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K-CULTURAL HERITAGE

Everlasting Legacies of Korea

  • 2013.8.2
    Designated date
    Kim Seong-ho, the owner of the lacquer, is a master craftsman who has been learning lacquer skills from Najeonjang Kim Bong-ryong in 1972 and Lee Sung-woon since 1980, and has been skilled in dry lacquer techniques, which is based on mosina hemp cloth.
  • 2010.8.2
    designated date
    The culture of Gyeonggi-do is based on the popular culture, but it also incorporates a luxurious and refined court culture. Sandae nori is a cultural heritage that shows this well.

    Toegyewon Sandae Nori refers to mask Nori, which is handed down in Toegyewon, Namyangju, Gyeonggi Province. In the Joseon Dynasty, Toegyewon was the center of transportation and was a place where commerce developed. As the road to Hanyang was frequented by people, Sandae nori Yeonhui was popular.

    The performers were supported by merchants and rich people by setting the time for their regular performances, and based on this, they toured other regions.

    Toegyewon Sandae Nori consists of a dance and a play that dances and sings to the accompaniment of music, just like other masquerade plays, and consists of a total of 12 chapters.

    Songs are the sounds of the Sunsori system based on Gyeonggi folk songs, and include 'Youth Song', 'Changbu Taryeong' and 'Baekgu Taryeong'. The dance moves are largely divided into the dance of grandeur and the dance of sesame, and there are fifteen basic dances. The dance line is bold and powerful.

    In common with the Bon Sandae Nori, a fallen nobleman, servants, old men, grandmothers, and concubines appear to reveal the reality, satire, and laughter. The masks of Toegyewon Sandae nori were made by carving logs, compared to the masks of Yangju Sandae nori as the main ingredient of the masks of Toegyewon Sandae nori are unique.

    In particular, among the 16 Sandae Nori masks made around 1865, the words "Gyeongbok Palace Joyeong Time Using Toegyewon-ri Sandaedogam in Yangju-gun" are engraved on the back of the mask, enhancing the historical and cultural value of Toegyewon Sandae Nori.
  • 1979.8.3
    designated date
    Nongak is the music played by farmers when they squeeze their dure and play percussion instruments such as kkwaenggwari, Jingo, Jango, and drum. According to the purpose of performing nongak, the types can be divided into Dangsan Gut, Madang Bapgi, Gulip Gut, Duregut, Pangut, Kiuje Gut, and Baegut. If classified according to regional characteristics, they are divided into Gyeonggi Nongak, Yeongdong Nongak, Honam Jwado Nongak, Gyeongnam Nongak, and Gyeongbuk Nongak.

    The nongak of Jeollanam-do can be largely divided into Jwa-do, Udo, and Seobuan-gut, based on the manner of the procession, costume, and musicality. Among them, Jwa-do-gut is a nongak developed in the mountainous region of northeastern Jeollanam-do, and has the characteristics of excellent group play and fast rhythm and movement. So, while focusing on the top play, the bottom play Goodpap gives the impression that it is light and continuous. Hwasun Hancheon Nongak belonged to Jwa-do-gut and was handed down about 200 years ago. Chagut is particularly well developed.

    Currently, Noh Seung-dae is recognized as the holder of entertainment in Hwacheon Nongak.
  • 2012.8.3
    designated date
    He participated in the Hapjukseon project with his father Um Ju-won from his boyhood, and was trained in the Hapjukseon production process from 1991.

    In 1997, miseongong, run by acquiring ordinary fellow Colonial paradoxical the debt and varnished with lacquer on the shaft of an arrow that have remained only by studying the relics and records of techniques and hapjjuk.Daeryun chilseon, 50 years old baekjjeop chilseon, to reproduce.

    2008 Statue of the 7th Korean lacquer crafts competition
    2009 entry into the 34th Victory Crafts Competition
  • 2013.8.5
    designated date
    The shipbuilding yard is a craftsman who makes traditional wooden vessels, and Jeollanam-do has been designated as an intangible cultural asset because the traditional boat making technology is disappearing as the power lines became common, while fishing was developed early and fishing techniques were excellent on both sides of the southwestern coast.
    (Owner Cho Il-ok, Shipyard)
  • 2013.8.5
    designated date
    It is a labor song sung jointly by women in the mountainous inland area of Jeollanam-do while farming fields.

    It was designated as Local Cultural Heritage No. 18 in Hwasun-gun on December 2, 2003, and was promoted to Jeollanam-do Intangible Cultural Property No. 51 on August 5, 2013.
  • 2013.8.5
    designated date
    To be held by shamans in order to appease the dead in the Sinan Jangsan-do, Bigeum and Docho areas.

    Washing Kimgut is a representative shamanistic rite in Honam, which cleans the spirit of the deceased and comforts their families.

    There are many differences from Jindo Washing Gut, which is important academically.
  • 2013.8.5
    designated date
    Jangsando Washing Gut is a religious ritual organized by a shaman for those who died in Jangsando Island and Bigeum and Docho areas in Sinan.

    Unlike nearby Jindo Sushi Kimgut, Ogu Gut is also important academically as it has a different editorial.

    As one of the shamanistic rites representing the Honam region, the rite serves to wash the spirit of the deceased and to soothe the families who face death.
  • 2013.8.5
    designated date
    The wild song in Galgok-ri, Yeongam, is a wild song that represents the song of rice paddy farming in the lower reaches of the Yeongsangang River, which is inherited in Galgok-ri, Sinbuk-myeon, Yeongam-gun, and is preserved in its original form.

    The Galgok-ri wild song contains the entire process of rice farming and the wisdom of our ancestors who worked to relieve their fatigue by singing.

    The composition of the song is 1 Mochi sound, 2 Mochi sound, 3 Nonmaegi sound - Chobeolmaegi (earning sound in the morning, afternoon sound) 4 dubeolmaegi (earning sound in the morning, afternoon sound), mandri (Uyasori), and Jangwon Pungjangmjangsori (Arong dalong).

    The "Gorgok-ri wild song" has a unique feature: morning and afternoon excursion. It is unique to the traditional style of farming. In traditional farming songs, the sounds of the two birds are the same, but in Galgok-ri, it was more efficient to sing different sounds in the morning and afternoon than to sing the same sound all day long. In particular, the folk music ‘eonmori’ used in piping, Cholla provinces <span class onmouseover = ' ' 2 = ' xml up 2 () ' () 2) ' onmouseout = ' dn> with the same configuration Muga. in (舞歌) </ span>The (new) tune and in line when the East Sea coast, Muga, Prodo Enea Grand Reserva, it seems that relatively a long history.<span class = ' ' 2 xml onmouseover (399) / 2 = ' up onmouseout = ' ' () 2 dn> an old law to conform, and of the (古制) </ span>. In 2004, he received the Presidential Prize at the 45th Korean Folk Arts Festival and was recognized as a valuable cultural heritage.
  • 2013.8.5
    designated date
    Woobong Dulsori is a highly artistic folk game performance that won the best prize for starring as a representative of Hwasun-gun at the Namdo Cultural Festival organized by Jeollanam-do in 2008.

    Ubong Deul-sori is a labor song characterized by its lyrical and static nature, unlike the sound of Neungju-myeon or Dogok-myeon, which surrounds the wide plain of the Jiseokgang River basin.

    While most of the sounds are personal, such as songs containing resentment and remorse about the lives of women oppressed by the times, Ubongsori is known to have excellent workmanship due to its macroscopic satire of the times.
  • 1983.8.6
    Designated date
    Nongcheong nori is a Baekjung (July 15th) game that was introduced in Masan and Changwon, and can be found in Dulege, an organization for village collaboration. It is said that it originated from the belief that the upper part of the upper part of the upper part of the upper part of the upper part of the upper part of the rock would be greatly appreciated if the upper part of the upper part of the rock was celebrated.

    Nongcheong nori can be divided into gije, plough jeon, prayer, entertainment and incense. Before leaving for Sangtubawi Rock, a memorial service is held, and a flag as long as 8m long is erected and a high-quality ritual is held as a simple sacrifice, and then the ritual is carried out to Sangtubawi Rock. They march around the flags escorted by the generals, and when they meet another farmhouse, they engage in a war of nerves. Both sides are whirling back and forth, and when the Sagak-dong rings, they run toward the opponent's flag, and if the attack squad climbs up the flagpole and walks or raises the flagpole, the game is over. The winning team should put a flagpole at the top of the standing rock, and the losing team at the bottom. After offering sacrifices in front of the rock and praying on their stomachs, the participants share their drinks and perform pangut with each other.

    Masan Nongcheong Nori is a game that reflects the religious ceremony of wishing good luck with a fierce fighting of spirit, and is characterized by giving recognition regardless of victory or defeat. Although this ritual was lost due to the construction of a water supply station at the top of Eobokgol, it is now meaningful to promote the unity and cooperative spirit of farmers.
  • 1983.8.6
    designated date
    Gamnae Gejuldanggi was a game played by villagers around the fifteenth day of the first lunar month in Miryang Gamnae, and it can be called a modified game of general village-level tug-of-war. As for the origin of the story, it is said that the village elders made a crab-shaped rope and pulled the winning team to settle the dispute as there were many crabs in Gamcheon area from the old days.

    Before the tug-of-war play, we pray for the well-being of the village and the victory in the competition with Dangsan Gut. While the rope is side-lined, the farmers sing Milyang Arirang and dance deotbogeegi dance to boost their excitement, and the farmers will have a preliminary match to pull the row and the jackpot and push the crab catcher away. This game is played in a circle with a diameter of about 2 meters, which looks like a crab's back. A total of 25 people, five from each side, will lie on their shoulders, five from each side, turn their backs against the other, and pull the rope. The winning team will take over as a good crab catcher that year, and at the end, the two teams will unite to hold a pangut.

    The Gamnae Crab Puller is an original folk game designed to resolve conflicts between the residents' harmony and nearby villages, and it is characterized by a small number of people holding the rope around their necks and pulling it down on their stomachs.
  • 2015.8.6
    designated date
    It is a rite held in Goheung-gun, Jeollanam-do, which is well inherited the tradition of Namdo-specific shamanism. On August 6, 2015, it was designated as Jeollanam-do Intangible Cultural Property No.58.

    Born in a hereditary martial arts family, Kim Myeong-rye met her husband and passed on as a family business, and has systematic knowledge and entertainment of Goheung Honmajigut.