Bamseom Bugundang Dodanggut is a village rite that combines ritual form and shamanic ritual. Initially, Bamseom Bugundang was located on the Han River Bamseom. In 1968, the village was disbanded due to the development of the Han River and residents lived in Mapo-gu and Wau Mountain. The Bugundang was also built at 28 Changjeon-dong, Mapo-gu. Although it is a village ritual, it is noteworthy that it is directly related to the Han River culture. This is a danggut that has an important meaning to recognize one aspect of religious activities in Seoul culture and history.

On January 10, 2005, it was designated as an intangible cultural asset of Seoul. Dangju medium owners, gimchungang been recognition of activity on March 17, 2008. Holder in the field of musicians include the recognition on March 17, 2008 gimchanseop no holder in the field of activity since November 13, 2017 and musician.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616)

Park Cheomji Nori, a folk drama enjoyed by ordinary people while satirizing the contradictions of yangban society since the Goryeo Dynasty, has been handed down by Namsadangpae as it was called puppet play, Hongdongji play, and Ggobak Cheomji Nori.

"Park" of Park Cheom-ji Nori, a social satire based on dolls, originated from making dolls a rip-off, and "Cheom-ji" is a name given for a government post that humorously satirizes yangban. Currently, a conservation committee consisting of about 20 residents of Seosan's Eumam Village, including the late Ju Yeon-san, serves as a village play on holidays. The play consists of seven streets per two yards of Park Cheomji Madang Intersection and Pyeongan Gam Madang Segeori, where several people move dolls behind the scenes and ask and answer the audience.

Park Cheom-ji Nori is the only folk puppet show in Korea that sublimates the contradictions of patriarchal and decadent yangban society into humor and satire through the main character Park Cheom-ji, and mask, mask, mask, and pungmul are also highly regarded for their artistic value.

Although Buddhist dance is called heavy dance because it is a dance performed in Seungbok, it does not refer to a dance performed by a Buddhist monk, and it is one of the most representative folk dances of Korea. The origin of the song is said to have been developed in the 1910s from the perspective of Buddhist culture and history, from the perspective of Buddhism and Kim Man-jung's novels, and among mask plays, there are theories that it is a dance produced by the anguish of old dance and Pagye-seung, but it is not clear which one is certain.

The monk wears white jangsam and red lyrics, and dances according to changes in the rhythm such as Yeombul, Dodri, Taryeong, Gutgeori, and Jajinmori, with a white jade-like cone and an exceptionally prominent birseonko. The movement of somersaults or flying arm movements is very unusual, and the accompaniment is used as a flute, daegeum, haegeum, janggu, and drum.

Buddhist dance is a very good dance that combines the delicate expression of sweet, adult, and loose rhythm with the subtlety of the dance.

After the death of the late entertainment owner Shim Hwa-young (1913-2009), his granddaughter, Lee Ae-ri, has been inheriting the vein of stewardship.

Sedo Durepungjang is a village community game that has been played for a long time in the village of Dongsari, Sedo-myeon, 15 kilometers southeast of Buyeo-gun. Dongsari Village is a typical farming village that has been built in the form of labor-intensive farming in a large front yard facing south. In this neighborhood, when the rice paddy farming season is in full swing, there is a tradition of making dure tissue and farming, so the dure farming is called "dure_.

Sedo Durepongjang, which is well-cooperative and co-entertainment, consists of Jilgutgut, Chilchae, Nonpungjang, Jipungjilgutgutnak, Jajinjirak, Jajinjigirak, Madangbapgariak, Dumachigarak, and Maejojirak. It has a relatively good tradition of 's Chungchungdo.

Park San-bong, who used to be called jabber, was the center of this pavilion and passed on to Choi Jong-nam. Seo Jae-eok, Yoon Gu-byeong, and Kwon Hyeon-ju were later recognized as the owners of the pavilion.

Danan is also known as the "span class='xml2' onmouseover='up2(1058)' onmouseout='dn2()'dn2()(>>>>>>/spanan, a disease known for its red spots on the skin and swelling of the face. It is known that the disease is caused by irregularities in villages and homes, or by evil spirits or evil spirits. Men and women of all ages develop the Dan, and the Dan has a high fever of 42 degrees.

Depending on the shape and shape of the platform, it is divided into 12 layers, including Cheongdan, Taedan, Hwangdan, Hongdan, Patdan, Pungdan, Bandan, Nokdudan, Todan, Memildan, Baekdan, and Gumok Gwangsoldan. I heard Dan's developing disease.It's called ," and when it develops, it involves acupuncture, folk remedies or anti-corruption rituals such as white porcelain and zaraffi, which are called " short-handedness".

Nana-ri Danjapgi is a unique form of disease in which most villagers unite to treat diseases because it is effective only when many people participate and the sound resonates in Sedongne, Nana-ri.

In the editorial, the play was related to the fall of Baekje, as it was used to defeat the Danguisin and was associated with the collapse of Baekje. It was a folk game with a great sense of tradition and history, and it was awarded the Presidential Award at the 36th National Folk Festival, and is now recognized as the holder of Lee Kyu-chan.

The knot originated from the beginning of the agrarian society, using vines, plant stems, etc. to make and use a convenient rope, string, etc. for human life. It has been used for clothing and grooming as it was used to store and transport objects and to produce tools necessary for daily life. It has been added with beauty, color, and beauty. The origin of knots and tea ceremonies can already be found in the New Stone Age's Seungmun earthenware (baby-patterned earthenware), but little has been passed down except recent ones, given that it is difficult to preserve the fiber for a long period of time depending on its humidity and temperature, and that most of them have to be knotted by hand.



Like most other warfiber crafts, literature records are hard to find and have only been handed down from hand to hand for a long time. After the flowering period, the demand for knots and tea ceremonies has decreased rapidly, and the old masters have disappeared. Not only is it during the natural decline, but its use has gradually decreased due to changes in life, so only the name and name of the tree are maintained.

Each head is a master craftsman who takes charge of managing, repairing, and publishing books at the same time engraves letters and detailed pictures on the bookshelf to make books requiring large withdrawals. Considering the regional characteristics that have established itself as the center of high printing culture, the government intends to designate and preserve the intangible cultural asset that will continue the printing culture of North Chungcheong Province.

○ In addition, Park Young-duk, who is striving to develop succession through constant research and systematic and diverse thinking, such as traditional engraving techniques on book boards, will be recognized as the owner of each market and will maintain his reputation.

Yoo Pil-moo, a native of Anseong-myeon, Chungju, has been known as the nation's best" traditional brush-making master" for more than 40 years since he entered the workshop at the age of 16.

Yoo Pil-moo's traditional brush production method is divided into 13 major processes, ranging from screening the original wool to feeding and subtracting grasses, and in detail, a lot of effort is put into the process, which requires more than 30 courses and 250 touches.

After the brush is finished, traditional patterns with Korean colors are added to the brush to add beauty.

In addition, there is a marked difference from other craftsmen in the process of removing fat to make the original wool into a brush stroke, and the method of adhesion of the brush and brush strokes.

The entrance is a technique used in many places to decorate the metal surface with gold or silver thread, and the entrance is our unique name. The term inlaid, which is commonly used together, refers to the technique of making patterns with different materials regardless of the material, and is called yanggam in China. Sanggam is a term that came from Japan. The traditional patterns used for the entrance are plant doors, animal doors, geometries, and letters, and the combination of them is harmoniously shaped, with a painted pattern in the background and a pictorial pattern in the center. The job site is an art that requires a high level of precision workmanship and a high eye for objects and patterns.

On January 12, 2006 been recognition of activity as holder of the choegyojun.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616)

The entrance is a technique used in many places to decorate the metal surface with gold or silver thread, and the entrance is our unique name. The term inlaid, which is commonly used together, refers to the technique of making patterns with different materials regardless of the material, and is called yanggam in China. Sanggam is a term that came from Japan. The traditional patterns used for the entrance are plant doors, animal doors, geometries, and letters, and the combination of them is harmoniously shaped, with a painted pattern in the background and a pictorial pattern in the center. The job site is an art that requires a high level of precision workmanship and a high eye for objects and patterns.

On January 12, 2006 been recognition of activity as holder of the choegyojun.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616)

It is well preserved in the traditional manufacturing technique of feldspar attached to traditional furniture to give it strength and style.

Gungjung Chaehwa, Royal silk flower making, is the art of making flowers with silk or ramie fabric preserved in the royal court of Joseon for the decoration or celebration of various royal and state events such as banquets and ceremonial rituals. The art, which has been registered on the list of Important Intangible Cultural Heritages in recognition of its close connection with the traditions of the Joseon royal court, uses various silk flowers as symbols of peace, longevity, or health.

Pansori Gobeop(way of playing buk) was born after the mid-Joseon Dynasty when Pansori was settled, and the Gosu (the buk player) accompanies Pansori with Buk.

It is rare to see famous gobeop master in the Joseon Dynasty. In addition, the development of gobeop was minimal as it was regarded as a means of Pansori classes. In the late Joseon Dynasty, pansori developed with a wide variety of characteristics, but it was not until the end of the 19th century that professional gobeop masters came out.

There are many theories of pansori technique, but they can be largely divided into posture theory, accompaniment theory, and acting theory. Recognized as a holder of pansori high-tech entertainment, Kim Jae-geun is a successor to the late Kim Myung-hwan, and Kim Myung-hwan's theory of pansori has several characteristics.

The first is to sit down and put the buk a little ahead of the singer's left side, usually with his right foot under his left knee and the buk before him, but Kim Myung-hwan plays next to his left knee. Second, it is considered to be not beautiful to open the drumstick wide or raise it above the head with hands. Thirdly, the playing of the buk is usually 4~6 points depending on the gosu, whereas Kim Myeonghwan is 3 points in the middle of the buk and the right corner of the drum and the front right of the drum.

Kim Jae-geun, who received the gobeop from Kim Myung-hwan, is striving to foster younger generations with his teacher's old style and his own style.

Pansori refers to a singer who intertwines a long story by mixing sing (sori), narrative (aniri), and a gesture (neoreumsae) to the rhythm of a drummer.

Pansori was famous for eight pansori singers from around King Sunjo (1800-1834), including Gwon Sam-deuk, Song Heung-rok, Mo Heung-gap, Yeom Gye-dal, Go Su-gwan, and Shin Man-yeop. They developed their rhythms and tunes as they are today. They were divided into regions such as Dongpyeonje (Northeast of Jeolla Province), Seopyeonje (South Jeolla Province), and Junggoje (Gyeonggi and Chungcheongdo Province).

At the time of Pansori, the length of one madang(piece) was not that long, so the number of Pansori was twelve madangs. Currently, only Chunhyangga, Simcheongga, Sugungga, Heungboga, and Jeokbyeokga are handed down as the five madang or five batangs of Pansori.

Sugungga is one of the five madangs of Pansori, which is also called Tobyeolga, Rabbit Taryeong, and Byeoljubutaryeong. When the Dragon King became ill, he lured the rabbit to the palace to get the rabbit's liver for medicine. However, it is a pansori that tells the story of a rabbit coming back to life by tricking the Dragon King.