The Korean traditional music is composed of sijoshi (Korean traditional poetry) and sung to orchestral accompaniment. It is also known as 'span class='xml2' onmouseover='up2 (2487)'onmouseout='dn2()'dn2((an)삭삭노노노노노>>>>>' or '노.'

It is known that the original version of the song was not sung in the late Joseon Dynasty, when the song "Mandaeyeop," "Mandaeyeop," or "Mandaeyeop," was lost before the reign of King Yeongjo (1724-1776). The current song originated from the fast-paced song "Sakdaeyeop," which appeared in the late Joseon Dynasty, and is composed of a collection of songs that are related to the melody.

The song is divided into five chapters, with a prelude, a rental note, and a second, third, middle, fourth, and fifth chapters. Very organized and well-organized. If you look at the rhythm, there are 16 beats of slow speed and 10 beats of fast speed of "pyeonjangdan." The performance consists of Geomungo, Gayageum, Haegeum, Daegeum, Danso, and Janggu.

Lee started learning Yeochang song and sijo from Han Yang-su, an intangible cultural asset of Jeollabuk-do, and has continued to communicate and engage in activities with local politicians. In addition, as a professional who majored in Jeongga in college, he combined theory and practical skills, and was recognized for his skills through seven solo concerts.

Haman Nakhwa Nori is a unique game that has been handed down to Goehang Village in Haman-myeon, and has been held in early April every year at the entrance of the village of Pile, but it is estimated to have originated from the middle of the 17th century.

Currently, the Haman Nakhwa Nori Preservation Committee, centered on the people of Haman-myeon, has been established since the 2000s and has been handed down so far.

Nakhwa Nori is a representative folk game of Haman-gun, where charcoal powder produced by the village itself is rolled up into Korean paper to make Nakhwa, which is lit by hanging Nakhwa on a rope prepared by Lee Soo-jeong, and creating a spectacular view of the wind.

It is a traditional liquor made from generation to generation at the richest man's house in Gyodong, Gyeongju, North Gyeongsang Province. Choi Guk-jun was the first person to make Gyeongju Beopju, and he was said to have served as the chief monk of Saongwon, who was in charge of royal food during King Sukjong's reign (1674-1720).

When making Beopju, the well in the Choi family's yard is used. The amount and temperature of the water are almost constant throughout the four seasons, and it has long been known for its good taste.

When you make alcohol, boil the water and cool it down. The main ingredient of Beopju is the native glutinous rice and pure grain made of water, yeast and rice, the color is bright and transparent, and has a distinctive fragrance, sweetness, and a slight sour taste. The alcohol level is 16-18 degrees.

The biggest feature of the manufacturing method is that the understatement is first made, and then, based on this, the second fermentation process is carried out to ripen the original liquor. Therefore, it takes about 100 days to manufacture and can be stored for more than a year with the temperature alone.

The Korean traditional music is composed of sijo poems (Korean traditional poetry) and sung to orchestral accompaniment. It is also known as 'Sakdaeyeop' or 'Song'.

The original version of the song is Mandaeyeop, Jung Daeyeop, and Sakdaeyeop, but the slow song, Mandaeyeop, disappeared before the reign of King Yeongjo (r. 1724-1776), and Jungdaeyeop (r. 1724-1776), and Jungdaeyeop (r. 1724-1676), which was not sung at the end of the Joseon Dynasty.

The current song is derived from the "Sakdaeyeop," a fast song that appeared since the late Joseon Dynasty, and various rhythmical related songs have formed a five-piece collection of songs.

Currently, 41 songs are handed down, including the Ujo and the Gyemyeonjo, 26 male and 15 female songs, but the female versions of the male and female songs are slightly modified so that women can sing the male and female songs, which are almost identical to the male chant. However, there is a difference between the melody that shows the delicacy of the female singer and the low-pitched voice.

According to the format, a poem is divided into five chapters, and the prelude, a rental note, and a second, three, three, four, and five chapters are repeated. The highly organized and well-organized performance consists of geomungo, gayageum, haegeum, daegeum, danso, and janggu.

Songs have been in existence for many years without change, and are of high artistic value that have been handed down by experts compared to other music being popular.

Korean crowns have been produced and developed in Korean folk life since prehistoric times, especially Hwagwan and Jokdu-ri were developed as crowns for women's hair decoration before the Three Kingdoms Period, and were handed down as relics from the Joseon Dynasty. Due to the loss of economic value, it is not easy to inherit as a single item of tubular hair, so preservation as an intangible cultural asset is essential in Seoul.

On November 16, 2017, the Gwanmojang was designated as Seoul Intangible Cultural Property No. 50, and Park Seong-ho was recognized as the holder of the Gwanmojang.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616)

Flag and entertainment for producing "paper flowers (jihwa)" for traditional Korean paper, which are used in traditional rituals and Buddhist ceremonies by natural dyeing of traditional Korean paper.

- There are a total of 17 types of finger paintings in possession of functions, including wood, peony, etc., and 13 types of pigments collected from plants are mixed and used for dyeing.

Made by repeatedly folding, cutting, pasting, and tying dyed paper with a string.

- Ingredients include hanji that makes flower petals and flower shapes, and bamboo, sari trees and grass for adhesion needed to make flower beds.

Jeju Island is also known as Samdado Island because it has a lot of wind, stones, and women. It is widely known as a treasure trove of folk songs, as many folk songs are also handed down depending on the type of occupation.

Folk folk songs and popular folk songs sung in Jeju Island are divided into various types of occupations of people singing folk songs, such as farming, fishing, work singing, ritual singing, women's songs and children's songs, and popular miscellaneous songs.

The sounds of farming include "Sadae Sori" and "Stamping Sori," while the sounds of fishing include "Sound of rowing" and "Sound of Anchovy Frying." Some of the sounds you sing while you work include Whale Sound, Phlegm, and Bangat-Rolling Sound, while others include Haengsang-Sori, DalguSori, and Flower Flame. Women's songs and children's songs include "Song of Living in the House," "Baby Funny," and "Song of the Mother." Some of the miscellaneous items are Odolttogi, Yi Hongtaryeong, and Seowo Jetsori.

Jeju folk songs are noteworthy in that there are many labor songs sung while working, and folk songs sung by women and women are common. Songs also use a lot of unusual Jeju dialect, and are more sad than folk songs in Gyeonggi Province. Jeju folk songs express a feeling of regret, creating a different atmosphere.

※ Recognized as a holding organization without holders: 2017.4.3(National Intangible Cultural Property Jeju Folk Song Preservation Association)

Shijochang refers to singing a song with the lyrics of Sijo poem (Korean traditional poetry), also known as Sijo-si, Sidae-dan-ga.

The oldest record is a poem written by Lee Se-chun, a scholar of the "Seokbukjip" (pen-name: Seokbukjip) during the reign of King Yeongjo (r. 1724-1776). In the "Yu Yeji" and "Gura Cheolsageumjabo" published during the reign of King Sunjo (r. 1800-1834), Sijo's sheet music first appears. After that, due to the influence of the song, the composition of the poem was distributed and divided into local characteristics.

Naepoje sijo is a shijochang in northwestern Chungcheongnam-do. Naepo is presumed to have been named because it refers to Seosan, Dangjin, Yesan and Hongseong in Chungcheong Province.

The scale is composed of three-symmetric tones (a sad and mournful tone) and five-syllable tones (a clear and vigorous tone). The rhythm is not raised in the middle to maintain a sense of stability, and the end is dropped to leave a lingering impression, not falsetto, and a lot of decoration is used. Because they play a temporary instrument with a long or knee rhythm without an instrument, five beats are reduced in the end of the long and medium length.

Naepoje Sijo is a valuable piece of music that people have enjoyed singing for a long time.

Wanchojang refers to a craftsman who has three levels of functions: the function of screening and processing after cultivation of a complete plant, the function of dyeing the plant with paint, and the function of reviving aesthetic elements with proper arrangement of dyeing finished plants.

It was recorded that the Wancho craft was used in the "Samguk Sagi" from Silla. During the Joseon Dynasty, the government office included Wanggol as one of the items that required public payment, indicating that Wancho crafts were very valuable.

Han Myeong-ja, a master of the Wanchojang, produces works with everyday artifacts that combine beauty and use, such as granite, bowl form, and octagonal box, and is also making utmost efforts to transfer the function of Wancho Craft.

The current Seo-gu area of Incheon, which passed through the Three Kingdoms and the Goryeo Period and reached the Joseon Dynasty, is recorded as Seogot-myeon, the 13th year of King Jeongjo's reign (1789).

Since then, the name of the administrative district has been changed to Seogot, and it has continued its long history and preserved its precious agricultural culture. The exact date is unknown, but the development of agricultural culture in the western part of Incheon can be inferred from the Joseon Dynasty or earlier.

"Seogot Deul Song" is a song that farmers in Seogot, Incheon used to sing for planting and gimaegi from a long time ago. The sound of mochi and rice planting is soft with the sound of a diagonal.

Maggie's sound is divided into a bee, two bees, and three bees, and consists of a short rhythm with a cheerful rhythm that empowers farmers and a long chorus.

Soongseonjeon Hall is a pavilion dedicated to the ancestral tablets of King Sijo of Garakguk and his queen Heo, and is dedicated to supporting local folk paintings. This pavilion is one of the eight exhibitions, along with the Royal Tomb of King Gukjodan and King Dongmyeong of Goguryeo, the Sunginjeon of King Hyukgeose of Silla, the Sungdeokjeon of King Talhae, the Sunghyejeon of King Algi, King Munmu and King Gyeongsun of Baekje, the Sungyeoljeon of King Onjo of Goryeo, and the Sunguijeon of King Sijo of King Sijo of Goryeo.

The Great Festival of Soongseonjeon is held on March 15 of the lunar calendar for Chunhyang and September 15 of the lunar calendar for the second time, and the time is held for about an hour from 10 p.m. of Sango. It was originally said that it was held for 334 years until the 12th year (532) of the 10th King Guhyeong (Goohae or Guchungwang) when it began to accept the memorial services for five times a year on the 3rd, 7th, 5th, and 15th of January.

Even after the annexation of Silla, ancestral rites continued. In the 30th year of Silla and the year of the reign of King Munmu (661), the ancestral rites were held at the Jongmyo Jerye, and 30 royal protocols were dedicated to the royal family near King Suro's tomb and managed by the Gaya army.

In 1792 (the 16th year of King Jeongjo's reign), the entire school of Chunchushihyang, the founder of Garakguk, was established. Since then, the congratulatory message of the Chunchudaeje Festival has been issued under the name of the king of the Joseon Dynasty, and 53 articles of incense and other products, including Uiseong, were prepared by the Gimhae-bu and protected them. In addition, the Lunar New Year, the Lunar New Year, the New Year, Dano, the same year, the same year's Day, Dano, the same year's Day, the same year's Day, the same year's Day, the same year'

Pansori is a traditional Korean genre of epic musical storytelling in which a sorikkun (single performer) presents a long narrative work comprising sori (singing), aniri (lyrics), and neoreumsae (gestures) to the accompaniment of a gosu (drummer). While its exact origin is unknown, some scholars believe that pansori developed during the reign of King Sukjong of the Joseon Dynasty on the basis of Chunhyangga, which was composed by Yu Jin-han in 1754, while others trace its origin to an entertainment mentioned in a document dating back to the early days of the Joseon Dynasty. Still others argue that it dates back to Silla, where folk entertainments called pannoreum were widely performed. The musical accompaniment of Pansori consists of a variety of rhythms called jinyangjo, jungmori, jungjungmori, and hwimori. The drummer accompanying the singer breaks out into shouts of praise and encouragement, such as “Great!” and “Perfect!”, known as chuimsae, at the appropriate endings. During the reign of King Sunjo (1800-1834) of Joseon, there were eight masters of pansori, including Gwon Sam-deuk, Song Heung-rok, Mo Heung-gap, Yeom Gye-dal, Go Su-gwan, and Sin Man-yeop, each of who played a key role in the development of the musical genre into the form we know today. The current tendency is to divide Pansori into the following three schools: Dongpyeonje, which developed in the northeast area of Jeolla-do; Seopyeonje, which developed in the southwestern region of the peninsula; and Junggoje, which developed in Gyeonggi-do and Chungcheong-do. In its early stage, there were twelve great Pansori works, including Chunhyangga (Song of Chunhyang), Simcheongga (Song of Sim Cheong), Sugungga (Song of the Rabbit and the Turtle), Heungboga (Song of Heungbo), Jeokbyeokga (Song of the Red Cliff), Baebijang taryeong (Song of General Bae), Byeongangsoe taryeong (Song of Byeon Gang-soe), Jangkki taryeong (Song of the Cock-Pheasant), Onggojip taryeong (Song of the Miser Onggojip), Musugi taryeong (Song of Military Officials), and Gangneung maehwa taryeong (Song of Plum Blossoms of Gangneung), which were much shorter than the five works remaining today, namely, Chunhyangga, Simcheongga, Sugungga, Heungboga, and Jeokbyeokga. These five Pansori works have been designated as Important Intangible Cultural Heritages by the Korean government and are performed widely across Korea by various performers, including the following select group of government-acknowledged masters: Kim Yeo-ran, Kim Yeon-su and Kim So-hui (Chunhyangga); Jeong Gwon-jin (Simcheongga); Park Nok-ju (Heungboga); Jeong Yong-hun and Park Cho-wol (Sugungga); Park Dong-jin, Park Bong-sul, and Han Gap-ju (Joeokbyeokga).

"Nakhwa" refers to a craftsman who has the skill and ability to draw pictures of paper, wood, leather, etc. by using indoneses.

The origin of Korea's fall paintings can be found in the "Nakhwa Transformation" contained in the "Oju Yeonmunjangjeonsango" written by Yi Gyu-gyeong (1788-1863), a realist of the late Joseon Dynasty, and has been passed down around the Imsil area of Jeollabuk-do since the early 19th century.

The basic painting technique in Korea is not much different from the traditional painting technique because it is based on traditional painting. However, there is a unique difference in that various compliance methods such as Bubyeokjun and Woo Jeomjun of Oriental painting are expressed with indu instead of brushes, and the ink jokes shown in ink paintings are also expressed with indu. In this regard, Nakhwajang's skill in expressing skilled handwork and subtle jokes dealing with the pharynx and fire is important.

Namdo has developed recipes for various foods based on various agricultural and fishery products. In particular, food suitable for the characteristics of various rituals that people go through in their lives was determined and passed down to women.

Choe Yeong-ja passed down the functions of ritual food from Yi Yeon-chae's family and formed the Namdo Ritual Research Association. It also has a variety of cooking techniques ranging from waste bags, ritual foods, eumcheongs, early fruits, storage dishes, Korean traditional sweets, medicinal herbs, rice cakes, and traditional liquor.

Yi Ae-seop learned about his mother's cooking skills when he was young, and entered the Ulsan Kim clan, a famous family in Honam area, to display his skills in wedding food, and in bedclothes. Lee Ae-seop has exquisite skills in traditional waste bag and ibaji dishes among ritual foods in Namdo. Cultural assets of Gwangju (2010)

Jindo Sopo Girlgun Nongak is a cultural heritage that is still alive in the community life of Sopo Village. It maintains the original form of a village ritual on the south coast with its history, characteristics of a thief, and genealogy of Sangsoe, and is valuable as a folk art that shows its artistic and systematic composition.

Jindo Sopo Girl County Nongak Preservation Society is a community organization that has been handed down from Sopo-ri, and its performance records have been confirmed since 1922. It was established as a Sopo Girl County Nongak Band in 1964 and has been taught through various activities such as the Namdo Cultural Festival and the Yeongdeungpo Festival.

Sangsoe's genealogy leads to "Park Hak-sam, Jeong Deok-gwan, Ko Yoo-kwon, Im Hwa-chun, Im Wol-pan, Kim Hong-guk, Kim Oh-hyun and Cho Yeol-hwan," while Cho Yeol-hwan started with Sogo, and has been in charge of Sangsoe since 1995.

Seolbuk is leading to Kim Nae-sik, who was taught since he was 17 years old by Park Tae-ju, a master of Sulbuk in Jindo. For more than 50 years, it has been active as a Seolbuk of Sopo Girl's Nongak and has maintained the original form of drum dance until today.

The Lunar New Year's holiday season has led to "Kim Heung-sik, Ju Dong-ki, Park Yong-ho, Park Bong-sun, Kim Hong-bae and Hongbok-dong." Nonggi does not raise an instrument at Gutpan, wears a sangmo on the head and holds a tricolor band in both hands.

Hong Bok-dong is continuing today with the ability to produce traditional style "shaking sangmo" and a series of teasing entertainment programs.