The wild song in Galgok-ri, Yeongam, is a wild song that represents the song of rice paddy farming in the lower reaches of the Yeongsangang River, which is inherited in Galgok-ri, Sinbuk-myeon, Yeongam-gun, and is preserved in its original form.

The Galgok-ri wild song contains the entire process of rice farming and the wisdom of our ancestors who worked to relieve their fatigue by singing.

The composition of the song is 1 Mochi sound, 2 Mochi sound, 3 Nonmaegi sound - Chobeolmaegi (earning sound in the morning, afternoon sound) 4 dubeolmaegi (earning sound in the morning, afternoon sound), mandri (Uyasori), and Jangwon Pungjangmjangsori (Arong dalong).

The "Gorgok-ri wild song" has a unique feature: morning and afternoon excursion. It is unique to the traditional style of farming. In traditional farming songs, the sounds of the two birds are the same, but in Galgok-ri, it was more efficient to sing different sounds in the morning and afternoon than to sing the same sound all day long. In particular, the folk music ‘eonmori’ used in piping, Cholla provinces <span class onmouseover = ' ' 2 = ' xml up 2 () ' () 2) ' onmouseout = ' dn> with the same configuration Muga. in (舞歌) </ span>The (new) tune and in line when the East Sea coast, Muga, Prodo Enea Grand Reserva, it seems that relatively a long history.<span class = ' ' 2 xml onmouseover (399) / 2 = ' up onmouseout = ' ' () 2 dn> an old law to conform, and of the (古制) </ span>. In 2004, he received the Presidential Prize at the 45th Korean Folk arts Festival and was recognized as a valuable cultural heritage.

Woobong Dulsori is a highly artistic folk game performance that won the best prize for starring as a representative of Hwasun-gun at the Namdo Cultural Festival organized by Jeollanam-do in 2008.

Ubong Deul-sori is a labor song characterized by its lyrical and static nature, unlike the sound of Neungju-myeon or Dogok-myeon, which surrounds the wide plain of the Jiseokgang River basin.

While most of the sounds are personal, such as songs containing resentment and remorse about the lives of women oppressed by the times, Ubongsori is known to have excellent workmanship due to its macroscopic satire of the times.

Gayageum sanjo refers to a sanjo designed to be played with gayageum. Sanjo refers to the form of playing a musical instrument alone, starting with a slow rhythm and gradually turning into a fast one, which slowly makes the listener nervous and excited.

Gayageum Sanjo is composed of four to six rhythms. Looking at the feelings of each rhythm, Jinyangjo is very slow and lyrical, Jungmori is stable, and Jungjungmori is very entertaining. Self-momori is bright and cheerful, and Hwimori has excitement and urgency. It was made before Sanjo played with other instruments, and due to its outstanding technique, it attracted a lot of people's attention and formed several factions.

The characteristics of the new type Gayageum Sanjo are that Jangdan Guseong is located between Gutgeori and Jajinmori, and unlike other mountains, Jinyangjo begins as a surfactant, and carp hangers are frequently produced and attached in Jangdan. In addition, Jungmori rhythm has a long surfactant melody and is characterized by an offmori following the Danmori at the very end.

Kang Soon-young, the artistic owner of Gayageum Sanjo, has a 30-minute-long body and is well-represented. Kang Soon-young is 75 years old and has not lost her strength, so her voice is deep and delicious.

The Gaya Geumsanjo of the Neogwanyongryu Hermitage is well worth preserving and has been active in the Jinju area for 36 years.

Pyeongchon-ri Mulpegi Village, located in the upper reaches of the Geumgang River, was flooded with water when it rained a little. Mulpaegi Nongyo is a village folk song that expresses the process from beginning to end of farming in song and movement. It consists of Toshinsa Temple, planting sound, Dureungbapgi, Asimaegi, Dureunggogi, Dureunggogi, Chaebolmaegi, Banga Sori, Ssamssaori, and jangwonnori. First, when the trumpet sounds that the circumference is made, it begins by gathering at the entrance of the village to hold a ritual for the land god, followed by a singing sound while planting. Next, the rat moles, etc. step on the paddy fields so that they cannot penetrate the rice paddies, and after 15 to 20 days, they sing while hanging rice paddies with homies, which is also called 'Ulka Sanay'. Then ten days later, they do a chaebol hawk, sing the sound of harvesting and pounding the mill at the end, and after the sound of the mill, they sit around in a circle and make rice and make a song. Finally, Jangwon Nori picks the best farmers in the village around Baekjung and puts them in a coffin with a vine and takes Ilsan as a satsat and rides them to a cow.

Geumsan Mulpegi Nongyo has a unique structure that combines the sounds of plains and mountains. Yang Seung-hwan, who won the Prime Minister's Award at the National Folk Festival in 1991, continues to live in Buri-myeon, Geumsan-gun.

It is a miscellaneous song sung in Seoul and Gyeonggi Province, and is classified as a sitcom because a singer sits down and sings alone. The name Japga is given in the relative meaning of the list price of aristocrats. There are "Ginjapga" and "Whistlejapga." There are 12 songs in "Ginjapga," which is also called "12japga." It occurred in the mid-19th century and was widely sung among the singers of the Four Seasons in Cheongpa-dong, Seoul.

In the past, eight jagga were divided into eight jagga and jagga, including "Yusanga," "Jeokbyeokga" and "Jebi," "Housewife's Song," "Sochunhyangga," "Seonyoga," "Hyeongjangga," "Pyongyangga," and other jagga. jagga includes "Dalgeori," "Sipjangga," "Bangga," "Bangga," "Bangga," and "Bangga."

It is believed that the ginjapga was originally modeled after yangban's Jeongga, which is why the characteristics of Jeongga and folk songs are mixed together. In terms of the prior art, the biggest feature is that the sound tones of Gyeonggi and Seodo are mixed. In terms of rhythm, Yushan, Sochunhyangga, Pyeongyangga, Seonyu, Songga, Sipjanga, Bangmulga, Jipjanga, and Hyungjanga are accompanied by Dodi rhythm, and Dalgori is mixed with Doddri and Semachi. The musical form of a japga is a form in which the floor is connected in parallel. If the size of the floor is constant, it can be seen in a fluid form, and if the size of the floor is irregular, it can be seen in a modified oil form. The lyrics of the long japga are often lyrical or pick a passage from pansori.

"Ginjapga" is considered one of the representative art music in Gyeonggi Province. Musically, it is a masterpiece that combines the strengths of Jeongga and folk songs, and is a mixture of Gyeonggi and Seodo music. These characteristics can be called the cultural identity of the long-term job.

Paju area is located in the northwestern part of Gyeonggi-do and is influenced by the neighboring Hwanghae-do culture to form a unique culture. In the Geumsan-ri area of Paju, various rice paddies and funeral ritual songs were handed down, and cultural assets were designated under the name of Paju Geumsan-ri Folk Song. Eight types of rice paddies and three types of funeral rituals are handed down in Geumsan-ri.

When farming rice paddies, they sprinkle rice seeds on the seedbed to a certain extent and when they grow up, they pull out their teeth and plant them in the rice paddies, and because they say "I gained hair," they sing "I gained weight" with the chorus. In the process of transplanting the rice seedlings, the song is called "Hana Sori," meaning planting the rice seedlings one by one.

The mother-in-law of the rice paddy was held about a month later, while the first rice paddy was made of hoeum, and the second, two bees, and the third, Samdong, were hand-tied. In this area, the popular folk songs 'Yangsando' and 'Bangataryeong' were included in the rice paddies. Yangsan-do is called 'Non Kim Yang-san-do' as 'Yangsan-do' is called 'Non Kim Yang-san-do' at this time. In addition, they sing "hehehehehehehehehehehehehehehehehe" The word 'body stone' means to turn your body around and tie the rice paddies. After the rice paddies are finished, the song is called "Uyasori" to chase birds, which is meant to prevent evil and pray for a good harvest.

In the funeral song, there are the sound of "Uegeori Overpass" and "Uhsori," and the sound of the tomb's ironing is called "Dalgusori." In addition to the dalgu sound, the hoe-daji is also sung with non-maggi sounds such as Bangataryeong, Sangsasori, and Uyasori, which is a common tradition in Gyeonggi-do.

Currently, the festival is actively carrying out performances and transmission activities, focusing on the preservation of agricultural songs in Geumsan-ri, Paju, and the Chu Gyo-jeon, the owner of folk songs in Geumsan-ri, Paju.

Hyangdangmu in Anseong refers to a traditional dance that originated from the Akga Muhak Training Center in Anseong, Gyeonggi-do. The origin of Hyangdangmu is several, including the theory that the descendants of the willow baby, a government official of the Geuknu Pavilion, which was built to commemorate the victory after the reign of King Gongmin of the Goryeo Dynasty, danced in honor of its spirit. The village ritual, dongje, Sadangpae nori, and dances performed by government officials and frauds in Anseong and Jincheon area have been performed in the area. The dancers were mainly composed of Jae-in, Gisaeng, and Min-cho, but considering the terms of dance in Chinese characters and the terms comparing the geographical names, it can be said that they joined the literati as well as the literati.

There are about 40 kinds of dances handed down from Hyangdangmu in Anseong, which are divided into masculine and feminine dances according to their personality. Thirteen types of hwarangmu, including Gyeongcheon Barye Mu, Bonghwang Geumran Mu, pray for the prosperity of the king's Mansumu River and the royal family, and Jang Gummu, Gungmu Samu, and Dosan Muryeong, are regarded as masculine hwarangmu lineage.

On the other hand, 15 kinds of dances, including Hakkwa dance, which is performed with a white towel, Hongaeksugeon dance, which expresses a woman's sorrow, and Chae Seonhyang dance, which performs various techniques and dances according to the Sanjo song with a fan, as well as Buddhist dance, Buddhist dance, and Gomyeong dance, have been handed down to the gisaengs in Anseong area.

The accompaniment music of Hyangdangmu in Anseong is divided into court music, folk music, sanjo and military music, and the dance moves are diverse and difficult. The dance content and entertainment vary depending on the status because it is a dance that has a lot of different people using martial arts.

In 1990, Hyangdangmu, which was discovered by local residents including Anseong Cultural Center, was designated as an intangible cultural asset by Yi Seok-dong and Yu Cheong-ja as an assistant administrator in 2000. Yi Seok-dong's deceased Hu Cheong-ja is serving as the chairman of the Preservation Society and is striving to succeed Anseong Hyangdangmu.

Pocheon Menari is an agricultural labor song that was sung when rice paddies were being dug in the area of Shingyeong-myeon, Pocheon-si, Gyeonggi-do. Although there are many kinds of labor songs in Pocheon, the rice wine that was sung during rice paddies was very unique, and the song was named Pocheon Menari by tying up Pocheon's labor songs.

Menari is a song that is widely sung in Gangwon-do. In Gangwon-do, it is usually sung with switchpoles, yunchang, and solo songs, and Pocheon's Menari is used to sing in five groups. Menari is also used in music studies as a form of music in the eastern part of the Korean Peninsula.

Pocheon Menari consists of the process of farming. There are jajinari and jigae, which are sung by farmers when they climb up the mountain to pick up the ribs, and "jiggwong," which are sung as they come down the mountain with a load on the fork, and "hojiri" as a screeching sound when they drive cattle and go to the rice field. It is the Hanasori family, which is widely known in Gyeonggi Province for its 'Yeolsori' during planting. The first rice paddies, "Ahnon Maggie," are called ho mi, when they sing "Gianta-ryeong" and "Banga-taryeong" (Ggotbang-at-ryeong) and "Kkot-taryeong" are sung at the end of the rice paddies. The second non-magazine, Dubeol Maggie, steals by hand, and sings 'Menari.'

Menari is a different style of singing than Menari in other regions. Singers are to be grouped into five groups: the sound of singing, the sound of shouting, the sound of receiving, the sound of making, and the sound of forming. For example, if you look at the way a musical instrument is divided, it is divided into the form of 'Sound: This rice paddy is good / Screaming / Sound: Sound of water / Sound of forming: Good'.

"Jeju Island warrant sound" refers to a funeral ritual song called in Jeju Island, especially "a warrant" meaning "a funeral" throughout Jeju Island.

"Jeju-do warrant sound" is a term referring to funeral ceremonies called in Jeju-do, especially "warrant" is a Jeju word meaning "funeral" throughout Jeju-do.

Kim Eun-sook was granted a ritual for the construction of Goje Yageum and a charnel house by Jeong Dal-yeong, the holder of the National Intangible Cultural Property No. 23. Jeong Dal-yeong's Gayageum Sanjo and Byeongchang, a member of the Hansuk family, were passed down to Kang Jeong-yeol after his death in 1997.

Kim Eun-sook has been working on preserving, inheriting, and developing the Goje Gayageum Byeongchang, which was introduced in the southern part of the country, by performing music and training disciples in Gwangju and South Jeolla Province after Kang Jeong-yeol.

Nongak is the music originally played by farmers when they work with Du-re (an organization for community work) and refers to the music played by percussion instruments such as gonggwari, gong, and janggu drum.

Honam Udo Nongak is a nongak developed around the western plains of Jeollanam-do. Especially, nongak played in Yeonggwang area is based on the nongak of the Ministry of Patriots and Veterans Affairs.

Nongak, or nongak, is a traditional folk music handed down from Yeonggwang, Mujang (Gochang), Jangseong, and Hampyeong. The late Choi Hwa-jip, who lived as a general, is the first to continue the tradition.

The organization of the nongak troupe consists of representative instruments, nong porcelain ryeonggi (令旗), trumpet, iron lead, iron, gong, janggu, drum, sogo, and variegated nori. The gestures are varied and glamorous, and it is said to be a masterpiece.

The mixed colors of Yeonggwang Udo Nongak are the only ones in the country to wear a wooden mask made by hand using paulownia wood, and enjoy folk plays and playing with banquets. In particular, the late Jeon Kyung-hwan was also excellent in the art of decapitation. When you were working on your throat, you called in Mr. Moon Han-joon and worked with him manually, and the technology and equipment are now owned by Mr. Moon Han-joon. There are a total of 10 types of masks, including Daeposu, Yangban, Chambong, Halmi, Cooking, Biricho, and Hongjeoksam.

In early January (Jeongwol), the ritual for village guardian deity is held, and the ritual for village guardian deity (Sam) and village cheonryonggut are performed, and the ritual for village guardian deity is performed to drive out disaster to the family and pray for happiness. Among them, Sangsoe nori and Seoljanggu nori are outstanding.

Currently, Udo Nongak is recognized as the owner of entertainment shows such as Sangsoe Moon Han-joon and Seoljanggu Kim Dong-eon.

Manga is one of the folk songs that bier people sing while wearing bier. There are two types of Jindo Manga, one of which is to call in the masters of the application to sing the full song when a portrait is made in a house known as a wealthy or local aristocrat. Another is to have the village's bier-snowpiercer do bier.

The artists of the application are members of the shaman, who play drums, janggu, iron, and flute when the bier goes out, and often sing a full song with various editorials and tunes. When a village bier singer sings a full song, it is a bit simple to sing E-sori or Poverty Bodhisattva only.

Jindo Manga is a specialized bier sound that is sung in Jisan-myeon, which is composed of Jinyeombul, Esori, Jaehwasori, Hajeok-sori, Dari Cheongeun, and Dagujil. The characteristic of Jindo Manga is that women in the village participate as headmen and sing together. These women are known as peddlers, and what could be seen in the aristocrats' traveling procession is now common. In addition, the two masked benches perform sword dances on ponies to chase away evil spirits, while torches appear and the mourning clothes of the residents are also unique.

Jindo Manga is a very important cultural asset in terms of folklore, given that the shaman's music and folk songs are used together and the unique characteristics of funeral customs followed by women as headmen.

Nongyo is a song that is sung to forget fatigue and improve efficiency while working on rice paddies and fields, also known as wild songs or farming sounds. As one of the folk songs, the song may be sung individually or collectively and may vary depending on the region.

Woo Soo-young's Women's Farm Song is a folk song sung by women while farming. The story consists of a field-matching song, a barley threshing song, a bangataryeong, a dongdungtaryeong, a street nook, and a afterpuri.

A field hawk is a song that is sung when a field is being dug, a barley threshing is sung when a barley threshing is done, while a bangataryeong is sung when a person is resting while working. Gilkkkungi is a song that is sung on the way home from work, and after work is a song that is sung while playing.

Woo Soo-young and her daughter's song is a labor song and contains the joys and sorrows of life.

A haenyeo song refers to a folk song sung by female divers in Jeju Island while rowing when they go out or come in on a boat. This folk song and rowing movement are closely related and serve as a lighter and more enjoyable guide to labor.

Haenyeo sing rhythmically with tewak, mesh, and broom used to work. According to the content, it expresses the hard work and daily life in a friendly way, showing a strong spirit about living, and has a strong dynamic and straightforward color. When the two take turns shouting, the rest will be given the chorus, such as "Yi-Ya-Ya-Yi-Ya-Ya. Sometimes fishermen make good noises and haenyeo make bad noises. Although the number of joints in the musical instrument that appear in the melody is not constant due to the complicated singing style, the melody from high to low notes with the two words paired is repeated consistently. The beat is a regular 6/8 beat, and the speed is usually connected freely according to the working situation from fast to very fast.

The haenyeo song is a folk song that forms the broadest consensus among fishing songs, and the entertainment owner Ahn Do-in and the holding group living in Jeju Island are continuing the trend.