A bedline refers to a stitch in a needle, which is the whole of the doubles. Clothing is a generic term for clothing and decorations, so the scope includes everything that can be made of sewing by threading a needle. The person who has this technique and its function is called a bedclothes.

It is said that it was before history that people started sewing. The Silla-era metalwork, similar to the current needle, was excavated, and a significant level of bedding during the Three Kingdoms Period is well illustrated by the murals of Goguryeo and the "Samguk sagi." The Goryeo and Joseon Periods were further developed and passed down to this day.

The necessary tools for the bedding include cloth, needle, thread, failure, thimble, scissors, ruler, iron, iron, nail needle, etc. As for fabrics, silk, cotton, ramie, and linen are mainly used. In fact, we use a lot of cotton yarn, but silk sewing always uses silk thread. The choice of yarn depends on the material, color, thickness, etc. of the fabric.

The stitching method is basic persimmon and groove, stitching, topsoil, whipping, and balling, etc., and the necessary stitching method is used depending on the area of the garment. According to seasonal changes, seams are sewn thinly in summer, and cotton is added in spring and fall to make warm clothes. In particular, our clothes have features that highlight the beauty of the detailed plane and curve.

In the past, all women had to know how to do the needlework, so the needle method continued to be practiced in the house and learned how to do it. There were times when the technique was passed down in the royal court due to bedrooms, but it was generally inherited by the family and is now impossible.

On December 31, 1996, Park Gwang-hoon was recognized as the holder of the function of the intangible cultural asset burial site and passed down our unique burial technique. On August 10, 2017, he was recognized as an honorary holder.

bbb※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616). </bb

This liquor is made of rice with lotus leaves, and lotus petals have a unique scent, so it is called lotus leaves.

It is a liquor made from brewing technology that was used by Yean Yi Mun, who lives in Oeam-ri village. The village was inhabited by Yean Yi Clan from generation to generation, and a manuscript written by Yi Won-jip (1829-1879), the founder of the Yi Ik-seon, recorded the method of manufacturing lotus wine, but it is not known exactly when the brewing method began.

Mix 7.2kg of rice and 1.8kg of glutinous rice to make and cool rice and mix 4.5kg of yeast. After drying the pot with fire, put 500 milligrams of lotus leaves in the pot first, then add mixed rice and pour 18 liters of clean underground water.

After 30 days of making alcohol, you can get about a whole bowl of alcohol when you drink water. Be careful not to use bottled water when you make lotus wine, or you may rest in hot weather, so make it when the leaves are not dry before the frost. If you make it like this, alcohol does not change even in spring and summer.

Asan lotus wine is now handed down by Choi Hwang-gyu.

Embroidery is a field that has developed along with doubles along human aesthetic desires, and refers to the work of using needles to place patterns in five-color yarn on top of fabrics. A person with the technique of embroidery and its function is called an embroidery field.

Embroidery, developed from ancient times along with religious decorations or costumes of ceremonial events, has been applied to clothing since the Buyeo period before the Three Kingdoms Period. During the Three Kingdoms Period, the "Samguk Sagi" recorded that Goguryeo wore silk clothes embroidered during a gathering of government officials. From the Unified Silla Period and the Goryeo Period to the Joseon Dynasty, embroidery has been widely used in the decorative functions of household goods beyond the scope of medical life.

The embroidery colored yarn is made by twisting the yarn extracted by the cocoon with other threads, which adjusts the thickness, thickness, and slack accordingly depending on the type of embroidery. Dyeing was a natural dye, so it shows a unique pictorial appearance with beautiful and soft colors.

Embroidery is an artistic work that requires sincerity, patience, and concentration, and goes beyond simple handicrafts. Han Yeong-hwa was recognized as the holder on December 31, 1996 and became the honorary holder on September 10, 2008.

※For more information on the above cultural assets, please contact the Seoul Metropolitan Government Department of Historical and Cultural Heritage (☎02-2133-2616).

A knot is a person who has the skill of making various kinds of knots or putting on alcohol using a string.

The string refers to the weaving of three or more strings together with several strands of thread. Alcohol is used to decorate the bottom of a string or knot, and is used for various musical instruments and Buddhist vessels. A knot used as a decoration for a costume or ritual utensils is also called an answer or a defect.

The origin of the knot can be seen from primitive times, but whether the purpose is for decoration or practical purposes, the knot technique that has continued to this day was introduced through China during the Three Kingdoms Period. The records of "Daejeon Hoe-tong" show that there was a knot belonging to the state during the Joseon Dynasty.

The materials for the knot include silk thread, ramie yarn, doctor's room, hempecil, and wool, and vary in shape depending on the color, thickness, and texture of the string. The name varies depending on the region.

The name of the knot comes from all kinds of objects, flowers, and insect names that we easily see and use, including raw fish, butterflies, dragonflies, and chrysanthemum mates. Alcohol also varied according to its use, including daughter skills, sewing, hoppaesul, and bell wine, and even the same type of alcohol had different dignity depending on the court and locality.

The knot was designated as an intangible cultural asset to protect and transfer traditional craftsmanship. On December 31, 1996, Kim Eun-young was recognized as the holder of the intangible cultural asset knotting function and passed down our unique knotting method, and was recognized as an honorary holder on November 16, 2017.

※For more information on the above cultural assets, please contact the Seoul Metropolitan Government Department of Historical and Cultural Heritage (☎02-2133-2616).

A najeon is a type of shell that is thinly ground and attached to objects in various patterns. In Korea, the native word "jagae" is used. Najeon lacquerware refers to a craft made by attaching a najeon pattern to an object and lacquering the top, and Najeonjang refers to a person with such skills or functions.

It is assumed that the technique of najeon lacquerware was introduced in the Tang Dynasty of China. In Korea, a large amount of lacquerware was excavated from ancient tombs dating back to the Silla Period, and the lacquerware from the Baekje and Samhan periods were also excavated, suggesting that it was widely used as a common household container in the Three Kingdoms Period.

According to the production process, a wooden frame for crafts such as a dressing table and a statue of a teacher is made of white bones. Rub the surface of the white bone evenly with sandpaper, then apply the chill porridge to fill the gap in the white bone and attach the shell to the white bone. It is then completed through the process of polishing, lacquer and polishing. The method of making patterns is to make a geometric pattern by attaching a small-cut top like a thread to a white bone, and to make a chrysanthemum, turtle, etc. shape by grinding the shell with a saw and a geometric pattern. During the Goryeo Dynasty and the early Joseon Dynasty, most of the plants were peonies, chrysanthemums, and lotus flowers, while most of the designs were made in the mid-Joseon period, including hwajo, Ssanghak, grape, plum, and sagunja. Recently, interest in traditional crafts has been rising, and they have been gradually resuscitating them with daily crafts.

On August 10, 2004, Chung Myung-chae was recognized as the holder.

bbb※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616). </bb

Ojuk is a bamboo that has long been regarded as a sacred symbol of the Chunghyojeongjeol, which has been called jajuk in China and black porridge in Japan. The color of the ojuk is very beautiful and varied, and the surface is also an excellent material that does not require painting. A person who has the skill and ability to make craftwork with these porridge is called Ojukjang.

It is used to cut down bamboo trees that are at least five years old and dry them for more than five years to make bamboo fields, and what can be used as a whole is used to dry them for more than 10 years, so that they do not burst and go bad even after a long period of time.

Ojukjang is a traditional craftsmanship. On December 31, 1996, Yun Byung-hoon was recognized as the holder of the function of Ojukjang, an intangible cultural asset, and was recognized as an honorary holder on April 13, 2017.

bbb※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616). </bb

Supermarket refers to a person who has the skill and function of making granite. Hwamunseok refers to a mat that is hand-wrapped and cut according to the pattern of a dyed royal bone.

Hwamunseok was used in the summer mainly because of its smooth and cool exterior, and was also used in the winter due to its coldness and warmth. Silla already had a government office in charge of the production of hwamunseok, and during the Goryeo Dynasty, it was widely known to foreign countries and even sent hwamunseok with dragon patterns to the Liaoning Dynasty of China as a special product. By the Joseon Dynasty, the demand for hwamunseok increased.

The process of making hwamunseok is first dried up for three or four days. When it dries white and glows, soak it in water for a day, then wash it off and dye it. Hwamunseok is composed of squares or rectangles, so there is no change in shape and only a different pattern. The number of people wearing this depends on the width.

As of December 31, 1996, Han Soon-ja was recognized as the holder of the Intangible Cultural Property, and as of September 21, 2017, there was no holder.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616)

Silver factory refers to a person who has the skill of making crafts with silver.

Silver crafts include jewelry, earrings, jangdo, binyeo, and rings used by women, as well as daily items such as silver spoon, silver jugal, bowl, waste white kettle, silver tray, and silver carving. The methods of shaping silver artifacts include a variety of colored silica powder on a silver basis, and a black cloth with various patterns and gold.

The carving techniques used in silver crafts include inlaid and inlaid, which are made by digging grooves into metal surfaces and inserting silver into them. A particle is a sculpting technique that pecks metal surfaces with chisel to make them rough, attaches silver to them, and then pecks them with chisel again to make patterns and peel off the rest.

As of December 31, 1996, Kim Won-taek was recognized as the owner of the silver factory. On August 7, 2006, Lee Jung-hoon was recognized as the holder on September 10, 2008. As of September 23, 2017, there is no holder.

bbb※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616). </bb

A folk painting refers to a practical painting drawn according to daily life and customs, focusing on the decoration of living space, and the person who paints such folk painting is called a folk painting. Folk paintings were especially popular in the late Joseon Dynasty, as paintings by ordinary people and the working class. Most of them were painted by unknown or wandering artists who did not study painting properly, so there is no optimism (painting a name or an arc) of the painter.

Folk paintings have been continuously painted over the years, deeply rooted in the lives of ordinary people from the upper court to the lower court. The material is also diverse, so there is no limit to the material. From landscape, flower, and genre paintings simply for decorative purposes to folklore, Buddhism, and Confucian folk paintings, the subject matter is endless. As a characteristic of technique, it was painted by an unprofessional artist, so the spatial composition is diverse and free. It also has few dark and dull colors, bright and clear, primary and colorful.

Folk paintings have long been preserved as the most intimate joy of life by portraying materials related to Korean thought, faith and life. Minhwajang was designated as an intangible cultural asset as a folk craft technique that reflects and expresses the thoughts of ordinary people. On December 31, 1996, Kim Man-hee was recognized as the holder of the civil cremation function of intangible cultural heritage and passed down our unique folk painting techniques, and was recognized as an honorary holder on April 13, 2017.

bbb※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616). </bb

Stone structures refer to the foundations of the base, such as the base, stone, stone, and hexagonal axes where wooden structures are built. In order to build a stone structure, the strength, water pressure, and acupressure of the stone must be taken into account and the geometric principle must be understood. To become a master of stone structures, one must go through a long probationary period, overcome physical exhaustion, and have long experience and innate qualities.

Im Dong-jo is one of the few craftsmen who continue the tradition of building stone structures in Korea. In 1969, at the age of 15, he began to learn to work with his brother-in-law, who was working on stone structures. In particular, a brother-in-law of mentor, angio was damaged during Japanese occupation in 1968, Gwanghwamun restoration project who participated in the craftsman. Gwanghwamun, which was restored at that time, moved 13 meters east of Gwanghwamun in 2006 as part of a project to find its original location.

At that time, the owner was in charge of the relocation and restoration of the Six Axis of Gwanghwamun.

In addition to the base and hexagonal axis of wooden buildings, Im Dongjo also implements tasks such as dismantling and repairing already installed stone structures such as piers, handrails and stone pagodas by applying traditional techniques. In recognition of this ability, he participated in the restoration project of the five major palaces in Seoul. Recently, he was in charge of creating the foundation of the stone pagoda in the dismantling and restoration project of the Stone Pagoda in Mireuksa Temple Site.

Hwanggeum-ri, Damyang, is a typical rural village located in the middle of a wide field in the upper reaches of the Yeongsangang River. It is a village with a wide field and rich property, and has a unique artistic tradition, and the songs sung while farming rice paddies are being handed down.

Damyang's Golden Driedle Song covers the entire process of steaming unknowns, planting unknowns, tying rice paddies, and jangwonjil. And each song is composed of late sounds and frequent sounds, especially in the non-maggi area, various songs such as <Jihwasori>, <Tteol소리, <Nahesori소리, and 사Sadu YeoSori소리 are arranged. The composition and composition of the songs are well illustrated by the fact that they have been passed down with the style and spirit of folk art in Namdo. In particular, the transfer of various songs, including the mock-up song, which is hard to see in other regions, the collective spirit sung with strength and excitement, and the various and colorful musical composition and melody, illustrate the degree of tradition and artistry of the golden song.

Damyang's Hwanggeum Deul song represents the upper reaches of the Yeongsangang River. The tradition of folk art in the Yeongsangang River basin, which is the lifeline of South Korea, is preserved intact. It is a well-known wild song for its participation in the 13th Namdo Cultural Festival since 1983 and the 26th National Folk Arts Competition in 1985.

Nam Gwi-hee (born in 1948), a singer-songwriter, succeeded her father's entertainment and has been leading the Golden Singing Performance since her 30s, and is a native musician who has been living in Geumgeum-ri for three generations as a local musician with excellent singing ability. And residents of Hwanggeum-ri have a special passion for preserving wild songs. The village of Hwangyum has organized the Wild Song Preservation Society and established the Wild Song Training Center to continue the transmission.

As such, Hwang-Yi-Yum's wild song is well equipped with songs that correspond to the whole process of rice paddy farming, and has the characteristics of wild songs that belong to the upper reaches of the Yeongsangang River and inland areas of South Jeolla Province, which have academic value comparable to wild songs in the islands and coastal areas of South Jeolla Province, is well expressed by male singers, and is a collective labor art for the preservation of wild singing. In addition, it is necessary to recognize Nam Gwi-hee as an entertainment holding organization, Damyang Golden Ddeul Song Preservation Society, and as an entertainment holder.

Dongducheon Folk Song was designated as a cultural asset by combining folk songs that were handed down around Dongducheon. This includes a variety of folk songs, including a ritual for rain, a ritual for rain, and a play for Baekjung nori. In addition, not only folk songs passed down to one village, but also the sounds that were passed down to another nearby village are all grouped together.

In the old days, when it was time for unknowns, it was dark and rainy, so the women who gave birth to their first son in the village went out to the stream with their height and said, "The sound of rain in the water." In this way, he believed that God of Heaven would let the rain down. The sound of "Mulkaburi" is divided into the sound of Bokshin and the sound of "Animal Call." The lyrics suggest that it is a piece of music of the Binari family, and the actual melody of the song is sung on the Changbu Taryeongjo.

When planting rice paddies, ' 모 모 모 모' is called '훠훠소리소리' which is the sound of planting rice plants. Non-maegi is performed three times a year. The first non-maegi is called "Gianta-ryeong," the second non-maegi is called "Gilbang-at-ryeong," and the third non-maegi is called "Ginbang-an-at-ryeong." At the end of the rice paddy season in Baekjung, people wash and store homies that they have used. Under the ginkgo tree in the village, they sing "Ninano Bangataryeong" while playing with Nongak in hopes of a good harvest.

The funeral service calls for the bier-carrying bier, which is divided into "old bier sound," "modern bier sound," and "old bier sound." They also sing "The Sound of the Moon Riding" and "The Sound of the Earth Closing" to create the tomb, and at the end of the Moon Riding, they sing "The Sound of the Bird" to prevent evil. Dongducheon Folk Songs have well-known local characteristics such as folk games and folk songs in northern Gyeonggi Province.

Since 1973, Bae has been engaged in the production of Dongnae Traditional Kites and kite flying for more than 40 years. Bae Moo-sam was confirmed to have continued the succession of Lee Soo-yong and Han Tae-jeong in the field of Dongnae Traditional Lanterns as the late Dongnae Yaryu owner Jang Mun-won testified in his lifetime that he had been taught the production function of Dongnae Traditional Lanterns by Han Tae-jeong and Park Yun-su for more than a decade.

Korean traditional kites can be largely divided into 'Bangpaeyeon' and 'Gaoliyeon'. Although Dongnaeyeon is not much different from traditional kites, Dongnae area with the sea is a place with strong winds in winter, so the standard of kites is made in the ratio of 2:3, 5:7, and 7:9, which is golden division shape. The kites are placed in two layers, are round, and the kites are not flat, and the lotus is shaped like a circle to make the light.

Bae Moo-sam has his own unique traditional kite production function and is fully qualified to designate and recognize intangible cultural assets designated by Busan Metropolitan City, as he has a distinct family tree, and is producing 'Meoriyeon' with a red and black 1/4 won painting on the tail of the kite.

Suyeongji Sinsinbapgi is a folk game that was held on the fifteenth day of the first lunar month, as well as a ritual to pray for the safety of the village and the welfare of the residents by visiting the Gaga Lake in Suyeong-dong more than 250 years ago.

The participants are 30 musicians and 21 mixed colors, followed by Dangsanpuri, Wellmulpuri, Insagut, Madangbapgi, Seongjupuri, Jowangpuri, Jangdokpuri, Gokganpuri, Jeongnangpuri, Sapjappuri, Pannori, and Jegigakje. The melody is elegant and deep, and the sound is less sour than other regions, which clearly reveals the sound path of the Manarijo in Gyeongsang-do.

In particular, the ritual for burning paper flags at the end of every ritual is held, which is a kind of ritual for burning the liquid while burning the flags used for the last jisinbapgi after all the rituals, and it is also a characteristic of Suyeong alone that the folk religion with ritualistic characteristics was more prevalent than other regions. In addition, the holders of the musical instruments are also highly skilled, consisting of professional entertainers such as Suyeong Yaryu.

Busan Gijang Ogugut is a memorial rite (Cheondoje) for the souls of the dead. It has a family rite and a room rite, and it consists of twelve streets, from Jeongjeonggut to Siseok. The dense blend of Buddhist contents and colors, such as salt Buddha, sophora, jasam, and rhythm, has a unique characteristic that can be compared with the Buddhist ritualistic style, and shows the unique historical perspective of Koreans.

Along with the private pool of Haewon and Cheorwon, it is an important cultural and artistic heritage that provides unique characteristics of the region along with the universality of the Korean culture and arts, as it has the unique life and dance spirit of Korean shamanism, which invokes the spirit of Salpuri, the extreme form of singing, dancing, and various shapes, and sends death.

Muui and Muga holders Kim Dong-eon has a clear lineage of succession, and has outstanding skills in Ogugut's unique private pool, as well as outstanding skills in Ogugut's unique private pool, while Kim Dong-ryul, a holder of musicians and Jihwa production, is paired with Kim Dong-eon in musical performance and rhythm, and is fully qualified as a holder in the production of Jihwa, Yongseon and Mugu.