☆Nolbo the older brother visits Heungbo who became rich.
This song is from the scene Heungbo's wife setting food for Nolbu on the rhythm of Jajinmori from pansori Heungboga.

Master Park Song-hee; human cultural asset
former artistic owner of Park Rok-ju badi Dongpyeonje Heungboga

☆Sori/Kang Hyo-joo/Chae Soo-hyun
○ Piri/Lee Ho-jin, Daegeum/Moon Jae-deok, Haegeum/Kim Ji-hee, Gayageum/Mungyeong-ah, Janggu/Jung Joon-ho

♡ Take a flash animation of the beautiful creative Korean traditional music that will warm your children's emotions.

☆Completed National Intangible Cultural Property No. 41 Gasa
a member of the National Gugak Center.

☆A collaborative stage performance of NST & The Soul Sauce presenting innovative Korean reggae music with sorikkun(traditional singer) Kim Yul-hee!

☆Kang Tae-hong was taught by Kim Chang-jo and added the melody himself. It's Jangdan was composed of Jinyangjo, Jungmori, Jungjungmori, Jajinmori, and Hwimori. After 1950, Sesanjoshi (also known as Danmori) was added.

This music feel more cheerful compared to other styles of sanjos by producing a 'e' as 'f' in most Ujo melodies, and pressing 'd' a pitch or one and a half pitch higher in Gyemyeonjo melodies (if expressed as a musical note of Western music for convenience.)

It's differentiated by complicated and irregular melody and frequent offbeat.

☆This piece is a combination of Taekwondo(a traditional martial art) and beautiful dance. It is a thrilling stage that celebrates 'Taekwon Mugong(distinguished military service)' through Taekyeon swords of female dancers and Taekwondo dances of male dancers.

☆It is the most popular folk song in Hamgyeong-do province along with Shingosan Taryeong and Aewonseong.

It is a song with a cheerful and original melody, but it is a heart-rending song to resist you.

*Gungchodaenggi: a thin round silk ribbon

☆There's a song that gives us the energy of spring, and this is Yusanga of 12 Japgas.

The song played on the Dodri Jangdan is characterized by the use of the same scale as the Seodo sori, watching the mountain stream where the spring energy blooms like a haze, and singing the scenery of a new energy.

☆It is a compilation of the appropriate mix of Jung Taryeong(monk song), which appears in Pansori Heungbo and Simcheongga. It reinterpreted the original Eotmori rhythm as Roots Reggae and received praise for its new sound that has not been in reggae music so far.

☆Sanjo is a term referring to the form of folk instrumental solo music, and each instrument has different types of rhythms, called "OOO ryu" and "OOO je" after the person who made the melody.

In the 1960s, Han Il-seop (1929-1973) began playing the Ajaeng Sanjo. The ㄴstyle of Han Il-seop was passed down to Park Jong-seon, while the melody of Jeong Cheol-ho was played to Seo Yong-seok and Jang-Wol jung-seon to Kim Il-gu.

The style of Jang-wol Jung-seon consists of short Dasreum, Jinyangjo, Jungmori, Jungjungmori, and Jajinmori, and the chung is changed more frequently than that of Park Jong-seon.

☆A new tradition 'Beona Taryeong'

It is a performance in which three Beona-Jaebies come out to play in the form of a comic talk in accordance with the Pungmul garak(style) of Chungcheong-do, and is performed with various talents (Umbrella, Fan, Tentpole, Juggling, etc.) that seen elsewhere.

☆The rhythm was filled with various percussion instruments so that the vocal chimes could be heard well.

"Hangangsu Taryeong" is a song characterized by the combination of 25-stringed gayageum's chord progression and the smooth feeling of the waves.

☆Banga Taryeong follows a scene in which Sim bongsa(blind) lost his attire while bathing in the stream after Simbongsa was abandoned by his mother in the tavern while going up to attend the blind party, and begged for clothing from an official, who is just on his way.
The scene of meeting with blind man Mr. Ahn continues, and Simcheong-ga decorates the grand finale with "Reunion of father and daughter."

♡ Yoo Taepyeongyang was born in 1992. Under the influence of his father who played Korean traditional music, he is a prodigy of Korean traditional music who studied Korean traditional music under the master Jo Tong-dal.

☆Composed by Lee Han-bit
Lyrics by Lee Han-bit
arranged by Kim Baek-chan
Sung by Go Eun-chan, Kim Yi-seo, Kim Tae-rin, Lee Jae-yeon, Lim Soo-ah, Han Woo-joo, Hong Hyo-jun