Pansori Gobeob was born after the mid-Joseon Dynasty when Pansori was settled, and the drummer (the drummer) accompanies Pansori to the north.

Since the ancient law was an accompaniment of pansori, it was not often used to promote the master, so it was very rare to see famous master singers during the Joseon Dynasty. In addition, the development of classical music was minimal as it was regarded as a means of Pansori classes. In the late Joseon Dynasty, pansori developed with a wide variety of characteristics, but it was not until the end of the 19th century that professional masters came out to develop the classical music.

There are many theories in pansori-go method, but it can be largely divided into posture theory, breakdown theory, and acting theory. Posture theory puts the drum in front of the left side of the singer and sits facing the singer. The drum pulls to the left, puts its left thumb on the left side of the drum, and hits the left side of the barrel. Hold the drumstick in your right hand and put it on your lap, and hit it to the sound, but do not go up from left to right and above your head to head. Gojang theory is that a drummer beats the rhythm according to the sound of a singer, and plays the beginning of the syllable and the flow of the melody by hitting the drum and leather using his hands and chae. The theory of acting allows the master to accept the sound (chang) and the aniri (horse) as the opposite of the singer, and depending on the sound, the sound of the singer naturally connects with the sound, adding excitement to the sound, filling the gap in the sound of the singer's sound.

Jeong Hwa-young and Song Won-jo are recognized as the holders of Pansori High School Act entertainment.

※For more information on the above cultural assets, please contact the Seoul Metropolitan Government Department of Historical and Cultural Heritage (☎02-2133-2616).