Gotham's chunks are liquid, liquid, and fermented chunks. There are not only colors in Gotham's water, but also numerous fermented microorganisms. The water flows through the village and becomes a mysterious color, drawing Buddhist paintings becomes a subject of worship, a gift given to the family's eldest son on the day of the coming-of-age ceremony, and a talisman-like gift to a traditional family that has lived for generations.

In Gotham, various kinds of living things play their roles even without colors, so they function as preservatives and insect repellents. Using these functions, traditional Buddhist art preserved the foundation for more than a thousand years.

The secret recipe for the jjokmul is passed down as a relic through the Goryeo Buddhist painting, Baekui Gwaneum, and it was passed down to Gotham, becoming the only invention patent (No. 10-0420990) in the world and giving birth to the most skilled craftsman in Gyeongsangnam-do.

Gotham water is a pure natural product unlike natural or chemical dyeing.

Pansori refers to a singer who intertwines a long story by mixing a spear (sound), a horse (anirli), and a gesture (a shape) in tune with the rhythm of a drummer (a (a drummer).

Pansori was famous for its eight famous pansori singers from around 1834 (r. 1800 to 1834). The rhythms and tunes of the pansori were developed as they are today. The pansori was divided according to regions such as Dongpyeonje (Northeast of Jeolla Province), Seopyeonje (South Jeolla Province), and Jungdongje (Gyeonggi Province and Chungcheong Province).

Among them, the sound of Dongpyeonje passed down from Song Heung-rok to Song Gwang-rok, Park Man-soon, Song Woo-ryong, Song Man-gap, and Yoo Seong-jun was loud. The sound of Dongpyeonje is composed of a thick, grand ornamentation that uses a lot of the tune of Useong, one of the five tones, and makes the voice heavy and the tail of the sound short.

At the time of Pansori, the length of one yard was not that long, so the number of pansori twelve madangs was high, but now only Chunhyangga, Simcheongga, Sugungga, Heungbo, and Jeokbyeokga are handed down because of the five pansori or five batangs of Pansori.

Heungboga is one of the five pansori yards and is also called Baktaryeong. Heungbo, a poor and good brother, fixed the broken swallow leg and planted the gourd seed that the swallow had brought to him to become rich. Nolbo, a generous and greedy brother, broke the swallow leg and planted the gourd seed that the swallow had brought, and made a pansori of the story that the pansori tells the story.

Park Jeong-rye, whose Dongpyeonje Heungbo was designated as a holder of entertainment, came from a traditional pansori family that had been associated with pansori since her grandfather's generation, and spent her entire life with pansori. Currently, Suncheon Gugak Center is training its students for the victory of Heungboga, the Dongpyeonje.

Nongyo is a song that is sung to forget fatigue and improve efficiency while working on rice paddies and fields, also called wild songs or farming sounds. Singing individually or collectively as one of the folk songs, the song may vary depending on the region.

Goheung Hanjeokdeul Song is in an important position in terms of music, adding the sound of the yukja-baegi-kwon to the sound of the Menari-kwon. In terms of distribution rights, it belongs to the South Jeolla Province birth control group. The content consists of a mochi song, a rice planting song, a rice paddy song, and a jilgut. Mochi and rice planting are usually performed by women, and Mochi songs are sung from dawn to morning, steaming unknowns. There are Bangae-taryeong, which is sung before a meal, and Du-gurae, which is sung after eating. Nonmaegi song is sung by men while hanging rice paddies. Jilp is a song sung on the last day of the rice paddies and is sung when they are about to lose. Jiljisim is a song sung by farmers as they return to the village playing pungmul on the day of the rice paddies. In other areas, it is called jangwonjil nori or jilkkonngi. The Mochi-gi song, Mochi-gi song, and Non-maegi song are in the form of

Hanjeokdeul's song is centered on songs with a yukja-baegi scale, and is a song that combines yukja-bae-gi and manari-jo, such as Bangae-taryeong, and has a very important musical value. Jung Bong-ju, a man living in Goheung-gun, and Park Ban-sim, a woman, are continuing their careers.

Taekwondo is a modern martial art that is the birthplace of Korea, and is the national flag of Korea. It is a martial art that aims to effectively subdue the opponent by using hands, feet and other body parts centered on Bilchagi.

Muju Anseong Nakhwa Nori refers to a traditional Korean folk game in which people hang a long line of Nakhwabong Peak with charcoal powder, sageum fly, salt, and dried mugwort on the fifteenth of lunar January, before rice planting, and on the fifteenth of July, and light it up to enjoy the shape of fireworks and the sound of explosion. This is also known as 'Julbulnori,' or 'Julbulbul.'

1. Fireworks and Nakhwa games

There are earthenware, firecrackers, lotus lanterns, volcanic belt, julbul-nakhwa nori, buldan-nakhwa nori, egg fire, torchlight play, and ddakchong nori.

2. Regional Distribution of Nakhwa Nori

"Yeondeung" in Bukcheong, Hamgyeongnam-do, "Yeondeung" in Jeongju, Pyeonganbuk-do, "Nakhwa Nori" in Yeoju, Gyeonggi-do, "Fireworks" in Cheongju, Chungcheongbuk-do, "Yeondeung and Gwaneung" in Chungju, Chungju, North Chungcheong-do, "Yeonyu-Julbulnori" in Andong, North Gyeongsang Province, and "Yi-Sujeong Nakhwa Nori-dong in Haman Province" in South Gyeongsang Province, South Gyeongsang Province, South Gyeongsang Province, South Gyeongsang Province..

3. Characteristics of Nakhwa Nori in Korea

First, our country's Nakhwa Nori is distributed nationwide. Second, the performance period is held on the first day of the fourth lunar month and on the fifteenth day of the first full moon of the first lunar month. Third, the venue for the performance takes place in the village. Fourth, the organizer of the performance is the villagers. Fifth, the materials used for making are charcoal, hanji, and string. Sagum fly, mugwort, salt and sulfur are added. Sixth, according to the contents of the performance, there are various types of firework, such as firework, firework, lantern hanging from a pole and lighting it up.

Records tell us that on the Korean Peninsula, embroidery started during the Three Kingdoms Period (circa 57 BC – 668 AD). During the Goryeo Period (877 – 1394), the practice became so widespread that it was adopted even on the clothes of ordinary people. As a result, embroidery was prohibited several times. With the start of the Joseon Period (1392 – 1910), the practice developed further and was divided into royal embroidery, exquisitely made by skilled court ladies, and the others. Looking at how a piece of embroidery is made, first the cloth to work on is fixed onto a frame and a rough sketch is made on it. Upon the completion of embroidery, the frame is shaken to remove dust. Then, a thin layer of paste is applied to the back of the embroidered surface so as not to let the stitches scatter. The embroidered piece is then placed in the shade to dry and removed from the frame. Embroidery has developed as a reflection of Koreans’ living environment, customs, and beliefs.

Sodongpae is a type of dure that is organized for collaboration in the Namdo area. Dure can be divided into a large group of adults over the age of 20 and a small group of young people before the age of 20. Sodongpae mainly engaged in joint labor such as grass-beating and gimmaegi, which originated from the daily life of nongak, dance, and singing in order to forget the hardships and boredom of labor and increase the efficiency of work.

Sodongpae nori is played throughout the day from morning to evening. It leads to a breakfast meeting, a group meeting to hurry to work, a road to work, and the sound of rice paddies when they make rice paddies. When they meet Daedongpae on their way back from work, a scorpion game is held to ask for greetings, and when they meet other teams, they play a game of game, but regardless of the outcome, they play Nongak and harmonize with each other. The folk song is a cheerful melody, and depending on the movement and play, it is sung in various ways, including Nonmaegi song, kerosene taryeong, Horyeong taryeong, Gaegori taryeong, and Bangae taryeong.

Hyeoncheon Sodongpae nori is a comprehensive folk art that combines labor, singing, and dancing, and the scorpion-raising of greetings contains a tradition of rural society that values manners toward adults.

Gudeok Mangkeuttajigi is a traditional folk song that includes the work of building a fence or pillar using a tool called Mangkeul to build a large building or house, and the song of labor (mangkeum) sung by a singer in the process.

Manggae are made by tying four to five handles or strings of wide stones or shits, and Busan uses wide stones, unlike other places. When the workers pull the rope up and let it go, the manga hits the ground and becomes more and more solid. As such, ironing the ground with a manga to strengthen the site is called a manga, and the sound called to relieve the fatigue of labor and to keep in step with the efficiency of work is called a manga.

The Gudeok Mangkeot Dajigi, which runs around Daesin-dong, Seo-gu, is of great folk value as it still has the old image of the work process of ironing the site with mangkae and mangkae, which are tools for ironing the site in traditional architecture, and the sound of mangkkeum is also valuable as a labor song in Busan.

It is a rare sound related to fishing labor that has been consistently called in parts of eastern Jeju.

The value of transmission as an intangible cultural asset with a close connection between function and song is very high in that it was naturally acquired and sung at the site of transmission.

Two songs (the sound of the four-spirited, the sound of a hairtail)

Yi Man-hui, a Yeonan clan member, had a close relationship with the royal family, with her ancestors attending "Jidadai" (a royal inspector). From his mother, the eldest daughter-in-law, to the wedding exhibition, he learned how to make traditional rice cakes and other traditional foods.

He has lived in Daejeon for more than 40 years since his marriage to Gwangsan Kim, and has continued the tradition of wedding food culture by making rice cakes and other food. Among his food manufacturing functions, various types of rice cakes, such as white rice cake, honey rice cake, and Shingum vinegar rice cake, were one of the most representative rice cakes in the Joseon Dynasty, which were referred to as white rice cake, wheat cake, and shingam vinegar rice cake.

According to the records of the Joseon Dynasty's royal court, the white rice is made of spicy rice, glutinous rice, stone mushrooms, pine nuts, chestnuts, jujube, chestnuts, pine nuts, and honey, and the sweet and sour chocolates are made of spicy rice, glutinous rice, vinegar powder, jujube, pine nuts, and honey. These ingredients are decorated with jujube, chestnut, and pine nuts on top of sesame oil-based hanji, and Lee Man-hee's adaptation inherits the Joseon royal family's recipe for rice cakes.

Baekpyeon, etc. was originally used in royal banquets combined with the development of tea culture. It was a typical rice cake made of spicy rice used with malcha in the Goryeo Dynasty and green tea in the Joseon Dynasty. It was a must-have tribute to Jin Chan-yeon of the Joseon Dynasty, combined with the tea ceremony, the essence of Yeonhui.

Dancheong refers to the coloring of dried vegetables and crafts, which are mineral pigments. Dancheong is advantageous for the preservation of timber, and it can cover the crude parts of wood, and it helps to make the building magnificent. Dancheong is a branch of Buddhist art that has been a long history of Korean history as an expression of Buddhist doctrines and ideologies.

In the past, people working in Dancheong were called Hwasa, Hwawon, Hwagong, and Dochaejang. If he was a monk, he was called a goldfish or a hwaseung.

Dancheongjang Lee Jeong-oh was taught traditional dancheong skills from the late monk Ilseop (former holder of intangible cultural assets) who was the head of the largest faction in Korea's Dancheong community. In 1974, he was the youngest (26 years old) to pass the screening test for a designated repair engineer (Dancheong Technician). After that, he worked hard to develop the golden patterns and surrounding patterns, which were the specialties of his teacher, Ilseob, along with the inheritance of traditional patterns and techniques.

In addition, the Chinese architectural chair's guidebook, "The Painting of the Painting of Yi Mingzhong's Royal Ancestral Code," was used to develop newspaper patterns.

Lee Jeong-oh's works include the Hapcheon Haeinsa Daeungjeon, Onyang Hyeonchungsa Hyeonchunggak, Yeongnamnu Pavilion, Jikji Daeungjeon Hall, and Deoksuam Daeungjeon Hall in Daejeon.

Following the genealogy received from his teachers, including the late Sin Eon-su (the holder of the Dancheongjang of Jeonbuk Intangible cultural heritage) and the late Park Joon-ju, a former cultural property repair engineer, Kim Seong-gyu possessed the necessary skills as a dancheong technician, including the reproduction of dancheong style of traditional techniques. It also has a record of constructing dancheong at 350 major cultural properties, including national treasures and treasures, and has a well-equipped system, with many of its technicians continuing their careers. As above, he was recognized as the holder because he had sufficient qualifications and conditions.

He passed the plating and dancheong section of the cultural heritage Administration's cultural heritage Repair Technique in 1995 and 1996, respectively, and currently serves as a visiting professor at the Korean Traditional Culture University's Institute of Traditional Culture and Education. The collection of Dancheong works includes "The Seowon of 崋藏莊儼 at the end of a brush" (Hunminsa, 2004).

Dancheong refers to the technique of coloring a building or the result of its use, and Dancheongjang refers to a craftsman who does dancheong work. The area of dancheong has traditionally tended to encompass discord, and the recent learning process supports this perception. The history of Dancheong dates back to the Three Kingdoms Period. Damjing of Goguryeo, Baekje's Baekga and Silla's Solgeo are all considered to have been responsible for the responsibility of dancheong as painters who painted murals in temples.

Dancheong, which is painted on Buddhist temples and palaces with special authority, was used to extend the life span of the building and to serve as both a grandeur. Even among the buildings, the design choices and the degree of decoration were different, and the prestige was different. The royal palaces and the temple's Daeungjeon Hall were treated with a variety of Geumdancheong, Morodancheong, and Geukgi Dancheong. It embodies a bright pattern based mainly on five mineralized stone pigments.

Dancheongjang includes Yi Chih-ho, Kim Seong-su, Im Seok-jeong, and Hong Chang-won, who were designated as national intangible cultural assets, and many craftsmen are also working in the provinces through their respective transmission systems. Gyeonggi-do Province is the owner of Dancheongjang, and Kim Jong-wook (born 1937) was designated as the head of Dancheongjang in 1999.

Hwagak craft refers to crafts or techniques used to decorate the back by grinding iron horns thinly and drawing patterns. The artisan who works in hwagak is called hwagakjang. Hwagak crafts are unique characteristics of Korean crafts, which are not found in other countries, and show the characteristics of Korean woodcraft along with lacquerware. The origin is unknown, but the shell of a tortoise with similar characteristics was used during the Goryeo Dynasty's Najeonchigi, and the traces of the tortoise were evident after the late Joseon Dynasty.

Hwagak uses a ventriloquism technique that boils the horns of a bull aged 3 to 5 and spreads them in half to make a flat surface, then stirs them thin enough to show the back, drawing a pattern on the back. Not only does the complexion preserve the color well, but the color is also deeper, enhancing the quality of the craftwork. Each piece of the pattern is attached with a glue on the skeleton, and the cow bones are cut between the pieces to fix the boundary. However, it is not easy to preserve them because of the elasticity of the cones, which were originally cones, over time. Therefore, the process of preparing materials was complicated and cumbersome, and expensive, so it was used by the royal court and the minority ruling class.

The late Eumilcheon and Lee Jae-man were designated as national intangible cultural assets, while the late Han Chun-seop (1949-2015) of Gyeonggi-do was the only holder of the local incinerator. Han Chun-seop learned the art of painting by entering the Najeonchigi, and then learned the art of painting again under Eumilcheon. Currently, his son, Han Ki-duk, has been designated as an assistant instructor and is working hard to pass down his skills.

Drumming refers to the art of making traditional drums. The mastermind of the drumming was called "Kang Ssuhuan" in Chinese characters. The drum, which makes sounds by ringing animal skins, is considered one of the most primitive instruments. This is because the sound of leather moves the basic sensibility of human beings more than other materials. Therefore, the North has a very long history, regardless of which country it is, and South Korea is no exception.

The drum is divided into Jeongakyong, Buddhist temple, and civilian use according to its purpose, and there are many types of drum. In addition to Beopgo, Maegu Book for Nongak, and Sori Book for Pansori, there are 14 types of Jeongak, including Jugo, Yonggo, Yeonggo, and Gyobango, and others, which are commonly known as Beopgo, Maegu Book for Nongak, and Pansori, and Sogo and Janggo for private use. The janggu was originally produced separately, but is now included in the scope of the work of the drumming machine.

Drums with different names differ in form or method of making them for different purposes. The drum usually uses cowhide, but the janggu needs to use doghook to make its own sound. One of the key points of drumming is the making of the woolen canister and leather tanning technology. The tanning that deals with raw leather is now only partially transmitted. There are ways to cut down the inside of a log and to connect the sides of a tree to make a round ring. Among these, the technology to connect the sides of a tree is very demanding and difficult.

Bukmaeugi was recognized as a national intangible cultural asset by the late Park Kyun-seok and the late Yun Deok-jin. Currently, Gyeonggi-do Province is tying up and designating drum-maeugi for the musical instrument field. In 1999, Im Sun-bin (born in 1950) was recognized for his function, and his son is recognized as a son.

Im Dong-guk and other students are actively being taught to him.

The stringed instrument field among musical instruments refers to craftsmen who produce gayageum and geomungo. During the Joseon Dynasty, it was also called a pungryu or pungmungmuljang. The history of stringed instruments dates back to before the Three Kingdoms Period. The geomungo of six prefectures was invented by Wang Sanak of Goguryeo, and twelve lines of gayageum originated from Gaya. Geomungo was also referred to as Hyeonhakgeum, or cash, which means the most fundamental musical instrument, because black cranes gathered together at a solemn sound. Geomungo is a symbol of harmony among the Yaeak, the core of the political philosophy of oil prices, beyond entertainment, and was also a must-have item in the study of noblemen and scholars.

In addition to geomungo and gayageum, string instruments include Ajaeng, Haegeum, Daejaeng, Hyangbipa, Wolgeum, Wa Gonghu, Su Gonghu, and Yanggeum, among which Gayageum is largely divided into Jeongakyong and Sanjo. The main ingredient of the string instrument is an odong tree, which is used as an eulimtong, and chestnut wood, which is stronger than this, is used to support the sound. The craftsman who deals with stringed instruments thinks that the difference in sound quality is mainly related to the quality of the paulownia, so he puts his efforts into obtaining quality materials. Since ancient times, it has been widely recognized that the slow-growing Odong in the midst of barren rocks has a soft sound, and Seoksang-dong, recorded in "The Evil Scrolls," is related to this.

String instruments are among the areas that have been activated compared to other craft fields thanks to the success of Gugak. The late Kim Kwang-ju, Lee Young-soo, and Go Heung-gon have been recognized as national intangible cultural assets. In Gyeonggi-do, strings are tied and designated in the field of musical instrument No. 30-2. In 1999, Choi Tae-soon (born in 1941) was recognized for his function and actively taught to his son Choi Jung-wook and other students.