☆Sanjo is a term referring to the form of folk instrumental solo music, and each instrument has different types of rhythms, called "OOO ryu" and "OOO je" after the person who made the melody.

In the 1960s, Han Il-seop (1929-1973) began playing the Ajaeng Sanjo. The ㄴstyle of Han Il-seop was passed down to Park Jong-seon, while the melody of Jeong Cheol-ho was played to Seo Yong-seok and Jang-Wol jung-seon to Kim Il-gu.

The style of Jang-wol Jung-seon consists of short Dasreum, Jinyangjo, Jungmori, Jungjungmori, and Jajinmori, and the chung is changed more frequently than that of Park Jong-seon.

☆A new tradition 'Beona Taryeong'

It is a performance in which three Beona-Jaebies come out to play in the form of a comic talk in accordance with the Pungmul garak(style) of Chungcheong-do, and is performed with various talents (Umbrella, Fan, Tentpole, Juggling, etc.) that seen elsewhere.

☆The rhythm was filled with various percussion instruments so that the vocal chimes could be heard well.

"Hangangsu Taryeong" is a song characterized by the combination of 25-stringed gayageum's chord progression and the smooth feeling of the waves.

☆Banga Taryeong follows a scene in which Sim bongsa(blind) lost his attire while bathing in the stream after Simbongsa was abandoned by his mother in the tavern while going up to attend the blind party, and begged for clothing from an official, who is just on his way.
The scene of meeting with blind man Mr. Ahn continues, and Simcheong-ga decorates the grand finale with "Reunion of father and daughter."

♡ Yoo Taepyeongyang was born in 1992. Under the influence of his father who played Korean traditional music, he is a prodigy of Korean traditional music who studied Korean traditional music under the master Jo Tong-dal.

☆Composed by Lee Han-bit
Lyrics by Lee Han-bit
arranged by Kim Baek-chan
Sung by Go Eun-chan, Kim Yi-seo, Kim Tae-rin, Lee Jae-yeon, Lim Soo-ah, Han Woo-joo, Hong Hyo-jun

☆Suryongeum means 'a dragon is reciting like playing with water.'
It is a instrumental version of the accompaniment melody of Pyeongrong, Gyerak, and Pyeonsakdaeyeop of Gagok Gye-myeonjo. Although it is mainly played as a double accompaniment of Danso and Saenghwang, it is sometimes performed by organizing Yanggeum and dae-ajaeng. When the clear Danso sounds rise through the clouds of the saenghwang sound, a harmonic instrument, you will be able to feel the beauty of harmony and communication that creates a wave of melody, with the sound of a heavy, low-pitched Dae-ajaeng.
- Mun Ju-seok, a curator at the National Gugak Center.


Video information
National Gugak Center Saturday Luxury Performance [2015.03.14.] 02. Suryong Eum Quartet (7 minutes)
The form of playing traditional music as instrumental music without singing is called "Jajin Hannip." Jajin Hannip is played in various forms, such as instrumental solo, duet, ensemble, and wind ensemble, and the texture of music varies depending on the composition of the instruments.
Originally, the music "Suryongeum" was imported from the Song Dynasty in Goryeo Dynasty and used as court music until the Joseon Dynasty, and is now a music that has been cut off from transmission. Today, among the various tunes of the song, Pyeongrong, Gyerak, and Pyeonsudaeyeop are called "Suryongeum" when they are played as instrumental music.
○National Gugak Center Orchestra - Saenghwang/Kim Chul, Danso/Lee Seung-yeop, Yanggeum/Joyu, Ajaeng/Kim In-ae

☆Song/Lee Jeong-gyu, Daegeum/Kim Sang-joon, Haegeum/Kim Joo-nam, Geomungo/Kim Mi-sook, Janggu/An Sung-il

☆Inspired by the lyrics of the old song "Cheongchun-ga"(Song of Youth), Youth Song is a theme song of Park In-hye's first album 'Youth is Spring'.

The song contains the hope of Park In-hye, a singer who dreams of communicating with the world with her own song.

The story is about enjoying this beautiful moment while praising youth.

With Piri, Geomungo, and Haegeum majors (Lee Il-woo, Kim Bo-mi, Shim Eun-yong), they use drums, bass, and guitars to capture the sorrowful Korean traditional music with its explosive sound close to heavy metal.

☆Han Il-seob ryu(style) has handed down to Park Jong-seon and Yoon Yoon-seok, so now called "Han Il-seob je(root) Park Jong-seon ryu(style) Ajaeng Sanjo."
This record was restored through the sound source of Han Il-seop's lifetime and played for 16 minutes.

The fusion Gugak band "Seodo Band" that pioneered a new genre of "Joseon Pop" made headlines by singing it on Mnet Neomokbo 7.

☆Cheoyong-mu is a dance in a Cheoyong mask. It is also called Obang Cheoyong-mu, which is the only dance in the shape of a human being among royal dances of Korea.

It is based on a myth that Cheoyong, who lived during the reign of King Heongang of the Unified Silla Dynasty (r. 875-886), sang a song he wrote and danced in front of a deity who was about to commit a crime against his wife, defeating the ghosts.

☆[Jeong Yu-jeong]

Graduated from Busan Peniel Arts High School

Graduated from the Department of Korean Music at Ewha Womans University major in Kyeongseodo Minyo(Folk Song)

National Intangible Cultural Property No.57 Gyeonggi Folk Songs Jeonsuja.

An Intangible Cultural Property No. 2 Hyangdugye Nori Bearer of Pyeongannam-do Province

☆Heungbo was chased by Nolbo, begs Nolbo's wife to save him. But she rather slapped Heungbo on the cheek with a spatula.

☆World-caught folk song band 'Singsing' - Lee Hee-moon, Chu Da-hye, Shin Seung-tae (Sori), Jang Young-kyu (Bass), Lee Taewon (Guitar), and Lee Chul-hee (Drum)