Chunpo refers to cloth woven using silk and ramie cloth.

The springtime of Cheongyang's Chunpo Japgi dates back to the late Joseon Dynasty, and from around 1940, Cheongyang's Chunpo Market was famous nationwide. Among the Cheongyang area, Ungok area was known to specialize in making spring rolls from house to house.

Chunpo's method of making silkworms is to make silkworms with silkworms and ramie fabrics by hanging them on a loom, putting a dotomari (a frame for weaving a loom) on the loom and hanging a silk thread (a thick thread for walking up the loom thread one by one).

Baek Soon-ki, a holder of the Chunpo weaving function, received the skills from his mother-in-law, Yang Yang-seok, the first holder of the function, and is now continuing the tradition of his daughter-in-law Kim Hee-soon and Chunpo weaving, and both the production process and tools of Chunpo weaving are using the same old methods.

This inkstone-based inkstone-based inkstone in Nampo-myeon, Boryeong, was called Nampo-brew because it is widely produced in the Nampo area. The inkstone was used since the fall, and during the Goryeo Dynasty, the use of the inkstone expanded due to the prevalence of Neo-Confucianism. Therefore, technology has developed and exports have been made since 1961.

The production process is finished by taking five stones, hand-crafting them, and sculpting different patterns and patterns. The patterns include traditional patterns such as dragons, phoenixes, pine trees, and bamboo trees. The characteristic of the Nampo broom is that its prey is well ground, and its ink remains dry for a long time.

The technique of making Boryeong Nampho Blossom was recognized as an intangible cultural asset because of its value as a cultural asset, and Kim Jin-han, the current holder of the function, continues its existence.

Although Buddhist dance is called heavy dance because it is a dance performed in Seungbok, it does not refer to a dance performed by a Buddhist monk, and it is one of the most representative folk dances of Korea. The origin of the song is said to have been developed in the 1910s from the perspective of Buddhist culture and history, from the perspective of Buddhism and Kim Man-jung's novels, and among mask plays, there are theories that it is a dance produced by the anguish of old dance and Pagye-seung, but it is not clear which one is certain.

The monk wears white jangsam and red lyrics, and dances according to changes in the rhythm such as Yeombul, Dodri, Taryeong, Gutgeori, and Jajinmori, with a white jade-like cone and an exceptionally prominent birseonko. The movement of somersaults or flying arm movements is very unusual, and the accompaniment is used as a flute, daegeum, haegeum, janggu, and drum.

Buddhist dance is a very good dance that combines the delicate expression of sweet, adult, and loose rhythm with the subtlety of the dance.

After the death of the late entertainment owner Shim Hwa-young (1913-2009), his granddaughter, Lee Ae-ri, has been inheriting the vein of stewardship.

Sedo Durepungjang is a village community game that has been played for a long time in the village of Dongsari, Sedo-myeon, 15 kilometers southeast of Buyeo-gun. Dongsari Village is a typical farming village that has been built in the form of labor-intensive farming in a large front yard facing south. In this neighborhood, when the rice paddy farming season is in full swing, there is a tradition of making dure tissue and farming, so the dure farming is called "dure_.

Sedo Durepongjang, which is well-cooperative and co-entertainment, consists of Jilgutgut, Chilchae, Nonpungjang, Jipungjilgutgutnak, Jajinjirak, Jajinjigirak, Madangbapgariak, Dumachigarak, and Maejojirak. It has a relatively good tradition of 's Chungchungdo.

Park San-bong, who used to be called jabber, was the center of this pavilion and passed on to Choi Jong-nam. Seo Jae-eok, Yoon Gu-byeong, and Kwon Hyeon-ju were later recognized as the owners of the pavilion.

Danan is also known as the "span class='xml2' onmouseover='up2(1058)' onmouseout='dn2()'dn2()(>>>>>>/spanan, a disease known for its red spots on the skin and swelling of the face. It is known that the disease is caused by irregularities in villages and homes, or by evil spirits or evil spirits. Men and women of all ages develop the Dan, and the Dan has a high fever of 42 degrees.

Depending on the shape and shape of the platform, it is divided into 12 layers, including Cheongdan, Taedan, Hwangdan, Hongdan, Patdan, Pungdan, Bandan, Nokdudan, Todan, Memildan, Baekdan, and Gumok Gwangsoldan. I heard Dan's developing disease.It's called ," and when it develops, it involves acupuncture, folk remedies or anti-corruption rituals such as white porcelain and zaraffi, which are called " short-handedness".

Nana-ri Danjapgi is a unique form of disease in which most villagers unite to treat diseases because it is effective only when many people participate and the sound resonates in Sedongne, Nana-ri.

In the editorial, the play was related to the fall of Baekje, as it was used to defeat the Danguisin and was associated with the collapse of Baekje. It was a folk game with a great sense of tradition and history, and it was awarded the Presidential Award at the 36th National Folk Festival, and is now recognized as the holder of Lee Kyu-chan.

☆Geumsan Ginseng Baekju is a traditional liquor-making method handed down to the Kimnyeong Kim family in Geumsan, which is recorded in the "Japrok" of Kim's family. According to the report, whole wheat and ginseng are mixed to make yeast by fermenting them for three months. The rice and the prepared yeast and ginseng are mixed to make an pre-liquor. Add wormwood, pine needles, ginseng, and rice and ferment them for 40 to 60 days. When the alcohol is fully cooked, filter it out and use a ring to distill it. The alcohol level is about 43 percent, and it smells like ginseng and has a soft color. Kim Chang-soo, a functional holder, is Kim Mun-ki's 18th-generation descendant and has inherited the technique from his mother and grandfather.

☆Jang Un-jin entered the traditional architecture field at the age of 15 and has spent more than 50 years working on traditional architecture 50 years. He was recognized as a holder in 2019 as he was highly regarded for his excellent performance in the field of traditional tools and facilities, as well as his excellent performance in transmission.

☆"Uidang Jipteo Dajigi" is a folk culture that began around the 15th century in Uidang-myeon to strengthen the structure of the house by preventing the collapse of columns on the site where the building will be built.

In the past, making hard a housing site before building in Gongju was a ritual for worshiping and unifying the earth god, and it was a process of life and faith that emerged as a result of the sound of human beings, earth, and earth becoming one.

Teo Dajigi, performed by cultural and realistic needs, includes a house site, a graveyard ironing, and a soil ironing used for embankment construction, which is a song sung by several people to keep in tune.

Seonhak-ri is a typical mountain village, and the seasonal customs are still well maintained until now, the mountain ritual and Jangseungje are well preserved, and rare folk games such as "Yutchigi" and "Jangchigi" are also inherited along with "gei nori."

It has been found that Jigeonori has been handed down from the Iphyangjo, who moved to avoid the Japanese Invasion of Korea in 1592. The Jigenori is preserved in such areas as jigaeyeo, gegi pungjang, hagwaji four-legged walking, gegekotnabi, gejokdaegi janggi nori nori. Each game has been accompanied by the sounds of Manga and Taryeong the woodcutter, which sincerely convey the joys and sorrows of the common people in the mountains.

The Jigeonori in Seonhak-ri, Gongju, is a village joint play handed down to a mountain village in inland Chungcheong-do. The original form is well preserved and the base of the village is faithful, so it is of cultural value.