Dosalpuri dance, in which the dance of Gyeonggi-do Danggutpan is staged, features the beauty of the line drawn with a long towel, restrained dance moves, and colorful foot steps.

From this performance, audiences can feel the original form of Kim Sook-ja's dosalpuri dance by Yang Gil-soon's dance moves.☆

☆ Sinawi came from dosalpuri and salpuri. The word 'sinawi' originated from 'sinak'(new music).

It is also called Sin-awi, Sinoi, Sinnori, Sinbanggok, and Simbanggok.

Originally it is an instrumental ensemble but today's performance will feature a piri solo.

☆12che Gyobangjanggo-chum(dance) of Han Hye-gyeong Janggo-chum preservation society
Completed Korean traditional dance, monk dance, salpuri dance

In Korean traditional music, oral sounds are played by mimicking the distinctive tones of the flute, salted fish, and janggu.

In the case of a mouthful, it follows the tone of a flute or a paddle, but it is not constant, and sometimes it is sung on top of a song.

As in the case of Sinawi, the rhythm consists mainly of salpuri and Deng Dekungi (Jajinmori), and sometimes other rhythms are used.

The form of the performance is sometimes sung as a solo to the accompaniment of the janggu, but usually together with the chorus of the sina.

And this note is often used for the salpuri dance and dance accompaniment to the guitar Sinawi.

Therefore, the name of this music should be called Gueum Si Nawi, but the composition of the music is usually called Gueum Salpul because it is usually composed of salpuri rhythm.

In addition, because the oral sound is expressed in voice in any case, it may have to be a Namdo master singer who has reached a considerable level musically, and is usually good at Pansori masterpieces.

A dance in the sense of relieving weight as one of the folk dances.

Drawing countless lines with towels is said to have originated from the struggle to relax the flesh in the first place, and as an art of defense, towel play is said to represent a pool of women.

Jeong, Jung, and Dong, which are the characteristics of Korean traditional dance movements, are well-represented, and are representative traditional dances with the aesthetic elements of Korean dance, such as style, excitement, Han, and Tae.

-Explain the name of the song
It's a song for young people who have dug between bamboo forests, a virtual space of the fierce living 'N4 Generation' of Gyeonggi-do Danggut's 'Dosalpuri rhythm'
Reinterpret the six-night rhythm of the 12 lyrics and sing the song 'Suyangsana' in the 12 lyrics borrowed from the new melody.

★ Park Han-kyul X Jang Myeong-seo - Composed, Lyrics: Park Han-kyul X Jang Myeong-seo / Handpan: Park Han-kyul / Jeong-ga: Jang Myeong-seo

- Performance Description
The 21C Korean Music Project, which was first held in 2007, began with the many changes the 21C Korean Music Project has attempted over the past decade or so with the production team's desire to encourage fresh and competent young gugak musicians to participate more actively and create high-quality creative Gugak. Through the 21C Korean Music Project, which begins anew with a dream of a new decade, it is hoped that Gugak will be a music enjoyed together regardless of gender or age by discovering competitive and high-quality works in the global market in a bold attempt to interpret the characteristics of traditional music, not difficult and hard to hear.

salpuri originated from shamanism, and developed into the most important part of our art dance today.

"Salpul" means the bad luck of life in human history, the evil deeds of demons, such as murder and disaster, and it is called salpuri to release all the harmful energy and spirit of this life.

All of the Paldo Gutzhong have this process of taking out the liquid.

In particular, Jungbu salpuri, which is being performed today, is composed of the dance moves of the central part of the country (Gyeonghyangryu), which was first performed by the National Dance Company of Korea in 1990.

The Seoyong Pomegranate Daegeum Sanjo was handed down following Han Ju-hwan and Han Beom-su, who followed the tradition of the Park Jong-gi Daegeum Sanjo.

The Seo Yong-seokryu Daegeum Sanjo, composed of various group changes and well-organized rhythms, has become a favorite of those who want to feel the musicality of Sanjo.

In addition to the melodic aspects, the meticulousness of the rhythm composition and the janggu rhythm are characteristic of the Seoyong Pomegranate Daegeumsanjo.

If you play the Seo Yong-seokryu Daegeum Sanjo for a long time, it takes more than an hour to play Jinyang, Jungmori, Jungjungmori, Jajinmori, Oomori, and Dongsalpuri.

In today's performance, Jinyang-Jungmori-Jungjungmori-Jajinmori will be played.

Jinyang is a place where visitors can appreciate the beauty of the group's transformation into Ujo and Gyemyeonjo. Jin Yang-man's melody is well illustrated by the echo of Cheongui.

Jungmori often comes out in a paper form in the middle of the song, so it's simpler and more cute than revealing a big stem.

The Ujo section of the main building in the early part of Jungjungmori has a magnificent and magnificent beauty. Even a small gourd is delicately displayed, adding to the beauty of tension and relaxation, as if listening to a cinawi.

Jajinmori is the most Pansori-like part of the Seoyong Stone Pond Daegeum Sanjo. It is often used to build up the tune step by step to create tension, and to relax the beat by stretching the beat, and to find the beat again to make it tense.