Mo Bo-kyung's master singer received the honor of her mother, Choi Seung-hee, and entered the sound naturally in an environment where she heard a lot and grew up.

Iksan Seongdang Port Village is located on the west side of the Geumgang River. It was once called Seongdangpo or Seongpo, which was the site of a cathedral window that controlled Segok from Goryeo to the late Joseon Dynasty. Visitors can feel relaxed while learning about murals, Hwangpo Sailboat, and the ecology of the Geumgang River, which reflect the history of the traditional port village.

In Seongdang Port Village, there is a Pogu Travel Program where you can experience the life of fishermen through the history of Pogu, the course of sailing along the Geumgang River, Hwangpo sailboat riding, taking pictures of Pogu, and drawing pictures of Pogu, and the Geumgang Ecological Exploration Program where you can experience life in Pogu, where the hardships and joys of the life are buried, and sorrows of the Geumgang. Especially, in the village of Seongdang-gu, Iksan-si, the habitat of Goran-cho, a rare protected plant, is located, giving you a new experience.

Cho Yong-an

- Introduction in 1981.

- Prime Minister's Award at the 1988 National High-Level Meeting

- Presidential Prize at the 1995 National High Commissioner's Congress

- Performance with Kang Do-geun, Park Dong-jin, Oh Jung-sook, Jo Tong-dal, Ahn Sook-sun, and others

A cilantro is a drummer in pansori, and as the saying goes, 'a cilantro's female cilantro' is an indispensable in pansori.

As an accompanist, the role of a drummer harmonizes with the sound through the drum beats to breathe life into the sound board, adjusts it to maintain a constant speed, and also empowers it to make a better sound through chime.

The holder of the book runs through the northern part of Jeolla-do, starting with Jeon Gye-mun and passing through Song Yeong-ju.

[Park Gye-ho]
- Beginning in 1986 and making Hapjukseon after generation
- Entering the 29th National Crafts Competition in 1999
- 2014 U.S. President's State Visit Gift Production and Demonstration of Palace Museum Production
- Entry to the 42nd Korean War Victory Crafts Competition in 2017

"Seonjajang" refers to a craftsman who has the skill and function of making traditional fans. Our country's fans can be divided into large round shaped fans and folding and folding folding fans. Among them, Hapjukseon, the folding fan, was the most sophisticated and sophisticated fan handed down to date, and was a representative artifact of the country from the Goryeo Dynasty that was combined with najeon, metal, lacquer, and jade crafts.

Hapjuk is made by attaching the outer and outer edges of bamboo. It is known to have been first produced in Damyang, South Jeolla Province, the main producer of bamboo during the Goryeo Dynasty. During the Joseon Dynasty, Hapjukseon was mainly produced by artisans of government offices called Seonjacheng in Jeonju, where Jeolla Gamyeong was located, and was also used for diplomacy and foreign trade.

Introducing the holder of Kim Han-il

- Introduction to 1960.
- Blacksmith's operation since 1974.
- Entering the 24th Victory Crafts Competition in 1999
- Selection of functional winners in 2009 (Ministry of Labor)

A fieldmaster is a craftsman who makes or repairs tools and tools by heating and tapping metal, and is called a blacksmith. A blacksmith is an important profession that has produced weapons and agricultural equipment since a long time ago, and appears early in history.

In the past, many markets and markets were successful, but they are gradually disappearing due to changes in the times and the supply of mass-produced products.

Currently, the blacksmith's barn is located in Yongmeori Pass, and it produces farming tools, traditional knives, and household items.

Woodenware refers to a vessel made of wood, and a person with the art of making wood tools is called woodcraft. Woodenware is a specialty of Namwon, boasting a distinctive scent and exquisite and beautiful shape. The wood is hard and the lacquer is not peeled off, which is considered as highly regarded since the early Joseon Dynasty as compared to other local woodcrafts.

Ingredients for wood tools include duckwood, water-root, birch and ginkgo. The woodworking process is to cut down the wood and structure it in the form of rough construction. This is called Chogari, and it is then dried in the shade for about 40 days to prevent any gaps. The shape of the bowl is formed from the ash tree. These days, they use power to make straws and ashes. When the ashore is finished, paint it five to seven times and dry it again for about 10 days.

Woodenware produced these days is mainly chemically painted, while traditional woodware is lacquer. The lacquer woodwork is a natural paint without any workmanship, and its color is more vivid after two to three years, and its waterproof and sterilizing effects are great, so it does not grow small even after a long time, and it is a traditional craft that does not decay even if buried underwater or underground. Wooden utensils are mostly jegi, and they mainly produce wooden crafts such as vases and jars, and rice bowls used in temples.

Wooden craftsmanship is a traditional craftsmanship, with the recognition of Kim Gwang-ryeol and Noh Dong-sik as functional holders.

The pansori of Gangsanje, which was created by Park Yu-jeon, one of the eight singers of the late Joseon Dynasty, has been called in Mokpo, Boseong, South Jeolla Province, and Namwon, North Jeolla Province, and Gangsanje has many characteristics of dongpyeonje as it was created by choosing between dongpyeonje and Seopyeonje pansori.

Yoo Yeong-hae has a genealogical characteristic that leads from Park Yu-jeon to Jeong Jae-geun, and from Jeong Eung-min to Jeong Je-jin and Jo Sang-hyeon. Especially, there are many commandments, and the tone of the sound is smooth, making the listeners feel comfortable. He has held more than 10 full-length presentations, is an important Intangible cultural asset recipient, and is a recognized master singer who won the Namwon Chunhyangje Presidential Award.

Born in Buan in 1935, Kim Bong-gi lived in Han village with Jeong Gyeong-tae, Seokam, and learned the lyrics when he was young, and was later taught by Go Min-soon, an Intangible cultural asset of Jeollabuk-do.

Kim Bong-gi is not only clear and quiet, but also has the feeling of continuing the sound flexibly like a bead rolling, even though it seems to be cut off by high-pitched processing.

Kim Bong-ki won a number of prizes, including the Jeonju National Women's Poetry Competition and the National Southern Women's Poetry Competition.

Gochang nongak has long been a nongak formed along the beaches of Gochang, Mujang and Yeonggwang. It has a general nature of Honam Udo Nongak, but it is characterized by its diverse development of mixed color play and its well-organized gokkal sogo play.

Gokkal Sogo Nori is characterized by the flexibility of improvisation depending on the progress of the rhythm and the development of the situation, as it dances joyfully with a cone on its head.

Kang Mo-jil's disciple, Jeong Chang-hwan, was recognized as the holder of the Sogo section and is currently working hard to foster the younger generation at the Gochang Dongri Traditional Music Center and Gochang Nongak Training Center.

Geomungo is the most widely known traditional Korean musical instrument in Korea along with Gayageum. The front panel of Geomungo is made of Odongnamu, the back panel, and the chestnut tree is made of Hoyangmok. Geomungo is produced at the request of a performer or lover, and its production techniques have also been handed down by oral tradition. Born in Jeonju in 1940, Choi Dong-sik learned how to make Korean traditional music such as Geomungo from Jo Jeong-hwan and Jo Jeong-sang. He has won several prizes at the Jeollabuk-do Craft Competition, the National Craft Competition, and the Victory Craft Competition.

Born in 1947, Park Yang-deok was taught pansori by Park Bok-sun, Sung Woo-hyang, and Nam Hae-sung.

Park Yang-deok has several complete ensembles, has won numerous awards including the Presidential Prize at the National Pansori Competition, and has a good reputation for the true character of the Sugungga.

Dancheong refers to the use of five colors, blue, red, yellow, white, and black, to paint beautifully by drawing patterns and paintings on buildings or artifacts. A person with this technique of dancheong and its skill is called dancheongjang, and if a person engaged in dancheong is a monk, he or she was called Geumi or Hwaseung.

Dancheong in Korea can be found through various ancient tomb murals dating back to the Three Kingdoms Period. Especially, the murals of Goguryeo tombs show the architectural style of the time and the appearance of dancheong, indicating the origin of dancheong. Dancheong was also found in vessels such as chaehwa and lacquer excavated from ancient tombs, but it was mainly used for wooden buildings. Dancheong also includes painting and painting of Buddha statues on the walls of buildings.

If you look at the course of Dancheongjang's class, you will first practice drawing from Xiwangcho to Cheonwangcho in armor. If you are good at it, you will become a dancheong master by painting the upper tangerines that draw fire and bodhisattva. There are many types of dancheong, such as dancheong, which is simply drawn with black and white lines, morodancheong, which draws a draft of hair, and gilt dancheong, which is painted in five colors.

Dancheong preserves wooden structures for a long period of time and paints a temple with natural dark vegetables made of mineral materials, such as sand class='xml2' onmouseover='up2(2800)'dmouseout='dn2()'dn2(()(석>>>>>>>>>>, which are collected from sand or soil for harmony. Dancheong in Korea has been developed into a beautiful beauty of Korean architecture as it is found in ancient tombs of Goguryeo and has continued its tradition throughout the Three Kingdoms Period to the Goryeo and Joseon Periods.

Shin Woo-soon was born in 1951, and was taught Korean Buddhist paintings that led to Kim Il-seop – uncle Shin Eon-su. He participated in major temples across the country including Nahanjeon Hall of Baekyangsa Temple, Daeseongjeon Hall of Gwangjuhyanggyo Local Confucian School, Seonwon Temple of Bulguksa Temple in Gyeongju, Daewonsa Temple in Uijeongbu, Cheonwangmun Gate of Buan Naesosa Temple, and Yosachae of Sudoksa Temple, Mireukjeon Hall of Geumsan Temple and Daeungbojeon Temple of Gongjumi Magoksa Temple.

Shin Woo-sun has a good sense of form and proportion, and harmony of colors, as she accurately uses the patterns of dancheong and properly draws them.

The origin of Gochang Ogeori Dangsanje has long been maintained as the village guardian mountain of a natural body built in five rooms to fill the empty space of Gochang, but in the late Joseon Dynasty (1790s), due to the devastating flood damage in Jeolla-do, <span class='xml2'onmouse='up2(5875out') on on on on on on on on on on on====================================================The low-lying Dangsan in the streets, Zhuang, and Hageori has been completed.

In addition to its significance as a target of village belief, it is also famous for its feng shui collective religious pictorials of the town, which are the only family shrine in the country. The Ogeori Dangsanje Preservation Society has reproduced the five-way Dangsanje Festival and Daeboreum folk games every year to protect the tradition and promote the pride of the residents.

He participated in the Hapjukseon project with his father Um Ju-won from his boyhood, and was trained in the Hapjukseon production process from 1991.

In 1997, miseongong, run by acquiring ordinary fellow Colonial paradoxical the debt and varnished with lacquer on the shaft of an arrow that have remained only by studying the relics and records of techniques and hapjjuk.Daeryun chilseon, 50 years old baekjjeop chilseon, to reproduce.

2008 Statue of the 7th Korean lacquer crafts competition
2009 entry into the 34th Victory Crafts Competition

Iri Hyangje Julpungnyu is a piece of instrumental music handed down in Iksan, Jeollabuk-do, depicting the scene of Shakyamuni preaching of the Lotus Sutra, at Vulture Peak, Gijjhakuta Hill. It has a cousin centered around daepungnyu (wind instruments), which differs from julpungnyu in terms of tone and instrumental composition. Iri Hyangje Julpungnyu, which originated in Iksan in 1958, is played on eight instruments (geomungo (six-stringed zither), gayageum (twelve-stringed zither), yanggeum (dulcimer), piri (flute), daegeum (bamboo flute), haegeum (two-stringed fiddle), danso (vertical notched flute), and janggo (hourglass-shaped drums). It is composed of 15 separate pieces of music.