Park Ae Sook

- 2001 Presidential Prize for the 11th Gimhae National Night Competition
- 2003 3rd World Art Exchange Association National Culture and Arts Award for Gugak
- 2011 North Jeolla Province Governor's Letter of Commendation

Choi Dae-gyu is the preservation of the traditional najeon method, which is gradually being considered.The students and others are devoted to the transfer of traditional embroidery.

- Encouragement prize for the 29th Jeollabuk-do Craft Competition 2006
- 2007 8th Jeollabuk-do Tourism Souvenir Contest Award
- Silver Prize for the 13th Jeollabuk-do Tourism Souvenirs Competition 2012

Yi Sin-eop runs a workshop, and is dedicated to the preservation and transmission of traditional Nakjuk techniques.

Moon Jung Geun

1992 First National Dance Festival Acting Award

1997 Jeonbuk Arts Awards Dance Division

2008 Minister of Culture, Sports and Tourism Award

Dansojang refers to a person who makes a Danso or a technique, and Danso is an instrument of wind and wind.

Use Hwangjuk or Ojuk as ingredients for making Danso. The production method is to boil bamboo in salt water for about 10 hours to remove oil and then apply heat to straighten out the bent part. Then soak it in cold water for about 10 minutes and let it dry for more than three months in a well-ventilated shade. The dried bamboo is cut 500mm long, cut back 420mm, then make a half-moon-shaped Chuigu and pierce the ground. Chuigu is the place where the breath is breathed, and Jigong is the part where the fingers control the pitch.

Dansojang was designated as an intangible cultural asset for the protection and transfer of traditional craftsmanship. Kim Hwang-jung inherited the Danso production function from his late father Kim Yong-shin.

After his father's death, he became the head of a boy's family at the age of 14 and learned pottery skills from time to time by helping his family's livelihood in the Gwaneumni Sajeomgama. Since the age of 18, Mungyeong area has been known as a well-known swindler. He became a midwife of the Mungyeong Traditional Tea Bowl Festival in 1999 as he was selected as a master of Korean traditional tea ceremony in 1995 and became known as a craftsman who continued the tradition after the war. Although exhibitions of works have been held mainly overseas, about 80 exhibitions have been held in Korea since the 1980s due to the growing interest in Korean traditional culture. The Docheon Scholarship Association was established with the proceeds from the exhibition, and most of the donations were made to community service activities.

In order to promote and promote the excellent traditional ceramic culture, various workshops are held at Mungyeong University and Korea Art High School in Icheon, Gyeonggi-do to teach the demonstration of footmills and how to make glaze. Not long ago, it registered a patent for the first time in Korea to compensate for the shortcomings of traditional mounted kilns. Thanks to his efforts to inherit and develop the traditional culture, he was awarded the Order of Korea's Dongtan Industrial Medal in 2005, and was selected as a functional Korean in 2006 and awarded the Minister of Labor's commendation. In November 2008, he was the first Korean to receive the Order of the Japanese Order of Cultural Merit, Wookil Ssangjang. In October 2018, the Hwagwan Order of Cultural Merit was awarded to those who contributed to the development of culture and arts.

Kim Si-in inherited traditional embroidery for the fifth generation in the maternal family, including his mother, and became associated with traditional embroidery because of this connection. Later, in 1966, he met Kim Gye-soon, a master of embroidery, and learned about the depth of traditional embroidery, giving him a chance to spend his entire life with embroidery. After getting married in 1970, Hongwi Traditional Embroidery Research Center was opened, where traditional embroidery was taught to housewives, and many disciples were produced.

Kim Si-in took the lead in supplying traditional embroidery culture by applying embroidery to wooden tools, and boldly deviated from the embroidery frame that was only embroidered on traditional folding screens, wall frames, and costumes. Kim Gye-soon, his teacher, taught him the essence of needle and thread, the life of embroidery. In particular, he learned the secret of applying embroidery to the needle, a special technique of Kim Gye-soon, and became a top expert in the reproduction of the keyplate, which is the most difficult of embroidery techniques since more than a decade ago.

Samhyeon Yukgak refers to the royal dance and music of the Joseon Dynasty, banquets of local government officials, visits of high officials or noblemen, rituals of local Confucian schools, and the compilation of musical instruments used to perform ancestral rites for gods in each region.

In principle, the six-member group of two Hyangpiris and one each from Daegeum, Haegeum, Janggu, and Bukbu are required. In some cases, there are some differences in the type of musical instrument or the number of people in composition, and depending on the region (Gyeonggi, Honam, Haehae, Yeongnam, etc.) there are some differences in musical characteristics and composition of music.

The form of a performance is usually played sitting in a row, standing in two rows, walking in two rows, or playing on a horse.

The Musudongsan Shrine is a village religion that has been handed down from the late Joseon Dynasty to the present day in Musu-dong, a community village of Andong Kwon Clan, and has been designated as an intangible cultural asset in Daejeon to preserve the tradition of folk culture in Daejeon.

Sanshinje is recognized as a holding organization as its tradition continues to this day due to the efforts of the Musu Dongsan Shinje Preservation Association despite the rapid influx of foreign culture and culture after liberation.

The song refers to a musical style in which Sijo poem, one of the literary genres of the Joseon Dynasty, is added to the melody of five chapters.

It is called Jeongga along with the lyric and sijo, and is also considered one of Korea's top three vocal music songs along with Beompae and Pansori.

In the late Joseon Dynasty, it was a representative piece of music for the folk and folk, and it was also their living music.

Joseonjang refers to a craftsman who makes Hansun Hanryuk, a traditional Korean ship. In the case of Hanseon, it takes two to three people to build a large ship and one to two people to build a small ship, depending on the type of ship. The shipbuilding yard requires not only knowledge of the ship's structure but also architectural engineering skills. It also needs to be accurate and experienced as it is necessary to build a ship, a solid wooden structure, by weaving in numerous members.

Among the ships on the Han line, the boats operating on the river are called Gangseon 江船. Unlike Byeongseon and Jounseon, which operated on the sea, Gangseon was built to suit the rivers of Korea. Typical riverboats are ferry boats and ferry boats used to cross rivers at ferry sites. The common thing between ferry and ferry is that there are no masts. On the other hand, it was said to be a night-distance boat, which was available both in the sea and on land, and entered inland through the river. The ship is characterized by its flat bottom, allowing it to sit still in the sand by the river.

Since the most commercially developed waterway in Korea was the Han River Waterway leading to Seoul, the majority of the Hanseon engineers, especially the Gangseon engineers, lived in the Han River basin. The technology for manufacturing steel wires developed in the Han River basin, and the pulse of the technology has continued to recent years.

Recently, however, traditional craftsmen have died of old age, and the number of skilled craftsmen is so rare that they are almost exhausted. Kim Gwi-seong, the owner of a shipbuilding yard who has been engaged in Joseon and ferry services for eight generations, continues the tradition of making traditional Korean ships.

He lived in Baealmi-dong, Hanam, under Paldang Dam, and learned how to make strong ships from his father, Kim Yong-un. Most of the cruise and exhibition ships in Seoul and Gyeongji areas, including the Hwangpo sailboat with a head of Yangpyeong, were produced by Kim Gwi-sung.

Haman Nakhwa Nori is a unique game that has been handed down to Goehang Village in Haman-myeon, and has been held in early April every year at the entrance of the village of Pile, but it is estimated to have originated from the middle of the 17th century.

Currently, the Haman Nakhwa Nori Preservation Committee, centered on the people of Haman-myeon, has been established since the 2000s and has been handed down so far.

Nakhwa Nori is a representative folk game of Haman-gun, where charcoal powder produced by the village itself is rolled up into Korean paper to make Nakhwa, which is lit by hanging Nakhwa on a rope prepared by Lee Soo-jeong, and creating a spectacular view of the wind.

It is said that it was passed down from about 400 years ago as a kind of pungo festival to pray for the well-being of the village of Suryong-dong in Pangyo-ri, Seobu-myeon.

The Odang Shrine, which is enshrined in the Suryong-dong Dangje, and the ritual for it are typical types of the West Coast islands and coastal regions.

Seokjeondaeje is a ritual held at Munmyo Shrine, which honors Confucius, and is also called Munmyo Daeje or Seokjeonje (a ritual for raising meat and playing music). There is no record of when Confucianism was introduced to Korea, but it is assumed that the ritual was conducted in accordance with the ritual customs of ancient China based on the record that Taehak (National University for Confucian Education) was established in the second year (372) of King Sosurim of Goguryeo.

Seokjeon Daeje is held every February and August in memory of the virtues of Confucius and other saints. The procedure is carried out in the order of Yeongsinrye, Jeon Lungrye, Choheonrye, Gongak, Ahheonrye, Jongheonrye, Eokbokrye, Cheolbyeon, Song Sinrye and Mangjae. Music is called Munmyo Jeryeak, which is a Daesung aak that collectively refers to instrumental music, vocal music and dance, and only eight sub-acids are used, and two bands of dungga and Hunga are played alternately according to the procedure.

Currently, 15 palaces including Songs of Songs and Imjonggungs were adopted during the reign of King Sejong (r. 1418-1450) during the early Joseon Dynasty, including Songsingok, Hwangjonggung Palace, and Songsin Hyeopjonggung Palace.

Seokjeon Daeje is a national event, which is held in a quiet and solemn atmosphere, and has a comprehensive artistic character where music is played and dance is accompanied.

Munbaeju is a liquor handed down from Pyeongan-do and is named after it because the scent of alcohol is the same as that of the tree.

Munbaeju is said to have used underground water from the limestone stratum in the Daedonggang River basin in Pyongyang during the Liberation War. The raw materials are wheat, cramped rice, and sorghum, and the main ingredient of yeast is wheat.

The color of the liquor is light yellowish brown and has a strong scent, and the alcohol level is about 40 degrees, but the distilled and matured Moonbaeju reaches 48.1 degrees, so it can be stored for a long time.

It is usually aged for six months to one year, and it is characterized by the scent of the tree without any use of the fruit of the tree.