The musical instruments used in the Jeolla Samhyeon Yukgak are composed of daegeum, piri, haegeum, janggu, and drum, and are accompanied by a danso. Daegeum uses three modern gold, and the flute uses a spice. Samhyeon Yukgak was performed at various events, including the ancestral rites of Hyanggyo, the sixtieth birthday and marriage of Saga, the ancestral rites at the temple, or the dancing of the sangnyang, or the shooting of a bow.

There are only Nongsamhyeon and Minsamhyeon in the country in the Samhyeon Yukgak Pavilion in Jeolla-do. Nongsamhyeon was refined to perform as an accompaniment for dance, while Min Samhyeon was originally used by private households.

The songs used in the Jeolla Samhyeon Yukgak include Bonyeongsan Mountain, Jungyeongsan Mountain, Janyeongsan Mountain, Hudu, Kokduri, Dolgop, Samhyeon, Yeombul, Samhyeon Doljang, Taryeong, Gutgeori, Haengrak, Gunak, and Dangak. Jeolla Samhyeon Yukgak is characterized by a proper change in the order of music performed according to the content of the event.

Nongsamhyeon in Jeollanam-do learned 48 songs and compositions of Daepungryu, but now only Bonyeongsan, Yeombul, Gutgeori, Late Taryeong, Jazun Taryeong, and Victory Songs are left. Samhyeon Yukgak, which was born because not only ritual music, but also royal music such as Haengak, temple music, and sedentary music were not distributed to local government agencies, has been a major contributor to the promotion of Korean traditional music.