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Pansori refers to a single singer weaving a long story by mixing a spear (sound), horse (aniri), and gesture (nareum) to the rhythm of a master.
Park Nok-ju Body Pansori Heungbo of Chung Soon-im, the holder of the obvious entertainment record, is joined by Song Man-gap - Kim Jung-moon - Park Nok-ju - Park Song-hee (Park Jung-ja) - Jeong Soon-im, and was born as the eldest daughter of (Go) Jang Soon-ae (Jangwoljungseon), the 19th intangible cultural asset, and inherited her artistic talent from her mother.
Around the age of 10, Shimcheongga, Chunhyangga, etc. were already learned, and Heungbo, Sugungga, and Yeonsa continued to learn. Jung Soon-im is known as a master singer of pansori in name and reality by winning the Presidential Prize for the Pansori Department of the Namdo Arts Festival in 1985 and the KBS Korean Music Awards in 1997.
Pansori, a combination of a singer (a singer, a clown), a master, and an audience. When the singer sings a spear, the master beats the drum and adds chimes. The audience also gets excited by singing together. The singer does not adjust to the rhythm, but talks (or does not) as usual, and sometimes uses a fan to act according to the rhythm or editorial content. The outstanding broadness grips the audience.
Park Nok-ju Body Pansori Heungbo of Chung Soon-im, the holder of the obvious entertainment record, is joined by Song Man-gap - Kim Jung-moon - Park Nok-ju - Park Song-hee (Park Jung-ja) - Jeong Soon-im, and was born as the eldest daughter of (Go) Jang Soon-ae (Jangwoljungseon), the 19th intangible cultural asset, and inherited her artistic talent from her mother.
Around the age of 10, Shimcheongga, Chunhyangga, etc. were already learned, and Heungbo, Sugungga, and Yeonsa continued to learn. Jung Soon-im is known as a master singer of pansori in name and reality by winning the Presidential Prize for the Pansori Department of the Namdo Arts Festival in 1985 and the KBS Korean Music Awards in 1997.
Pansori, a combination of a singer (a singer, a clown), a master, and an audience. When the singer sings a spear, the master beats the drum and adds chimes. The audience also gets excited by singing together. The singer does not adjust to the rhythm, but talks (or does not) as usual, and sometimes uses a fan to act according to the rhythm or editorial content. The outstanding broadness grips the audience.
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