K-Traditional Music 1 Page > Little Korea


5,000 Years of Korean Soul

  • 2020.8.3
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    Gayageum /Kim Young-eon, Geomungo/Lim Young-ran, Haegeum/Oh Jung-moo, Daegeum/Lee Min-ju, Piri/Kim Jong-kyun, Ajaeng/Cho Seung-hee, Janggu/Kang Jin

    Sanjo is a piece of music that was performed exclusively by musical instruments such as Gayageum and Geomungo based on the traditional Korean music.

    The Sanjoju, presented by the Jeonju Municipal Gugak Band, offers a glimpse of the distinctive features, the harmony of the instruments, and the skills of outstanding performers.
  • 2020.8.13
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    Park Jong-ki (1879-1947) was the founder of Daegeumsanjo.

    In addition to the genius musicality, the results, which were polished with steady efforts, were united in the calculation of daegeum. His musicality has been faithfully represented in the framework of Daegeumsanjo between 1929 and early 30 years.

    Park Jong-gi's Daegeumsanjo is characterized by the sound of the dune Sanjo based on pansori. This represented the two trends of Daegeumsanjo along with the Sainawi The Dune Sanjo in Gangbaekcheon Stream. In the first half of the 1900s, Park Jong-gi actively performed with many contemporary artists and participated in many music works, and the music that he played is still being delivered. Park Jong-gi's performance in various music sources shows the early appearance of Daegeum Sanjo.

    Park Jong-ki's "Jinyang of Daegeumsanjo" does not use a variety of group changes, but it faithfully reveals its artistry through its rich sound and is similar to the "Pansori" flow. In Jajinmori, which shows the height of splendor, the melody of Pansori Chunhyangga 'Going to the Military Command' (Columbia 40041-B) is melted. Here, it is confirmed that Park Jong-gi's "Daegeumsan Mountain" is the "Sound The Manang Sanjo," which is deeply related to Pansori. Park Jong-gi's Daegeumsanjo continued to Han Ju-hwan and Han Beom-su, followed by Seo Yong-seok, Lee Saeng-gang and Won Jang-hyeon Daegeumsanjo, which are now being continued.

    The Daegeum Sanjo, played today, is composed of Jinyang-Jungmori-Utmori, Jungmori, and Jajinmori, which were recorded in the mid-1930s, along with the off-mori melody of Park Jong-gi and Kang Tae-hong's Bong Jang-chi (Korai CM809).

    ○ Daegeum/Kim Hwi-gon (National Gugak Center Jeong Band), Jang Gu/An Seong-il (National Gugak Center Jeong Band)
  • 2020.8.23
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    [Jukhyang Isang River]

    Born in Tokyo, Japan in 1937, he returned to Busan with liberation.

    Having been talented in wind instruments since childhood, he started learning how to play the Danso from his father when he was five years old, followed by Lee Duk-hee, Ji Young-hee, and Jeon Chusan as his teachers and learned how to play the flute, Danso, Tungso, salt, and Taepyeongso.

    He was also taught by Han Ju-hwan (1849-1925) and Park Jong-ki (1879-1963), who inherited the tune of Han Sook-gu (1849-1939), known as the founder of Daegeum Sanjo, and pioneered a new field of Daegeum Sanjo.

    No.45 Important Intangible Cultural Property and Daegeum Sanjo Entertainment Owner who has devoted himself to Daegeum with a thousand years of history as part of Silla Samjuk
  • 2020.9.3
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    Kim Il-goo-ryu Ajaeng Sanjo is a song with a strong sound element, the most artistic and masculine charm, and is composed of a melody that requires a change in tone and high technique.

    This performance will be performed by Sung Han Yeo-reum as a Yulgaek program hosted by the Korean Culture House Cow on April 3, 2018.

    long-range Kim Yeon-soo
  • 2020.9.13
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    01. Kim Byung Ho Ryu Gayageum Sanjo (5:04)
    ○ Gayageum/Sharedlim, Go Soo/Ko Jung Hoon

    02. Jiyeonghui Haegeum Sanjo (22:56)
    ○ Haegeum/Lee Gangsan, Gosu/Lee Min-hyung

    03. Scatter of West Pomegranates (44:00)
    ○ Daegeum/Yang Su-yeon, Gosu/Jeon In-geun

    04. Park Beom-hun-ryu Flute Sanjo (1:00:00)
    ○ Flute/Choi Kwang-il, Go Soo/Ko Jung-hoon
  • 2020.9.23
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    [Choo Hyun Tak]

    Graduated from National Traditional Arts High School
    Graduation from Seoul National University
    Grand Prize in the 20th Ureuk Gayageum Contest
    The 37th Nangye Traditional Music Competition Grand Prize in the high school section.
    Gold Prize at the 27th Dong-A Traditional Music Competition
    The 39th National Nangye Traditional Music Contest Grand Prize in the university department.
    Gold Prize at the 31st Dong-A Traditional Music Competition
    Grand Prize in the 26th KBS Korean Music Competition
  • 2020.10.3
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    Sanjo is a piece of music that is in the form of instrumental solo music and is played along with Jangdan accompaniment such as Janggu and Buk.

    Sanjo began to be played with improvisational rhythms in the early days, but the musicality of the Sanjo master is maximized by the formation of a "long-dan frame" that moves from slow to fast, and the formation of various groups.

    Won Jang-hyeon was taught a short sanjo by Kim Dong-jin for a year, and the following year, he met Han Il-seop in 1969 and began his full-fledged Sanjo class until his death in 1973, continuing his studies for five years.

    The Daegeum Sanjo of Wonjanghyeon was created by adding the systematic and broad musical power of Won Jang-hyeon, who was passed down as Han Sook-gu, Won Sang-rok, and Won Kwang-jun to the melody Han Il-seop passed down in his later years.
  • 2020.10.7
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    [Crown-Haetae Confectionary's performance of 'Honey Day Love']

    In addition to Ajaeng, Park Jong-sun is also well versed in Taepyeongso Sinawe.

    Han Il-seop's 10-minute-long sanjo was organized with his own rhythm and created the "Park Jong-ryu Ajaeng Sanjo" within 30 minutes.

    'Park Jong Sun-ryu Ajaeng Sanjo' is a song that expresses sorrowful, powerful, and deep sorrow compared to other mountains. It is characterized by strong and thick agitation, playing with wooden and yumi activities.
  • 2020.10.13
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    Choi Ok-sam (1905-1956) is the Gayageum Sanjo that was passed down to Kim Chang-jo (1865-1994).

    The Gayageum Sanjo of Choeoksamryu, designated as Important Intangible Cultural Property No. 23 by the first month of Hamdong in 1980, consists of Dasareum, Jinyangjo, Jungmori, Jungjungmori, Jungjungmori, Jajinmori, and Hwimori.

    The composition of the melody is well-organized and has an excellent composition and correct tone. The melody used in this production is based on the melody of pansori and Namdo-pung, and the contrast between tension and relaxation is clear, so it has a relationship between yin and yang.

    It is also characterized by the fact that the relationship between the rhythms is clear, and that they have a heavy and deep taste by refraining from expressing their feelings hastily.

    The situational style of the Choi Ok-samryu Gayageum Sanjo requires heavy and restrained, and is generally powerful and masculine. The gayageumsanjo, the three most famous Korean traditional musical instruments currently played, takes about 50 minutes to play.

    Gayageum/Kim Hae-sook, Ajaeng/Kim Young-gil, Janggu/Jung Hwa-young
  • 2020.10.17
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    Gayageum Sanjo is a very simple and strong one with a unique body that is different from any other Gayageum Sanjo, which is now commonly played at this is a very simple and strong one.

    Born in Yeoju, Gyeonggi Province, Seo lost his mother when he was young and grew up in Gurye, South Jeolla Province, at the age of 8.

    He was taught Gayageum Sanjo by his uncle Jeong Nam-ok, who is a windbreaker, and is said to have set up the framework of Gayageum Sanjo before Kim Chang-jo at the age of nine.

    His production of Gayageum has become a subject of research due to its high value in the history of Korean music, and is compared to the other line of Gayageum Sancho, which is passed down mostly by Gyeomyun-gil.

    [Yerang Lee]
    Gimhae National Gayageum Contest Youngest Presidential Award
    a suspicious young gayageum
  • 2020.10.23
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    Kim Juk-pa (1911-1989), who was taught by his grandfather Kim Chang-chang (1856-1919), was passed down by his grandfather Han Seong-gi (1899-1950), his apprentice to Kim Chang-jo, forms the framework of the Kim Juk-pa-ryu Gayageum production.

    Kim Ok-kyung (Kim Eun-hee, a student of Jeong Jeong-yeol) compares the characteristics of Kim Juk-pa's gayageum Sanjo, one of the most active sands currently played, with Kim So-hee (1917-1995), a half-brother of Kim Juk-pa, and once a girl's master singer, to the taste of gomguk, and the meaning of Sung Geum-yeon sancho was seasoned with the mountain.

    This deep taste of Kim Juk-pa comes from his five-graft method of schizophrenia, a combination of grandiose low notes, various group changes, and colorful vocal sounds.

    Meanwhile, the melody of the song is refined, woven, and composed by Kim Juk-pa, a woman for a long time, and also elaborates on Nonghyeon.
  • 2020.10.27
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    Daegeum is a horizontal line that represents Korea.

    It is said that Silla had Samjuk, called Daegeum, Junggeum, and Salt.

    Among them, the payments have continued to this day and night. As shown in the Manpa-style folktale, Daegeum has the image of a musical instrument that benefits the world with a mysterious instrument.

    The daegeum includes the daegeum of Jeongak and Sanjo.

    Compared to Jeongakdaegeum, Sanjo Daegeum is relatively short in length. Therefore, there is a high sound.

    The charm of daegeum lies in the blue sky. It is the echo of a thin reed membrane.

    The Park Jong-gi Daegeumsanjo is a mountain of long-standing origin. It contains the native and circular sentiments of Jindo, Jeolla-do.
  • 2020.11.3
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    Haegeumsanjo is divided into two major mountain ranges, Jiyeonghui-ryu Haegeumsanjo and Hanbeom-su-ryu Haegeumsanjo, which have recently been newly formed by Seo Yong-seok and Kim Young-jae.

    Ji Young-hee took over the rhythms of Ji Yong-gu and Kim Duk-jin, who were masters of the Japanese colonial era haegeumsanjo, and tried to form a well-organized haegeumsanjo. As a result, she formed the so-called Jiyeonghui haegeumsanjo, which is delicate, curved, and light, cheerful, and fun like Gyeonggi folk songs.

    Ji Young-hee (1909-1980)
  • 2020.11.7
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    Geomungo Sanjo, a newly created geomungo-sanjo made by Shin Kwae-dong, a teacher of Baek Nak-jun, is a Shinsae-dong.

    As the two new movements of Jungjungmori and Hwimori were newly created and put into the production of their teachers, they consisted of six movements: Jinyang, Jungmori, Jungjungmori, Uemori, Jajinmori, and Hwimori.

    This distinguishes it from the Han Gap Deuk-ryu Sanjo.

    The Geomungosanjo of the Shingyeodong class was designated as Important Intangible Cultural Heritage No. 16 and is handed down to Kim Young-jae, Jeong Ok-ja, Jo Wi-min and others.

    Music collected in the 5th Announcement is presented in "Cash Curve Collection" of Shin Kwae-dong.
  • 2020.11.13
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    The Jeongdaeseokryu Geomungo Sanjo is characterized by its colorful and colorful melody using various techniques that were not used in the Geomungo Sanjo. It is characterized by the maximization of Geomungo's expressive power by exploring the use of the Yuhyeon 2-GwaeGyo, the emergence of the high-pitched range from 9 to 16 trigrams, and the change of tone through the movement of gwae.