☆Cheongsong chuhyeon sangdu-sori is a type of song of Man-ga, which is performed while carrying a bier. It is a ritual song sung at the funeral ceremony, which is a folk song about the wishes of the dead and the hope of the living to live for a long time.

Manga is classified by function. It can be divided into a congratulatory song, an appearance song when a bier goes out, and the ingredients used to make a tomb. In the case of Cheongsong Sangdu-sori, there is a rare Daedodum sori instead of a celebration song, a bier sound, and a dulgu-sori, a gatekeeper.

Cheongsong chuhyeon sangdusori was designated as an intangible cultural asset because it was a folk song that showed the emotions and culture of the people.

Shin Sang-kyung, the current owner of the entertainment show, is a bier forward singer at Cheongsong Cultural Heritage, which is held every other year.

☆Nongak is field(farming) music played by farmers and play percussion instruments such as kkwaenggwari, Jing, Janggu, and drum. It is also called Gut, Maegu, Pungjang, Geumgo, Chigun, etc.

Utdari nongak refers to nongak in Chungcheong and Gyeonggi provinces.

Utdari nongak has similarities with other Chungcheong and Gyeonggi nongak bands because each nongak troupe's upper and lower arms were involved in the Namsadang band, which was created in 1950. However, Chilchae and mudong are distinguished from other regions.

☆Mado Galbanga sori is a labor song that is sung during the work of grilling gizzard nets, and is performed by combining the sounds of gizzard gulls. Not only is it valuable that fishing labor songs, which are difficult to be inherited, are fully inherited and have valuable cultural values, but it is also more valuable because it is a present transmission of traditional culture to represent cooperative harmony by reproducing the lifestyle of fishing villages.

The Mado Galbanga sori is a distinctive work sound that has long been passed down along with the gizzard, the main means of livelihood for the islanders. The date of occurrence is unknown, but the lyrics and rhythms of the sounds reveal the joys and sorrows of their lives, and the status of transmission is good, which is valuable to traditional culture.

Gizzard fishing itself remains unchanged as it used to be, but as the method of gizzard catching has modernized, the process of village collaboration has become unnecessary, the work will have to be eventually extinguished if it is not protected as a cultural heritage.

☆Pyeongtaek Folk Song was designated as a cultural asset by combining labor songs handed down in Pyeongtaek, Gyeonggi Province.

Since Pyeongtaek is adjacent to the west coast and includes a wide range of farmland, the three folk songs used for rice paddies, sea songs, and funeral ceremonies are combined to pass down the tradition.

As for farmer's song(nongyo) 'Sangsasori' is widely sung in southern Gyeonggi Province when planting rice seedlings.

☆Pansori refers to a stage art in which a singer intertwines a long story by mixing sori(singing), words (aniri), and body gestures (balim) to the beat of a drummer(Gosu).

Pansori is divided into Dongpyeonje in the northeastern part of Jeolla-do, Seopyeonje in the southwestern part of Jeolla-do, and Junggoje in Gyeonggi-do and Chungcheong-do according to its regional characteristics and genealogy. Among them, Seopyeonje formed a large stem based on the sound of Park Yu-jeon, a master singer during the reign of King Cheoljong (1849-1863), and the sound of Kim Chae-man.

The sound of Seopyeonje is composed of Gyemyeonjo that use a relatively folk tune, lighten the voice, and lengthen the tail of the sound.

☆Pansori is a stage art consisting of a singer, a drummer, and spectators. The one who sings makes sounds, lines, and gestures, and the one who plays drums according to the tune of the one who makes the sound leads to an exciting atmosphere. Pansori is divided into Dongpyeonje in the northeastern part of Jeolla-do, Seopyeonje in the southwestern part of Jeolla-do, and Junggoje in Gyeonggi-do and Chungcheong-do according to its regional characteristics and genealogy.

Among them, the sound of Dongpyeonje started from the founder Song Heung-rok and passed down to Song Gwang-rok, Park Man-soon, Song Woo-ryong, Song Man-gap, and Yoo Seong-jun. The sound of Dongpyeonje is composed of a thick, grand ornamentation that uses a lot of the tunes of Ujo makes the voice heavy and shortens the tail of the sound.

Park Hwa-soon, who has been designated as Namdo chang(sori, song) Dongpyeonje's entertainment holder, has been devoted to pansori for more than 50 years and has been maintaining the artistry of pansori as an authentic Korean classical musician with excellent acting skills.

☆Kim Sun-ja was born in 1945 in Jindo, the town of pansori, and has been studying pansori since she was young.

In 1967, she entered the Pansori world after learning Heungbuga from Kim Heungnam. Since then, Choi Ran-soo, the second Important Intangible Cultural Property in North Jeolla Province, has taught Sugungga, Heungbuga and Chunhyangga to Cho Sang-hyun, the fifth Important Intangible Cultural Property, and Simcheongga and Chunhyangga. In addition, there have been several presentations of pansori, including the Pansori Cha-sang at the 16th Jeonju Daesaseup Nori National Competition, the Pansori President's Award in 1996, the Seoul Pansori Yupa Presentation in 1994, the Seoul Pansori Heungbo in 1998, and the Seoul Pansori Yupa Presentation in 2005.

In particular, Kim Soon-ja has been actively engaged in activities for the development of local traditional culture and arts, including training of pansori to the general public at Mokpo Cultural Center, Mokpo Maritime University, Halla University, Jeonnam Provincial Government, Jeonnam arts High School, and Jeju Mokgwana.

☆Although Yangju Nongak was generally referred to as Yangju Nongak, it was based on several Nongak pieces that were handed down throughout the Yangju town. The main source of the nongak transmission was the nongak in Gwangjeok-myeon, Seokuri, Bakdal-dong, Gwangjeok-myeon, Gwangseok-ri, and Deokdori nongak. These nongak have been combined to reach today's Yangju nongak. It is a nongak that fully embodies the nature of nongak in northern Gyeonggi Province and embodies the typical aspect of nongak in Gyeonggi Province.

Yangju Nongak is related to the "Homi Ssise," in which the basic personality is done after the farming process.

In this town, dure(farmers' cooperative group) was intense in every part of the village. There was a tradition of eating food and holding a feast at the end of the farm work. It is Yangju Nongak that originated from this tradition. In addition, Yangju Nongak is based on 'Nongnapuri', a tradition of playing nongak while mimicking farming.

It is replaced by showing the reproduction of nongak, which has a reserved nature, as a farming imitation.

Farming is performed in the form of washing hoe, and the forms of rice paddies are consistently found in Goyang, Paju, Yangju, Guri, Uijeongbu, and Dongducheon in northern Gyeonggi Province. The composition of rice paddy farming sounds is consistent, Nongak is performed as a farming pool, and the transfer process is shared in the form of ho-mi-sushi or ho-mi-gall. For this reason, Yangju Nongak can be regarded as a typical example of Nongak.

The sound of a joke that is currently being handed down is a restoration of what was taken by Park Chun-jae (1883-1950) in the early 20th century. It is the current joke that the tradition of Korean jokes, which led to the arrest of Woo-hee from the 14th and 15th centuries and the arrest of the municipal government from the 18th to 19th centuries, has permeated Park Chun-jae's jokes and "Bal Tal" since the 1910s.

With these circumstances in mind, the current tradition of jadamsori is deeply historical. However, the tradition had been cut off for a while. The current jesting sound is based on the restoration of Baek Young-chun in 1998.

17 March 2008 baegyeongchun the holder, come served as recognition honor became a holder on April 17, 2014. 2017 on Nov. 16, choeyeongsuk been held recognition as an activity.

※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616).

Jo So-nyeo was born in Onyang, Chungcheongnam-do in 1944 and entered Pansori under renowned singer Park Cho-wol. After that, he learned pansori from Hong Jeong-taek, drew Simcheongga from Lee Il-ju, and learned Chunhyangga from Oh Jung-sook.

Chunhyangga is believed to have been created in the folktales and musical traditions scattered around North Jeolla Province, as shown by its geographical background in Namwon.

Jo So-nyeo's Chunhyangga is a continuation of Kim Yeon-soo's Chunhyangga, which was recreated by combining traditional Chunhyangga. Cho So-nyeo held a full vocal presentation of Simcheongga in 1985.

Born in 1944, Sung Joon-sook entered Pansori by learning the Sugungga from the master singer Im Bul-i. After that, I learned Chunhyangga and Simcheongga from Ju Gwang-deok, Yi Il-ju, and Oh Jeong-suk.

Sung Joon-sook succeeded Kim Yeon-soo's "Jeokbyeokga," which was a re-creation of the "Jeokbyeokga" of the Dongpyeonje, Yoo Seong-jun.

Since 1987, Heungbo has held a full singing presentation at Jeokbyeokga, Sugungga, and won the grand prize at the Pansori Festival in Namwon in 1985 and at the Pansori Master Singing Contest in 1986 and the Jeollabuk-do Cultural Award in 1991.

Nongak is the music played by farmers when they work with Du-re (an organization for community work) and refers to the music played by percussion instruments such as kkwa-ri, Jing-gu, Janggu, and drum.

Jeongeup Nongak is a nongak that has been handed down from village to village and has improved its artistic level as it is combined with the outstanding entertainment of the hereditary dance group. In addition, in the 1920s, the local folk religion, Bocheongyo, adopted nongak as religious music, bringing together and integrating outstanding nongak performers, once again improving its artistic level. Since then, Jeongeup Nongak has had a great influence on Nongak not only in North Jeolla Province but also throughout the country.

Currently, Jeongeup Nongak is recognized as a holder of entertainment by Yoo Ji-hwa and Kim Jong-soo.

Nongak is the music played by farmers when they work with Du-re (an organization for community work) and refers to the music played by farmers playing percussion instruments such as kkwa-ri, Jing-gu, Jang-gu, and drums.

Gimje Nongak is a type of Honam Udo Nongak that is distributed throughout Gimje. Nongak was handed down in the form of Daedonggut from early on, but it was developed into a more specialized group of entertainers. It is characterized by the use of iron and janggu as the main instrument in the composition of the Nongak band, the use of large drums, and the development of duregut in the plains area.

Currently, Park Pan-yeol and one other person in Gimje Nongak are recognized as the entertainment holders.

The roots of Jeonbuk dance are mainly based on Kibang Dance, and so is Honam Salpuri Dance. In particular, Choi Jeong-cheol's Salpuri dance (tentative name: Choi Sun) is a dance that transformed the towel dance learned from his teacher into a stage dance for a long time. His dance is deeply rooted in the emotions of Han, and his high self-control, along with the beauty of making, solving, and freezing, illustrates the characteristics of dance.

Choi Jeong-cheol started dancing when he was 10 years old in 1945, entered the Kim Mi-hwa Dance Research Institute in 1946, held a dance presentation for the first time at the Jeonju Provincial Theater in 1960, opened the best dance institute in 1961, and was designated as the holder of the Dojeong Intangible Cultural Property Honam Salpul Dance in 1996.

Currently, the school is dedicated to training its students for dance transfer through its lectures at various universities and colleges, and it is firmly establishing its position as a renowned dancer, <span class='xml2' onmouseover='up2 (1535)' onmouseout='dn2('dn2(')명명명명명명명span>.

Heungboga, Heungbuga, Baktaryeong, and Heungboutaryeong are among the five pansori madangs.

It is based on Heungbujeon's contents and was modified by Dongri Shin Jaehyo.

It is characterized by being more humorous than other pansori.