[National Gugak Center's "Wednesday Dance" : National Gugak Center Dance Company]

According to the oral tradition, when the country was in a state of decline or a good harvest, the king called the local magistrates to hold a feast and let them dance in the presence of the Manjo White House, which was a jinso dance.

Jinsoe Dance is the only shamanistic dance that has a royal dance element, so its dance moves are relatively elegant and flexible.

Heungbo is the center of pansori "Heungbo," which sings the story of Heungbo, who was poor, getting rich.

Heungbo carefully planted the seeds that the swallow gave him, and even when the Chuseok holiday approaches, Heungbo's family, who have nothing to eat, burns the gourd to cook and eat it.


Unexpectedly, the story is about money and rice in the first gourd, fabrics in the second gourd, and carpenters who will build houses in the third gourd come out and become rich in the morning.

Because various situations develop rapidly, there are many dramatic transitions, and various editorials are popular with the audience due to their cute musical arrangements.
On the other hand, this section is also known as Heungbo-batting, which is distinguished from "Nolbo-batting."

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Pansori - Jo Su Huang (Cho Su Huang)
Gold Medal of Pansori General Department of the 32nd Dong-A Traditional Music Competition
Pansori General, Prime Minister's Award at the 17th National Traditional Music Competition
2018 Korean Music Award Winning 'Young Music Virtual'

SORIBOOK - Jung Jun Ho

- Explanation of the curvature.
Inspired by what astronomer Carl Sagan left in his book, "The Little Blue Spot," which saw the Earth taken by Voyager 1, he expressed the wonders of life and vast Mother Nature in exquisite musical breathing.

★ Bud - Composed, keyboard: Ko Man-seok / Flute: Park Si-hyun / Daegeum: Kim Tae-hyun / Taak: Shin Won-sup

- Performance Description
The 21C Korean Music Project, which was first held in 2007, began with the production team's agony to encourage fresh and competent young Gugak musicians to participate more actively and create high-quality creative Gugak over the past decade. Through the 21C Korean Music Project, which begins anew with a dream of a new decade, it is hoped that Gugak will be a music enjoyed together regardless of gender or age by discovering competitive and high-quality works in the global market in a bold attempt to interpret the characteristics of traditional music, not difficult and hard to hear.

Gayageum Sanjo is a very simple and strong one with a unique body that is different from any other Gayageum Sanjo, which is now commonly played at this is a very simple and strong one.

Born in Yeoju, Gyeonggi Province, Seo lost his mother when he was young and grew up in Gurye, South Jeolla Province, at the age of 8.

He was taught Gayageum Sanjo by his uncle Jeong Nam-ok, who is a windbreaker, and is said to have set up the framework of Gayageum Sanjo before Kim Chang-jo at the age of nine.

His production of Gayageum has become a subject of research due to its high value in the history of Korean music, and is compared to the other line of Gayageum Sancho, which is passed down mostly by Gyeomyun-gil.

[Yerang Lee]
Gimhae National Gayageum Contest Youngest Presidential Award
a suspicious young gayageum

Traditional performance gala performance reinterpreting Korea's excellent traditional performances such as pungmul, mask dance, lion dance, and Verna play with the cheerful energy of the clown group The clown (Gwangdae)

The clown of Yeonhee group
Unit: Ahn Dae-cheon, Choi Young-ho, Sun Young-wook, Heo Chang-yeol, Hwang Min-wang, Lee Sang-young, Eum Dae-jin, Bae Jung-chan, Kim Yong-hoon, Lee Kang-san
Planning: Kim Soo-yeon, Kim Yoon-mi, Ahn Young-ji

Black-and-white video in this clip: Materials owned by the Gugak Music Museum. In the late 1950s, the performance of Im Bangwool's master singer Pansori Jeokbyeokga (Buk : Lee Jung-up) was held at Wongaksa Temple in Seoul.

Daechuta is a military music performed by kings or noblemen and military marches, consisting of wind instruments and percussion instruments.

Daechuta was composed of wind instruments such as family register, Nabal, Nagak, Nagak, and Taepyeongso, and percussion instruments such as Jing, Buk, Bara, and Janggo, which were performed by the king's movements, the march of noblemen, and military music belonging to the propaganda office and the English language.

Singer-songwriter Shin Soo-yong is a Korean classical musician who works on fusion music using not only Korean traditional music but also various genres of music such as vocal music.

Shin Su-yong's composition Vol.3 'I'm the best luckiest' in the album.

Sin Su-yong - a Korean classical musician who works on fusion music using various genres of music such as vocal music as well as traditional Korean music

Kim Juk-pa (1911-1989), who was taught by his grandfather Kim Chang-chang (1856-1919), was passed down by his grandfather Han Seong-gi (1899-1950), his apprentice to Kim Chang-jo, forms the framework of the Kim Juk-pa-ryu Gayageum production.

Kim Ok-kyung (Kim Eun-hee, a student of Jeong Jeong-yeol) compares the characteristics of Kim Juk-pa's gayageum Sanjo, one of the most active sands currently played, with Kim So-hee (1917-1995), a half-brother of Kim Juk-pa, and once a girl's master singer, to the taste of gomguk, and the meaning of Sung Geum-yeon sancho was seasoned with the mountain.

This deep taste of Kim Juk-pa comes from his five-graft method of schizophrenia, a combination of grandiose low notes, various group changes, and colorful vocal sounds.

Meanwhile, the melody of the song is refined, woven, and composed by Kim Juk-pa, a woman for a long time, and also elaborates on Nonghyeon.

The sword dance of Korea is seen in various documents, including "The History of the Three Kingdoms," as the sword dance of the Silla Dynasty's Guanchang is Hyoshiim.

However, during the Goryeo Dynasty, the appearance of Guanchang was replaced by a mask, and during the Joseon Dynasty, the female Guan Changmu was recorded, so the sword dance, which was a brave dance, seems to have changed into an elegant Yeo.

After the Silla Dynasty, it was passed down or destroyed by government officials who had been subjugated to the royal court and government offices, and it was eventually established in Gwonburn nationwide.

In Gyeongsangnam-do, Jinju, Tongyeong, and Dongnae were handed down from Jinju, but they disappeared with the abolition of Kwon Beon, but they have been restored from Jinju to this day.

[Austria Bean Music Fairline Golden Hall]

"Pansori" is an epic song play in which one person sings and one person accompanies a tune with a single sound book.

Simcheong sold herself to three hundred seats of rice to open her father's eyes, but was reincarnated as 'Chunwoo Shinjo' to become the empress of the country.

It is a traditional ritual of our mothers who prayed for their family's well-being, and a piece that conveys their hearts in their hands.

The existing lyrics include the sound of Namdo and Gugak orchestral music, creating a more grand atmosphere.

Gayageum/ Kim Min-young, Daegeum, Taak, Sori/ Jung Kwang-yoon, Piri, Taepyeongso/ Lee Jae-hyuk, Ajaeng, Taak, Cho Seong-jae, Taak, Sori/ Kim Tae-young, Soribook, Soori/ Kang Min-soo, Sori/ Kim Yul-hee

It is a song that prevents all bad luck all year round and wishes for family peace.

Daegeum is a horizontal line that represents Korea.

It is said that Silla had Samjuk, called Daegeum, Junggeum, and Salt.

Among them, the payments have continued to this day and night. As shown in the Manpa-style folktale, Daegeum has the image of a musical instrument that benefits the world with a mysterious instrument.

The daegeum includes the daegeum of Jeongak and Sanjo.

Compared to Jeongakdaegeum, Sanjo Daegeum is relatively short in length. Therefore, there is a high sound.

The charm of daegeum lies in the blue sky. It is the echo of a thin reed membrane.

The Park Jong-gi Daegeumsanjo is a mountain of long-standing origin. It contains the native and circular sentiments of Jindo, Jeolla-do.