K-Traditional Music 4 Page > Little Korea


5,000 Years of Korean Soul

  • 2020.10.27
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    Daegeum is a horizontal line that represents Korea.

    It is said that Silla had Samjuk, called Daegeum, Junggeum, and Salt.

    Among them, the payments have continued to this day and night. As shown in the Manpa-style folktale, Daegeum has the image of a musical instrument that benefits the world with a mysterious instrument.

    The daegeum includes the daegeum of Jeongak and Sanjo.

    Compared to Jeongakdaegeum, Sanjo Daegeum is relatively short in length. Therefore, there is a high sound.

    The charm of daegeum lies in the blue sky. It is the echo of a thin reed membrane.

    The Park Jong-gi Daegeumsanjo is a mountain of long-standing origin. It contains the native and circular sentiments of Jindo, Jeolla-do.
  • 2020.11.3
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    Haegeumsanjo is divided into two major mountain ranges, Jiyeonghui-ryu Haegeumsanjo and Hanbeom-su-ryu Haegeumsanjo, which have recently been newly formed by Seo Yong-seok and Kim Young-jae.

    Ji Young-hee took over the rhythms of Ji Yong-gu and Kim Duk-jin, who were masters of the Japanese colonial era haegeumsanjo, and tried to form a well-organized haegeumsanjo. As a result, she formed the so-called Jiyeonghui haegeumsanjo, which is delicate, curved, and light, cheerful, and fun like Gyeonggi folk songs.

    Ji Young-hee (1909-1980)
  • 2020.11.7
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    Geomungo Sanjo, a newly created geomungo-sanjo made by Shin Kwae-dong, a teacher of Baek Nak-jun, is a Shinsae-dong.

    As the two new movements of Jungjungmori and Hwimori were newly created and put into the production of their teachers, they consisted of six movements: Jinyang, Jungmori, Jungjungmori, Uemori, Jajinmori, and Hwimori.

    This distinguishes it from the Han Gap Deuk-ryu Sanjo.

    The Geomungosanjo of the Shingyeodong class was designated as Important Intangible Cultural Heritage No. 16 and is handed down to Kim Young-jae, Jeong Ok-ja, Jo Wi-min and others.

    Music collected in the 5th Announcement is presented in "Cash Curve Collection" of Shin Kwae-dong.
  • 2020.11.13
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    The Jeongdaeseokryu Geomungo Sanjo is characterized by its colorful and colorful melody using various techniques that were not used in the Geomungo Sanjo. It is characterized by the maximization of Geomungo's expressive power by exploring the use of the Yuhyeon 2-GwaeGyo, the emergence of the high-pitched range from 9 to 16 trigrams, and the change of tone through the movement of gwae.
  • 2020.11.17
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    Park Yong-tae (present name: Park Dae-sung) is a first-generation apprentice to Han Il-seop, the founder of the Ajaeng Sanjo, and the legitimacy of the Korean traditional music scene is clear, and there is no doubt about the legitimacy of the melody, and the general Sanjo is composed mainly of the rhythms of Gyemyeonseong Fortress, giving a feeling of pleading and desolation, but Park Yong-tae (Park Dae-tae's Aja's (pyeon's) has a strong sense of superiority.

    Intangible Cultural Property No. 16 designated by Busan Metropolitan City (designated on December 7, 2009)
  • 2020.11.23
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    The white-spirited Ajaeng Sanjo belongs to a group of improvisations.

    There are various changes in the group and the distinction between the two birds is clear.

    In Jajinmori, the Gyeongdrumje stands out.
  • 2020.11.23
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    The late Han Beom-soo (1911-1980) was a master of Daegeumsanjo who was taught by Park Jong-gi and Kang Baek-cheon to create his own legacy.

    After 64 years, he was selected as an official course in the department of Korean traditional music history and the department of Korean traditional music at Seoul National University's College of Music, and after 66 years, he was taught at the Korean Traditional Arts High School, which became widespread.
  • 2020.11.27
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    Seo Yong-seokryu Ajaeng Sanjo is a song reconstructed by Seo Yong-seok, a master of Pansori, based on the melody of Jeong Cheol-ho.

    Seo Yong-seok's son and disciple Seo Yong-ho's in-depth performance will present the beauty of Ajaeng.
  • 2020.11.27
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    Im Dong-sik was born in 1950 and died in 1980 at the age of 30.

    Since childhood, I have been close to music and learned music as fast as I could with the artistry I inherited from my parents.

    Won Gwang-ho, a student of Han Gap-deuk, learned the geomungosanjo and took off the foundation of Sanjo in nearly a year.

    Lim Dong-sik's Geomungo Sanjo was born by learning the music resources of his teachers Han Kap-deuk and Shin Kwae-dong and combining the independent music world from his musicality.

    His geomungo Sanjo is particularly similar to Han Gap-deuk's melody, which shows his influence.

    The performance will focus on the music of Kim Ho-seong, recorded in 1970, and the sheet music by Woo Min-hee in 2011.
  • 2020.11.27
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    It was composed by legendary singer Kim So-hee in the 1950s and arranged by Park Kyung-hoon, who is called Chopin in the Korean traditional music scene.

    Park Sang-eun, a member of the KBS Gugak Orchestra, is actively participating in the drama OST as well as the radio host.
  • 2020.12.3
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    The Seoyong Pomegranate Daegeum Sanjo was handed down following Han Ju-hwan and Han Beom-su, who followed the tradition of the Park Jong-gi Daegeum Sanjo.

    The Seo Yong-seokryu Daegeum Sanjo, composed of various group changes and well-organized rhythms, has become a favorite of those who want to feel the musicality of Sanjo.

    In addition to the melodic aspects, the meticulousness of the rhythm composition and the janggu rhythm are characteristic of the Seoyong Pomegranate Daegeumsanjo.

    If you play the Seo Yong-seokryu Daegeum Sanjo for a long time, it takes more than an hour to play Jinyang, Jungmori, Jungjungmori, Jajinmori, Oomori, and Dongsalpuri.

    In today's performance, Jinyang-Jungmori-Jungjungmori-Jajinmori will be played.

    Jinyang is a place where visitors can appreciate the beauty of the group's transformation into Ujo and Gyemyeonjo. Jin Yang-man's melody is well illustrated by the echo of Cheongui.

    Jungmori often comes out in a paper form in the middle of the song, so it's simpler and more cute than revealing a big stem.

    The Ujo section of the main building in the early part of Jungjungmori has a magnificent and magnificent beauty. Even a small gourd is delicately displayed, adding to the beauty of tension and relaxation, as if listening to a cinawi.

    Jajinmori is the most Pansori-like part of the Seoyong Stone Pond Daegeum Sanjo. It is often used to build up the tune step by step to create tension, and to relax the beat by stretching the beat, and to find the beat again to make it tense.
  • 2020.12.3
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    Haegeumsanjo was first seen by Ji Yong-gu at the end of the Joseon Dynasty, but at that time it was not called Sanjo, but rather called Sinawi.

    Later, in the early 1960s, the two mountain ranges of Haegeumsanjo were formed by Ji Yeong-hui and Han Beom-su, and have been passed down to this day.

    While Ji Yeong-hee based on Gyeonggi's shamanic rhythm has many clear and cheerful rhythms, Han Beom-su based on Namdo music has a strong surfaction, but it has a simple taste because a lot of anchoring is used.

    Born in Yesan, Chungcheong Province, Han Beom-soo (1911-1980) also left Daegeumsanjo and Tung Ae-jo as the master of daegeum and tungae.

    In the haegeumsanjo of Hanbeomsoo-ryu, many of his own rhythms appear, apparently due to the creation of haegeumsanjo after the completion of the daegeumsanjo.

    The platform consists of Jinyangjo-Jungmori-Jungjungmori-Jajinmori.
  • 2020.12.7
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    The Seoryong Stone Pond Haegeum Sanjo was handed down by Seo Yong-seok, a master of daegeum and ajaeng.

    This is very unusual, so different players have different interpretations and different expressions and methods.

    The six rhythms of Jinyangjo, Jungmori, Jungjungmori, Jungjungmori, Quick Jungjungmori, Jajinmori, and Eotmori are composed of haegeumsanjo based on the rich Southern melody of Seo Yong-seok himself. Especially, the rhythm of the geomyeonjo and the rattle in Jajinmori is characterized by the white rice.
  • 2020.12.7
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    The Jeonnam Provincial Gugak Band is dedicated to the development of traditional arts, and is taking the lead in promoting the excellence of Namdo Gugak by participating in a number of major invitational events at home and abroad, and in creating a healthy leisure culture for the public through active dissemination of Gugak such as regular performances and Saturday performances.

    In addition, we created a new genre of fusion Gugak with modern elements to provide a foundation for the new generation to easily access and sympathize with Gugak.