Arrow shooting is a traditional martial art or game in which one uses a bow and arrow to hit the target. Archery has been used as one of the major martial arts since ancient times, and was handed down as elegant sports or play centered around the noble family.

Pyeonsa nori was a game of archery, with turpyeonsa, osteoporosis, Janganpyeonsa, Sarangpyeonsa, and Hanyangpyeonsa, which were divided into three grades, respectively. Among them, Jangan Pyeon Sanoori is played in one place inside the capital city and in the other with several bouncer areas on the outskirts.

The place where archery is performed is also known as a place of activity, or a place of business, or a place of activity, and there is a pavilion in the place where there is a pavilion called "span class='xml2' onmouseover='up2 (2458)' onmouseout='dn2()'사Sajeong정/span>." During the early Joseon Dynasty, Government offices managed the situation, but after the Japanese Invasion of Korea (1576-1608), King Seonjo (r. 1562) built a "span class='xml2' onmouseover='up2(3747)' onmouseout='dn2()Ounjeong정/span' to the general public. Since then, there have been many incidents in the provinces, which have become popular throughout the country, and at the end of the year, it was called "Seochon Osajeong" due to the five internal circumstances of the capital city.

Jangan Pyeonsa Nori originated from archery, which was revived in 1994 as a 600th anniversary celebration of Hanyangcheon Stream and was designated as Seoul Intangible Cultural Heritage No. 7 (owner Kim Kyung-won, conservation organization Jangan Pyeonsa Preservation Association) in April 2000. Since October 28, 2017, there has been no holder.

The archery of Jangan Pyeonsanol will be played by selecting a certain number of players, and the total number of arrows shot by each player in three order (five shots in one order) will be combined to form a competition.

In addition, Jangan Pyeonsa Nori has Pungak and Gisaeng, which are played by two or three people standing side by side behind the bow-shooter to stimulate the excitement of the bowlers.

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The palace refers to a bow, which was traditionally used for combat purposes from prehistoric times, and it is called a court chief who has the skill and function to make a bow.

Stone arrowheads used in prehistoric times are found throughout Korea, and records show that bows were used in Buyeo, Okjeo, Mahan, Jinhan, and Byeonhan, which were tribal countries before the Three Kingdoms. It takes about 80 days to make an arrow, and the materials for the zelkova, mulberry, willow, and cones vary depending on the timing and materials.

The palace is a traditional craftsmanship, and Kwon Moo-seok has continued to produce bows from generation to generation in Yecheon, North Gyeongsang Province, a famous place for traditional archery.

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Chokjeok ( 가리킨다) refers to a musical instrument played by blowing thick, tough leaves into the lips and at the same time playing with it. It is also known as Chogum and Pulpiri.

In the 24th year of King Seongjong's reign of Joseon (1493), a royal music book compiled by Seonghyeon and others, there is a collection of chowgeum, and a collection of chowgeum music is also seen in the royal court's Jinyeon-gwe, a report on the royal ceremony. In addition, the records of Chogum Sinawe and Chogum Samhyeon, which were recorded by a Chogum master named Kang Chun-seop during the Japanese Colonial Period, appear to have been played as professional music in the royal court and in the private sector since early on.

The court music's foundation has already been cut off, and the private music's collection is almost at risk of being cut off. Fortunately, Park Chan-beom, who was designated as a first-time entertainment holder, held several performances as he could learn Chogum from his father and make Chogum's voice well, and play Sinawe well with Chogum. He also played Chogum with an orchestra.

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A craftsman who makes musical instruments is called a musical instrument master. The names of artisans related to instruments such as pungmuljang, jangjang, and gongjang are visible on the factory lanterns of Gyeongguk Daejeon during the Joseon Dynasty. There are about 60 to 70 types of musical instruments produced in Korea and handed down to date, including our own instruments and those from China or the West. There is no craftsman who makes all of these, but each event is classified as a musical instrument.

There is no clear record, but it is believed that there have been professional craftsmen who make musical instruments since the Three Kingdoms Period. Various wind and string instruments for the murals of Goguryeo tombs.The percussion instruments and others appear, and musical instruments are also visible in the patterns of King Beomjong of Silla. A figure of Gayageum figures is also found in Tou, Silla, which is believed to have been around the 4th century. In addition, the birth of musical instruments can be seen in the tales of Wangsanak in Goguryeo, Kasil King in Gaya, and Manpa Sik in Silla, but there are no stories about artisans and methods of production.

During the Joseon Dynasty, the musical instruments were used to make musical instruments and clothing for national rituals and ceremonies, which were valued by Confucianism.instrumental colors, musical instruments inc.A special department was established, such as the Musical Instruments Agency. In addition, the state-run music organization, the Gukjawon, mobilized craftsmen from various fields to direct and supervise the work, and finally supervised the tuning and ending of musical instruments.

Traditional musical instruments can be classified as string instruments, wind instruments, and percussion instruments, or they can be classified according to their materials, and eight important materials are called selling. Gold and silver are instruments made of metal and have backs. Seok is a stone instrument made of pyeongyeong and special features. These include geomungo, gayageum, haegeum, ajaeng, and Bipa, which are made of silk strings attached to a resonator box. The musical instruments made as dead include a flute, milk stand, sugar drum, and Danso. Po has a raw yellow lantern as an instrument with ingredients of a bowl, and clay is baked with soil, with Hun and Bu.Hyuk is an instrument made by covering a round barrel with leather, including Janggo, Galgo, Jwago, Jeolgo, and Sogo. The neck is made of wood and includes Bak, Chuk, Eo, etc.

There are two types of gayageum: Jeongak Gayageum and Sanjoyageum, which differ in materials, size, tone, and coordination. Jeongak Gayageum makes a resonator by digging a thick oak tree, and Sanjo Yageum makes a resonator box by adding chestnut wood board to make a resonator. Unlike standardized Western instruments, the size gradually grows and becomes smaller depending on the physical condition of the performer. Jeongak Gayageum is about 160 to 170 centimeters wide, 30 centimeters wide and 140 centimeters long.Sanjo Yageum is much smaller and lighter in length and width, but it is said that Jeongak Gayageum was reduced and modified to play folk songs at the end of the Joseon Dynasty.

The paulownia tree should be naturally dried for more than five years by roughly trimming it from 30 to 50 years old. When attaching to a tree with different top and bottom, the sides are placed on the left side, where flowers or cherry trees are used. Yongdu and Bongmi are placed at both ends of the upper plate. Yongdu is the head of the gayageum, and Bongmi is the lower part.

On April 23, 2002, Kim Bok-gon was recognized as the holder of the event.

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Dungme refers to a place used on a bed or on a regular basis, and is sometimes used as a supplementary material. The material is a plant called Yongsucho, which is distinguished from Wanggol, and is widely native to rice paddies or streams and wetlands in our country. A grass having a sponge-like elastic seam inside a thin, long, cross-sectional stem; also called 'bone grass'. Currently, artisans who use this grass to make various kinds of household goods are Chochojang and Deungmejang. In addition to seats, mats, cushions, and other household items such as copper and hap, the red pepper paste and grasshopper are the master craftsmen who produce accessories.It is known that the term dungme is derived from the use of thimble and the addition of a buoy to the back for elasticity.

The curtain of the cart used the zodiac sign for the Three Kingdoms Period.There is a record of " and <Intuition조 had a Government office called Seokjeon, indicating that there was a craftsman who had been professionally making the position.

In Goryeo, the emissaries of Huto and Hujik, who were Sajiksin, were laid on the throne, while the royal family used the stone, stone, and stone of the gate, stone, and stone of the flower gate. Buksong's envoy Seo Geung is very soft in "The Goryeo Sutra" (the product of Goryeo) and does not go bad even when folded or bent. It is excellent that black and white mixes together to form patterns and cover the bed.It was of such excellent quality that it was called " that it was also used as a trade product with a foreign country.

During the Joseon Dynasty, there were seals and stone seals at the <Gyeongguk Daejeon전 factory, with eight seals in Jangheung High School and a total of 338 foreign factories in Hasam Island alone. When the governor was dispatched to China, it was an excellent specialty, as many as 124 Hwamunseok at once. Wanggol products such as Animation Stone, Cartoon Stone, Cartoon Stone, Yongmun Stone, Hwamun Stone, Japchae Moon Stone, and Chaehwaseok were used by the royal court and upper class.

It is said that the dungme was divided into a white stone and a patterned hwamunjang. After putting a blade on the mat frame, it is Baekseok who scores a goal with a needle between the days and squeezes it into the body twice, left and right.A pattern is placed on a white stone and a blank space is used as an inner space to support the fossil, while the edges are decorated with blue, black, purple, and brown cloth according to the color of the pattern on the background.

The types of patterns include characters such as Subokgangnyeong, geometries, and flower designs, most of which are surrounded by a border and have central patterns in the center. Various colored water plants are needed to insert the pattern. White is used by trimming and trimming Maeryeongcho, and is the basic color along with blue, red, black, and back. In recent years, various colors, which are frequently used, are used by dyeing water plants directly, but water plants are difficult to dye compared to fabric. There is a way to expose or hide the slope when making a seat, and the front one is called Nogyeongsojik and the back one is called Nogyeong Secretly. Naturally, it was considered to be excellent due to its meticulous workmanship and high density.

Choi Heon-yeol was recognized as the holder on April 23, 2002 and became the honorary holder on August 10, 2017.

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Although it is difficult to find a literary record of "Samhyeon Yukgak," it is generally believed to have originated from "Samhyeon Samjuk" during the Unified Silla Period, and Samhyeon refers to string instruments and Samjuk wind instruments. However, the current term "Samhyeon Yukgak" refers to the formation of wind instruments based on the addition of a flute, haegeum, and drum, while the meaning of Samhyeon, which refers to a string instrument, disappears.

Therefore, it is widely believed that the "Samhyeon Samjuk" of the Silla Dynasty changed to "Samhyeon Yukgak" over the years.

On May 15, 2014, Choi Kyung-man (Piri), Kim Moo-kyung (Haegeum), and Lee Chul-joo (Daegeum) are recognized as the holders and are active.

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Hanryangmu is a dance drama-style dance with a combination of acting, dance, and rhythm according to its role, which is characterized by a comprehensive artistic character.

The story of Han-ryang and a Buddhist monk seducing a woman adds to the fun of the viewers.

Mask dance dramas such as "Hallyangmu" have been popular throughout the country for a long time. First of all, if you look at the dance that appeared in "Gyobangga," which was performed in Jinju by Reverend Jeong Hyeon-deok in 1872, Hanryang, Gisaeng, Noseung, Sangjwa, and Sogi (Young Gisaengsaeng) appeared in the form of a dance drama.

On May 15, 2014, Cho Hung-dong and Ko Sun-ah were recognized as the owners of the hallyang and bridegroom, respectively. The holding organization is the Hanseong Quillu Gangseonyeong Dance Preservation Society.

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Sijo is known to have originated in the mid-Goryeo Dynasty and is a popular style of poetry during the Joseon Dynasty.Also known as 'timely song', 'timely unit song' and 'unit song'.

Shijochang became a regional feature when the tune was created in the sijo, influenced by the orchestral music such as Geomungo, Gayageum, Daegeum, Danso, and Haegeum.

Wanje of Jeolla-do and Yeongje of Gyeongsang-do, the economic and Cultural festival of Seoul and Gyeonggi-do. It was divided into Naepoje in Chungcheong-do.

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General Nam Yi was born in 1441 (the 23rd year of King Sejong's reign), passed the military service at the age of 17, defeated Yi Si-ae's orchids and Yeo Jin-jok at the age of 26, but was beheaded at the young age of 27 due to Yu Ja-gwang's slander. The Nami General Military Party (NAMI) is a ritual held every year after building a shrine about 300 years ago to console the general's spirit and honor his loyalty, feeling sorry for the loss of his life due to the dew of his prison sentence. On October 1, the festival was held to celebrate the eve of the festival, and residents were relieved of their worries, worries, and well-being, which naturally cemented the local folk religion.

When Nami General's Sadang Festival begins, geolippae visit each house with Nongak and pay for the rite. Rather than simply a geolip of a nongak band, it is a religious ritual that corresponds to village dolgigut, in which a shaman participates to pray for each house. In the past, Danggut used to serve flowers as a ritual for spirits that brought them to the main hall, but now it has developed into a flower lantern event, marching from the Dangjip in Sancheon-dong to the shrine and holding a ritual at the shrine. The Nami General Military Party is held as a ritual ceremony in accordance with the ritual music of musicians, followed by a shaman rite, which is similar in form to the Gangneung Danoje Festival and the Eunsan Byeolsinje Festival. However, the general procession is actually equivalent to a journey to the village of God by taking a walk around the village with a new flower.

In the midst of the disappearance of village ritual in modern times, the Sadang Festival in Nami-gun is meaningful in that it preserves its original appearance, and it has become a festive village ritual with active cooperation and participation from residents.

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Whistling catch is one of the traditional sounds handed down by ordinary people in Gyeonggi Province in the late Joseon Dynasty, and the word Whistle means that it is fast, and Japsa is a song that does not belong to a formal song in the Korean traditional music term.

The current Hwimori japga includes Manhakcheonbong Peak, Byeongjeong Taryeong, Gombo Taryeong, Sanmae Japa, Yuk Chilwol, Gisaeng Taryeong, Bidan Taryeong, Bawi Taryeong, Maenggongi Taryeong, and Hanjan Boura. The lyrics are a long humorous and humorous editorial that contains the lives and emotions of ordinary people.

Currently, Park Sang-ok, who is known to be the master of the sound of the game, is trying to transfer the game.

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Sieve is a must-have tool for families that are used in various ways, such as selecting various cooking powder and grain products from soy sauce making, washing grain, and drying.

The materials for making the frame are used by pine trees, straw trees, pine roots, and bamboo, while horse tail hairs and ox tail hairs are used as materials for chameu, which are made from natural materials, are difficult to keep for a long time. It can be filled with cloth, nylon cloth, wire, etc. Depending on the hole in the sieve, it is divided into a shoulder, dorsal, medium, powder, and gounce. The shoulder is filled with wire or finely chopped bamboo with the widest sieve. It is common for dorsal fins to be woven with wire in a narrower sieve than the shoulder. The middle distance is also called the middle body, and is filled with cloth. The powder is filled with a small sieve with horse tail feathers, but recently with nylon cloth. The gouge is a thin, tiny hole and is filled with horse tail hairs.

Chemeugi is a traditional craftsmanship that contains the wisdom of our ancestors. On August 10, 1998, Choi Seong-cheol was recognized as the holder of the Intangible Cultural property and passed down our unique sieve making techniques. As of August 24, 2012, there was no holder.

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Fresh pine tree joints are made from water and rice and are also used as medicine. Although it is not known exactly when Songjeolju was made, records such as Donguibogam, Gosaibosibup, Gyuhapchongseo, Imwon Economic Daily, and Wifepilji suggest that people of the middle class near Seoul during the Joseon Dynasty used to make Songjeolju.

The recipe is to mix rice, water, yeast powder, flour, glutinous rice, and boiled pine needle water so that it is not too cold or too hot to cook. If you put azalea in spring and chrysanthemum in autumn, and yuzu peel is cooked on top in winter, the scent of pine and flower is full of mouth, making it even better.

Songjeolju was particularly enjoyed by scholars due to its unique scent of pine trees and its symbolic meaning. It is currently being passed down by Lee Sung-ja, who is recognized as a function holder.

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Bridge-walking was played on the fifteenth day of the first lunar month, and came from the religious custom that if a stream steps on the bridge as much as its age, it will not get sick on the bridge, and not only will it defeat all disasters but also bring good luck. In particular, the strong notion that foot-walking does not cause leg disease in Korea is a folk belief that the pronunciation of legs and legs is the same, and it seems to be the result of the language's playfulness. Bridge-walking is also known as dapgyo or dapgyo nori, or bridge-bending in Gangneung.

The records show that the bridge-walking play was very important to the people from noble families to the common people, and that the four gates were not closed when the bridge was played. As the number of bridges in Jangan was very small, the aristocrats were reluctant to hang out with the common people, so they told them to step on the bridge on the evening of the 14th, the day before, and the women stepped on the bridge on the evening of the 16th. In groups, people sang songs and danced to the bridge, and in the midst of the chaos, the character of the play group gradually changed and the play group was organized separately, creating a sense of entertainment. Among them, Songpa Dari Bapgi is characterized by outstanding dance moves.

Bridge-walking Nori is one of the most popular folk games in Korea since the Goryeo Dynasty, and it is a folk game that contains the feelings of life of the Korean people.

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A jade burial refers to a craftsmanship or craftsman who grinds jade to make various ornaments and objects. The jade was used as an ornament to symbolize the virtues of phosphorus, righteousness, paper, dragon, and angle, and was used in many ways, including walls, bells, regulations, jang, ho, Hwang, and other weapons, instruments such as Okgyeong, medicinal materials, and medical supplies. The jade had great pavilions and pavilions, and the good jade was rare, making it difficult to secure materials. The process of making jade is largely divided into six stages: quarrying, drawing, cutting, molding, carving, and polishing. The jade court should have a high level of artistry, along with an accurate prediction when designing jade pickings and gemstones, and skilled techniques for delicate and elaborate sculptures.

On Aug. 17, 2006 eomik been recognition of activity in the holder of the character.

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Onggijang Bae Yo-seop (Residence in Sinnae-dong, Jungnang-gu, 1926) is a four-generation Onggi craftsman who has continued to work as a Hanmi-Yo-Yo-Yo-Yo-Yo-Yo-Yo-Yo-Yo-Yo-Yo-Toga (meaning the Bae family that runs beautiful Korean kiln). It was recognized as a holder on September 25, 2002 and became an honorary holder on April 13, 2017.

It is producing 'Puredog', which is baked without glaze or lye, which is classified as a high-quality onggi.

The word "pure" is the pure Korean word for "purple," and poison refers to a large bowl with a pear.

"Pure Dogg" is a bowl made with salt, one of the state-run items, and was used as a Buddhist item for Buddhist temples given to the royal family or royal family in Korea.

Bae Yo-seop's great-great-grandfather, Pyo Dae-gyeom (Francisco), joined the Catholic Church in the Chungcheong-do region, where Catholic faith first spread to Korea in the late Joseon Dynasty, and served as a lay leader in Dangjin, Chungcheong-do.

As many Onggi artisans did, they began to burn onggi in the mountains with their families to avoid the persecution of Catholicism by Heungseon Daewongun.

The martyrdom of Pyo Dong-gyeom (Francisco) in 1800 and his eldest son Bae Cheong-mo (Augustino) in 1829 while transcribing Catholic books led to the production of pottery as a family business by Bae Dae-bong, his third son.

Bae lived in Eumseong, Chungcheong-do, hiding his family's martyrdom, and learned how to make Puredog, the best onggi technique of the time.

Since then, Bae Dae-chun, the son of Bae Dae-bong, has been passed down for three generations, and Bae Bae Bae-seok, the son of Bae Dae-chun, has been handed down for four generations. The baeuiseok Japanese Icheon to the South of France and moderate damage, made a rapid demand after the onggi remote areas to production.

Bae's eldest son, Bae Yo-seop, moved from Icheon to Yeongdeungpo, Seoul, and started his family business as a fifth generation from 1942 with his father Bae Bae-seok at the recommendation of his grandmother.

In 1955, he moved to the Onggi branch in Sinnae-dong, Jungnang-gu, Seoul, and opened a Onggi Onggi restaurant called <Hanmi Yoyup> with his father, and carried out production activities while maintaining its own onggi style, mainly in Seoul and Gyeonggi Province.

When his father died in 1968, when he was 42 years old, he took the initiative in operating the workshop. In the early 1980s, he was able to produce onggi mainly in the era of increased demand for onggi during the Korean War, but in the early 1980s, his second son Bae Yeon-sik and his family business, Puredog, were re-produced.

It went through as many trials and errors as it had not been produced for a while and was designated as an Intangible Cultural asset of Seoul in recognition of its achievements.

After the relocation of the workshop to Songcheon-ri, Namyangju, Gyeonggi-do in 1992 due to the development of an apartment complex in Sinnae-dong, Jungnang-gu, Seoul, Bae Yo-seop's second son Bae Yeon-sik worked on the Puregi.

'Pure Dogi' means 'Pure' in 'Purple' and 'Pottery', which is completed at a high temperature of 1300 degrees without glaze or lye on the surface using pure yellow soil, and is further developed in materials and plasticization methods than the existing Puredogg.

It was developed as a rural housing complex around the Songcheon-ri workshop in Namyangju, Gyeonggi Province, and moved the workshop to Seosin-myeon, Hwaseong-si, Gyeonggi-do in 2009. Now Bae Yo-seop's second son Bae Yeon-sik runs the Korea-U.S. Yobae City Toga for the sixth generation, while his granddaughter Bae Eun-kyung and Bae Sae-rom, who are in charge of seven family businesses, run the Puregi Institute.

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