Iksan Mokbal Song is a folk song handed down from Iksan and was sung by woodcutters who used to beat on crutches, the legs of the Jigae. A crutches song refers to a song that combines six songs, including Santa-ryeong, dorsal song, jigae-gi-taryeong, dongdang-taryeong, and sangsa-sori.

The crutches have different rhythms of tunes, as the songs vary depending on the woodcutters' heavy loads, light loads, and when they go out to an empty fork. When cutting down trees or grass, they sing Santa-ryeong of the slow Jinyang Jojangdan, and then when they come down carrying a tree, they sing the slow Jungmori rhythm's back song. When returning to the village or when there is a fresh breeze with a stick of wood, they sing a jigaemokbal song by Auckmori rhythm, a jigaegi rhythm by Gutgeori rhythm, a dongdanggi rhythm and a sangsa sound.

Iksan Mokbal Song is a precious song that has been likened to the flower of agriCultural culture, Park Gap-geun, who lives in Iksan, has been recognized as a holder of entertainment and continues his career.

Lee Kang-ju, a representative native of our hometown, is believed to have been successful since the mid-Joseon Dynasty. As for the manufacturing methods and taste of rice wine, it is well illustrated in 16 executive papers, Dongguk Sesigi, and Myeongju in Korea.

Jeonju Yi Gangju first distills 30 degree soju using clear and clean water, wheat and white rice. Then, apply each extract of 20 grams of ginger, 3.75 grams of cinnamon and 7.7 grams of turmeric, as well as 5 juices in 30 degree order, and then combine them again with 600 milliliters per fructose to complete. Lee Gang-ju, which is made in this way, is loved by many people to this day by day.

It was designated as the No. 1 traditional Korean food master after 40 years of training at Suwangsa Temple and received awards at various traditional liquor fairs. It is currently striving to foster the younger generation through training.

Lee Gil-ju was born in Jeonju in 1950 and learned Korean dance by entering Choi Sun. Honam Sanjo Dance is a traditional dance of the Kibang system that connects Lee Chu-wol, Choi Seon-eun and Lee Gil-ju, and it is a dance that freely sublimates the Korean traditional dance, which is a representative characteristic of Korean dance that performs the best dance according to the improvised sancho performance.

Lee has won a number of competitions including the Korean Dance Festival and the Sicily Dance Festival in Italy.

Kim Gwang-sook was born in 1944 and was taught dance by Jeong Hyeong-in, Choi Seon-eun, and Park Geum-seul. In particular, Park Geum-seul taught dance moves performed by government officials during the Joseon Dynasty. Kim Kwang-sook won a number of awards, including the Korean Dance Festival and the National Gugak Contest.

"Raegimu" is a kind of playful dance in which girls in the classroom, who are exceptionally good at playing music, dance to cheer up the participants at parties or play fields.

This dance is also known as Gyobang Dance, and a gisaeng (gisaeng dance) must not only have a high level of talent but also have a good sense of humor that makes it easy to enjoy.

There are many dances, such as mouth dance, gutgeori dance, and towel dance, which were called the Buddhist monk dance and sword dance, and there are dances in which people dance with double fans, towels, and plates in turn, which are also called plate dances.

Buddhist paintings are an important area of Buddhist art that is subject to worship at Buddhist temples along with Buddhist statues. After the introduction of Buddhism, Korean Buddhist paintings developed greatly in the form of murals and tangs. Especially during the Goryeo Dynasty, they were recognized as the highest-quality works in East Asia. A Tang painter is a person who paints Buddhist worldviews, such as portraits or scriptures of Buddha or Bodhisattva, which are common in temples. Along with the detailed description, the tanghwa is called a task that is almost a performance as it also requires careful attention to the use of colors.

Lee Sam-yeol was born in 1945 and was taught Korean Buddhist paintings by Kim Il-seop. He participated in the construction of Dancheong and Buddhist paintings in major temples across the country, including Geumjeongsa Temple in Busan, Gimje Geumsan Temple, Gyeongju Bulguksa Temple, Seoul Haknimsa Temple, Busan Seonamsa Temple, Yesan Sudeoksa Temple, Jeongeup Naejangsa Temple, Gochang Seonunsa Temple, Muju Anguk Temple, and Wanju Bongseo Temple.

Lee Sam-yeol faithfully inherits and creates the sketches from Kim Il-seop, and his character's expressive ability is outstanding, and his overall work is excellent, including writing and coloring.

Didilbanga Actuemak Nori has been handed down as a comprehensive folk play, accompanied by dance, music, and ritual ceremonies to pray for the well-being of the village and prevent the disease from spreading more than 250 years ago.

Mo Bo-kyung's master singer received the honor of her mother, Choi Seung-hee, and entered the sound naturally in an environment where she heard a lot and grew up.

Iksan Seongdang Port Village is located on the west side of the Geumgang River. It was once called Seongdangpo or Seongpo, which was the site of a cathedral window that controlled Segok from Goryeo to the late Joseon Dynasty. Visitors can feel relaxed while learning about murals, Hwangpo Sailboat, and the ecology of the Geumgang River, which reflect the history of the traditional port village.

In Seongdang Port Village, there is a Pogu Travel Program where you can experience the life of fishermen through the history of Pogu, the course of sailing along the Geumgang River, Hwangpo sailboat riding, taking pictures of Pogu, and drawing pictures of Pogu, and the Geumgang Ecological Exploration Program where you can experience life in Pogu, where the hardships and joys of the life are buried, and sorrows of the Geumgang. Especially, in the village of Seongdang-gu, Iksan-si, the habitat of Goran-cho, a rare protected plant, is located, giving you a new experience.

Cho Yong-an

- Introduction in 1981.

- Prime Minister's Award at the 1988 National High-Level Meeting

- Presidential Prize at the 1995 National High Commissioner's Congress

- Performance with Kang Do-geun, Park Dong-jin, Oh Jung-sook, Jo Tong-dal, Ahn Sook-sun, and others

A cilantro is a drummer in pansori, and as the saying goes, 'a cilantro's female cilantro' is an indispensable in pansori.

As an accompanist, the role of a drummer harmonizes with the sound through the drum beats to breathe life into the sound board, adjusts it to maintain a constant speed, and also empowers it to make a better sound through chime.

The holder of the book runs through the northern part of Jeolla-do, starting with Jeon Gye-mun and passing through Song Yeong-ju.

[Park Gye-ho]
- Beginning in 1986 and making Hapjukseon after generation
- Entering the 29th National Crafts Competition in 1999
- 2014 U.S. President's State Visit Gift Production and Demonstration of Palace Museum Production
- Entry to the 42nd Korean War Victory Crafts Competition in 2017

"Seonjajang" refers to a craftsman who has the skill and function of making traditional fans. Our country's fans can be divided into large round shaped fans and folding and folding folding fans. Among them, Hapjukseon, the folding fan, was the most sophisticated and sophisticated fan handed down to date, and was a representative artifact of the country from the Goryeo Dynasty that was combined with najeon, metal, lacquer, and jade crafts.

Hapjuk is made by attaching the outer and outer edges of bamboo. It is known to have been first produced in Damyang, South Jeolla Province, the main producer of bamboo during the Goryeo Dynasty. During the Joseon Dynasty, Hapjukseon was mainly produced by artisans of government offices called Seonjacheng in Jeonju, where Jeolla Gamyeong was located, and was also used for diplomacy and foreign trade.

Introducing the holder of Kim Han-il

- Introduction to 1960.
- Blacksmith's operation since 1974.
- Entering the 24th Victory Crafts Competition in 1999
- Selection of functional winners in 2009 (Ministry of Labor)

A fieldmaster is a craftsman who makes or repairs tools and tools by heating and tapping metal, and is called a blacksmith. A blacksmith is an important profession that has produced weapons and agriCultural equipment since a long time ago, and appears early in history.

In the past, many markets and markets were successful, but they are gradually disappearing due to changes in the times and the supply of mass-produced products.

Currently, the blacksmith's barn is located in Yongmeori Pass, and it produces farming tools, traditional knives, and household items.

Woodenware refers to a vessel made of wood, and a person with the art of making wood tools is called woodcraft. Woodenware is a specialty of Namwon, boasting a distinctive scent and exquisite and beautiful shape. The wood is hard and the lacquer is not peeled off, which is considered as highly regarded since the early Joseon Dynasty as compared to other local woodcrafts.

Ingredients for wood tools include duckwood, water-root, birch and ginkgo. The woodworking process is to cut down the wood and structure it in the form of rough construction. This is called Chogari, and it is then dried in the shade for about 40 days to prevent any gaps. The shape of the bowl is formed from the ash tree. These days, they use power to make straws and ashes. When the ashore is finished, paint it five to seven times and dry it again for about 10 days.

Woodenware produced these days is mainly chemically painted, while traditional woodware is lacquer. The lacquer woodwork is a natural paint without any workmanship, and its color is more vivid after two to three years, and its waterproof and sterilizing effects are great, so it does not grow small even after a long time, and it is a traditional craft that does not decay even if buried underwater or underground. Wooden utensils are mostly jegi, and they mainly produce wooden crafts such as vases and jars, and rice bowls used in temples.

Wooden craftsmanship is a traditional craftsmanship, with the recognition of Kim Gwang-ryeol and Noh Dong-sik as functional holders.

The pansori of Gangsanje, which was created by Park Yu-jeon, one of the eight singers of the late Joseon Dynasty, has been called in Mokpo, Boseong, South Jeolla Province, and Namwon, North Jeolla Province, and Gangsanje has many characteristics of dongpyeonje as it was created by choosing between dongpyeonje and Seopyeonje pansori.

Yoo Yeong-hae has a genealogical characteristic that leads from Park Yu-jeon to Jeong Jae-geun, and from Jeong Eung-min to Jeong Je-jin and Jo Sang-hyeon. Especially, there are many commandments, and the tone of the sound is smooth, making the listeners feel comfortable. He has held more than 10 full-length presentations, is an important Intangible Cultural asset recipient, and is a recognized master singer who won the Namwon Chunhyangje Presidential Award.

Born in Buan in 1935, Kim Bong-gi lived in Han village with Jeong Gyeong-tae, Seokam, and learned the lyrics when he was young, and was later taught by Go Min-soon, an Intangible Cultural asset of Jeollabuk-do.

Kim Bong-gi is not only clear and quiet, but also has the feeling of continuing the sound flexibly like a bead rolling, even though it seems to be cut off by high-pitched processing.

Kim Bong-ki won a number of prizes, including the Jeonju National Women's Poetry Competition and the National Southern Women's Poetry Competition.