K-Cultural Heritage 2 Page > Little Korea

K-CULTURAL HERITAGE

Everlasting Legacies of Korea

  • 2012.8.3
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    He participated in the Hapjukseon project with his father Um Ju-won from his boyhood, and was trained in the Hapjukseon production process from 1991.

    In 1997, miseongong, run by acquiring ordinary fellow Colonial paradoxical the debt and varnished with lacquer on the shaft of an arrow that have remained only by studying the relics and records of techniques and hapjjuk.Daeryun chilseon, 50 years old baekjjeop chilseon, to reproduce.

    2008 Statue of the 7th Korean lacquer crafts competition
    2009 entry into the 34th Victory Crafts Competition
  • 1985.9.1
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    Iri Hyangje Julpungnyu is a piece of instrumental music handed down in Iksan, Jeollabuk-do, depicting the scene of Shakyamuni preaching of the Lotus Sutra, at Vulture Peak, Gijjhakuta Hill. It has a cousin centered around daepungnyu (wind instruments), which differs from julpungnyu in terms of tone and instrumental composition. Iri Hyangje Julpungnyu, which originated in Iksan in 1958, is played on eight instruments (geomungo (six-stringed zither), gayageum (twelve-stringed zither), yanggeum (dulcimer), piri (flute), daegeum (bamboo flute), haegeum (two-stringed fiddle), danso (vertical notched flute), and janggo (hourglass-shaped drums). It is composed of 15 separate pieces of music.
  • 2004.9.10
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    Born in 1955, Lee Eun-kyu was studied by Yoo Geun-young, Lee Eun-gu and others. Buan Yuchun-ri Kiln Site is famous for producing Goryeo celadon with Gangjin Sadang-ri, and Yi Eun-gyu is striving to recreate the reputation of the old Goryeo celadon and to produce new works.
  • 2004.9.10
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    Born in Buan in 1935, Kim Jeong-rak was taught Korean traditional architecture by potters Kim Hyung-oh, Kim Young-sun, and Ko Taek-young from childhood.

    The head of a ranch refers to a carpenter who performs the art of building a house with timber and finishing and trimming timber according to the technique. The lower part of the head of a ranch is composed of left and right sides.

    Kim Jeong-rak has been engaged in hanok architecture in the Jeolla provinces and other areas of the Jeolla provinces for more than 50 years, especially in Confucian architecture such as Seowon, Hyanggyo and Jaesil.
  • 1984.9.20
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    Yi Ok-hui was born in Buyeo, Chungcheongnam-do in 1936, and is also called Yi Il-ju.

    I learned how to play sound since I was young, and learned the basics of pansori such as Simcheongga and Chunhyangga from master singer Lee Gi-gon. After that, master singers Park Cho-wol, Kim So-hee, and Oh Jung-sook learned pansori and practiced their talents as master singers.

    Lee Il-ju sang the pansori part at Jeonju Daeseok Nori in 1979, sang Simcheongga and Chunhyangga at the Seoul National Theater in 1981 and 1983, and won the Jeollabuk-do Cultural Award in 1982.
  • 1995.9.20
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    The term "instrument head" means a person who has the skills or functions of making instruments used in traditional music, such as Janggu, Buk, Danso, Gayageum, Geomungo, etc. North Jeolla Province, the birthplace of Honam Nongak, has a regional characteristic of smooth production and distribution of high-quality pungmul instruments.

    Janggu is a representative rhythm instrument imported from the Song Dynasty of China during the Goryeo Dynasty and is widely used in various fields to this day. Also called jango or seyogo, it is used as a material for horse skin and cowhide.

    A drum is a musical instrument that is played with leather on a wooden container and knocks it together, often collecting various pieces of pine trees to squeeze the drum and putting cowhide on both sides. Most of the pieces used in court music were nailed down, but in the private sector, more were tied with leather straps.

    The Danso is a wind instrument that is made of a pole. There are five holes, one at the top and four at the front, but the fourth hole at the front is not used. The range reaches two octaves, and the tone is clear and clear. It is also used as a solo instrument, but is mainly used for ensemble with other instruments in chamber music.

    Gayageum is one of the most representative stringed instruments of its kind, and the Korean alphabet in the ancient literature is called Gayageum, and it is known as Beopgeum or Pungryu Yageum, which are used in Aak or Jeongak. The gayageum has 12 strings tied to silk thread on a narrow, long rectangular wooden board, and a small column of wood that can be easily moved by supporting the rope. The tone is clear and elegant, and has a wide range of performing techniques, so it is used in both aak and folk music.

    Geomungo, also known as cash, was first produced by Wang Sanak in the third to fifth centuries by improving Chinese instruments. The oldest document on how to make it is written in "The Evil Trapezius," which states that the front panel of Geomungo is made of paulownia, chestnut wood, and walnut wood. Geomungo was produced by order, the method of making was handed down to the oral tradition, and it is assumed that the level of production skill was also high because it had to satisfy the demanding needs of the scholars compared to other instruments.

    As a traditional craftsmanship, Go Yi-gon is recognized as the master of the Danso, Seo Nam-gyu as the master of the drum and janggu production, Kang Shin-ha as the master of janggu production, Choi Dong-sik as the master of geomungo production, and Ko Su-hwan as the master of the gayageum production.
  • 2011.9.30
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    Kim Moo-chul was taught the dance by his father, Kim Jo-kyun.

    The name of the dance was called "Nammu" due to the nature of the Jeolla region, where traditional dances were held at that time, and the dance performed by Namsadangpae and Mudong etc. as a entertainment at the end of the Joseon Dynasty was performed at Kibang when Namsadangpae were scattered. It is a dance in which Hong-an, which is covered with a fan, is covered with a combination of images of Han-ryang and Heung-heung, and adds to the style, and gives a glimpse of Han-ryang's knowledge and personality, especially the unique charm of foot stepping-stone adds to the taste of the dance.
  • 2011.9.30
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    Entering the 33rd Korea Victory Crafts Competition in 2008

    Entering the 14th Jeonju Traditional Crafts National Competition in 2009

    2010 Special Selection for the 35th Korea Victory Crafts Competition
  • 2011.9.30
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    The musical instruments used in the Jeolla Samhyeon Yukgak are composed of daegeum, piri, haegeum, janggu, and drum, and are accompanied by a danso. Daegeum uses three modern gold, and the flute uses a spice. Samhyeon Yukgak was performed at various events, including the ancestral rites of Hyanggyo, the sixtieth birthday and marriage of Saga, the ancestral rites at the temple, or the dancing of the sangnyang, or the shooting of a bow.

    There are only Nongsamhyeon and Minsamhyeon in the country in the Samhyeon Yukgak Pavilion in Jeolla-do. Nongsamhyeon was refined to perform as an accompaniment for dance, while Min Samhyeon was originally used by private households.

    The songs used in the Jeolla Samhyeon Yukgak include Bonyeongsan Mountain, Jungyeongsan Mountain, Janyeongsan Mountain, Hudu, Kokduri, Dolgop, Samhyeon, Yeombul, Samhyeon Doljang, Taryeong, Gutgeori, Haengrak, Gunak, and Dangak. Jeolla Samhyeon Yukgak is characterized by a proper change in the order of music performed according to the content of the event.

    Nongsamhyeon in Jeollanam-do learned 48 songs and compositions of Daepungryu, but now only Bonyeongsan, Yeombul, Gutgeori, Late Taryeong, Jazun Taryeong, and Victory Songs are left. Samhyeon Yukgak, which was born because not only ritual music, but also royal music such as Haengak, temple music, and sedentary music were not distributed to local government agencies, has been a major contributor to the promotion of Korean traditional music.
  • 2008.10.6
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    Born in 1938, Kim Yeon-im was taught by his mother Mun Myeong-sik and Jang Hyeong-

    The taste of Jeonju Bibimbap is a result of a good combination of quality ingredients, intestinal taste, excellent cooking skills, and sincerity given to small meals produced under natural geographical conditions. In particular, the quality excellence of food ingredients and the use of appropriate recipes to suit the characteristics of food ingredients.

    Kim Yeon-im preserves the original form and is well equipped with her own cooking skills, including how to handle knives, control fire, taste, and stir-fry ginkgo.
  • 1999.10.8
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    Jukyeom is made by putting the salt (salt) in bamboo, blocking the entrance with yellow soil, and baking it nine times with pine wood firewood. In the process, all toxins and impurities in the salt are eliminated and become healthy salts that harmonize the efficacy of bamboo and yellow soil.

    These bamboo salt manufacturing techniques have been passed down to the chief monk of Gaamsa Temple. Hyosan Monk (Hu Jae-geun), who holds the bamboo salt manufacturing function, also has been living in Gaamsa Temple and has been trained in bamboo salt manufacturing techniques to further research and develop them to produce high-quality, perfect bamboo salts.

    Jukyeom is a unique folk medicine unique to the Korean people, and is a very valuable cultural heritage in its cultural value, with no examples of historical traditions and originality.
  • 2007.10.10
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    Under the influence of his father, Habangye, who was working as the 38th Beopsa of the Jeollabuk-do Intangible Cultural Festival, he entered the shamanic house, received a river god in his 20s, performed Naerimgut, and at the age of 28, he was taught Honam Raspir Exorcism by a nutritionist from Gunsan, Park Bok-seon, and Ko Dong-shim.

    Honam Spiritual Exorcism is a local folk culture handed down with unique locality and artistry as a form of shamanism that adds both hereditary sorcerer and strong divine characteristics to the afterlife by recovering the souls of drowning people from the water and sending them to the underworld.
  • 2016.10.14
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    Taekwondo is a modern martial art that is the birthplace of Korea, and is the national flag of Korea. It is a martial art that aims to effectively subdue the opponent by using hands, feet and other body parts centered on Bilchagi.
  • 2016.10.14
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    Muju Anseong Nakhwa Nori refers to a traditional Korean folk game in which people hang a long line of Nakhwabong Peak with charcoal powder, sageum fly, salt, and dried mugwort on the fifteenth of lunar January, before rice planting, and on the fifteenth of July, and light it up to enjoy the shape of fireworks and the sound of explosion. This is also known as 'Julbulnori,' or 'Julbulbul.'

    1. Fireworks and Nakhwa games

    There are earthenware, firecrackers, lotus lanterns, volcanic belt, julbul-nakhwa nori, buldan-nakhwa nori, egg fire, torchlight play, and ddakchong nori.

    2. Regional Distribution of Nakhwa Nori

    "Yeondeung" in Bukcheong, Hamgyeongnam-do, "Yeondeung" in Jeongju, Pyeonganbuk-do, "Nakhwa Nori" in Yeoju, Gyeonggi-do, "Fireworks" in Cheongju, Chungcheongbuk-do, "Yeondeung and Gwaneung" in Chungju, Chungju, North Chungcheong-do, "Yeonyu-Julbulnori" in Andong, North Gyeongsang Province, and "Yi-Sujeong Nakhwa Nori-dong in Haman Province" in South Gyeongsang Province, South Gyeongsang Province, South Gyeongsang Province, South Gyeongsang Province..

    3. Characteristics of Nakhwa Nori in Korea

    First, our country's Nakhwa Nori is distributed nationwide. Second, the performance period is held on the first day of the fourth lunar month and on the fifteenth day of the first full moon of the first lunar month. Third, the venue for the performance takes place in the village. Fourth, the organizer of the performance is the villagers. Fifth, the materials used for making are charcoal, hanji, and string. Sagum fly, mugwort, salt and sulfur are added. Sixth, according to the contents of the performance, there are various types of firework, such as firework, firework, lantern hanging from a pole and lighting it up.
  • 2014.10.24
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    Cheon Cheol-seok meets Kim Chun-tae, Somokjang who was born in Gui-myeon, Wanju-gun in 1959 and held Seorabeol Crafts at the age of 13, and begins his journey to the small ranch.

    He wandered around because he had no money to buy tools, and began to learn from the basics at the workshop of the late Cho Seok-jin, who was an Intangible cultural asset ranch in Palbok-dong, Jeonju, and North Jeolla Province.

    Even when traditional craftsmen were losing their jobs due to the advent of the industrialization era, Chun Cheol-seok insisted on the work of a small ranch, and won several awards including silver at the 1980 Jeonbuk Skills Competition, silver at the 81st National Skills Competition, gold at the 1983 Jeonbuk Skills Competition, two times at the 1997 and 1998 Korean Traditional Crafts Competition, and second-class furniture and Changho Production Technicians in 1998.

    Cheon Cheol-seok, who completed the function of Jeonjujang, is making a field using zelkova and oak tree. On October 24, 2014, it was designated as Jeollabuk-do Intangible Cultural Property No. 19-4 Wood Furniture Small Ranch.