggut is a type of Punggeogut that wishes for the well-being of the village and a good harvest of fish. It is said that it began about 350 years ago, although the literature does not tell the exact origin.

Anseom Island in Songak-myeon was originally an island in the northwest of Dangjin-gun, but it became a land-based reclamation project. Fishermen here held a ritual to pray for safety and a good harvest before going fishing. Every year from the first day of the first lunar month, Danggut is held on the first day of the first day of the first day of the first lunar month, and every other year, 제로span class='xml2' onmouseover='up2 (1206)'onmouseout='dn2(()대대대대 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어小小小小小小小 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 나누어 Soje is held in the form of spspan class='xml2' onmouseover='up2(1103)' onmouseout='dn2()'dn2()>Danggut 참여하는/spanan, in which shamans participate during the Daeje.

The structure and character of the Anseom Dangje are the most representative of the community faith in the fishing village on the west coast, and the folklore meaning and value are very great.

Gotchanggut in Oepo-ri is one of the Dodanggut that wishes for the prosperity of the village, such as Jeongpo Village, which focuses on fishing, and Daejeong Village residents, which focuses on agriculture, are well-farmed and many fish are caught.

Dotchanggut is a representative West Coast Punggeoje that honors General Im Gyeong-eop. Just as a hero who died unjustly like General Choi Young became shamanistic, Lim also serves as an early fishing god along with the legend that he caught a young flag on Yeonpyeong Island and fed the sailors full on his way to China to avenge himself.

Although it is a tradition to hold Gotchanggut in Oepo-ri every two or three years for three days at the beginning of the second lunar month, it was said that it was more frequent or delayed depending on the circumstances of the village. There is a small drumstick that cannot be seen in other Pungoje, and the order of the rite, unlike the order of the other places, is first greeted with water and then followed by well-mulgut and Danggut.