The Jeonnam Provincial Gugak Band is dedicated to the development of traditional arts, and is taking the lead in promoting the excellence of Namdo Gugak by participating in a number of major invitational events at home and abroad, and in creating a healthy leisure culture for the public through active dissemination of Gugak such as regular performances and Saturday performances.

In addition, we created a new genre of fusion Gugak with modern elements to provide a foundation for the new generation to easily access and sympathize with Gugak.

Kim Young-jae and Haegeum Sanjo are cute and friendly.have a slight feature

Rather than a hearty laugh, you get the feeling of a pleasant smile.

It has the charm of a typical game festival.

Composed by Lee Kyung-seop. It is a song that combines the intense rhythm of percussion and the delicate melody of orchestral music, which is a mixture of popular and strong beats based on Hwimori and Aumori rhythm.

It is an exciting stage where the colorful and powerful performance of the assorted drummer stands out.

Kim Yun-deok-ryu Gayageum sanjo, which is characterized by its simple texture, deep Nong-hyun, and many offbeat rhythms, consists of Jinyang, Jungmori, Jungjungmori, Jajinmori, Hwimori and Danmori.

It is a stage where Lee Young-hee plays the Sanjo of her teacher, Kim Yoon-deok, with her signature simple and clear performance.

Composed/Kim Young-jae, Haegeum/Isora, Janggu/Ahn Hye-ryeong

Park Beom-hoon-ryu's flute Sanjo was born based on the rhythm of Gyeonggi-do's poem, which was learned by the flute player Park Bum-hoon from Ji Young-hee.

Considering the narrow range of the flute, various and unique performance techniques centered on the precursor play an important role in the verse of the flute.

Gayageum player Jeong Jeong-yoon graduated from the Department of Korean Music at Busan National University's College of Arts and is currently active in Ulsan.

It is a song characterized by the delicate touch of a woman and a simple and concise melody.

The nongik of the performer Ji Sung-ja, combined with the changes of various Janggu rhythms, conveys the deep taste of the rhythm that is formed and solved through the performance.

The original version of "Pungmulnori" and "Taepyeongso Sinawi," was re-organized into Gugak(K-traditional) orchestral music.

original https://youtube/w2yr09_QHUG



The ringing of Jing was organized into a chord composed of six-part harmony. As a composer who used to analyze and create sounds that were almost harmonized from the gong, I couldn't let it go. It's a simple task, but I've waited until I've mastered the technology to do it, and I'm happy to finally do it.




Composed by Nacco Song

Copyrightc 2019 All Rights Reserved by Nacco Song




* This work is made with a virtual instrument of Korean traditional music developed by Seoul National University's Arts and Sciences Center. http://catsnu.com/Main/Main.aspx




This is Korean traditional music. Taepyongso Sinawi (Taepyongso is a wind instrument with a tone similar to Trumpet that of Western instruments, and Sinawi is type of Sonata in Western music).




The original piece of this work is played by Taipyong-so and four percussion instruments (caled Phungmul-nori). I reconstructed it into orchestra consensus of Korean traditional instrument.




The ring of a instrument called Jing, similar to the Gong of Western Instruments, was organised into a series of six vocalizations.




Its a simple task, but I've waited until I've mastered the skills to do this, and I'm happy to be able to do it now.




* This work was conducted by the Korean traditional virtual infrastructure developed by the Center for Arts & Technologies at Seoul National University. http://catsnu.com/Main/Main.aspx

Improvisational instrumental ensemble 'Sinawi', which is rooted in shamanic music, is a folk music that freely continues the melody of various instruments within a certain rhythm.

Lee Seok-ju's 'Taepyeongso Sinawi' is played based on the strong voice of the Southern Korea.

It is played with melody and rhythm in the styles of Jindo.

In general, Taepyeongso Sinawi is representative of master Han Il-seob, and this music is also his category of Sinawo music.

○ Lee Seok-ju of Taepyeongso, Lee Tae-baek of Kkwaenggwari, Kim Tae-young of Jangdan, and Lim Hyun-bin of Jing

Obangxinawi

Musical instruments such as gayageum, geomungo, haegeum, ajaeng, piri, and daegeum are played freely and spontaneously within a certain rhythm.

Free and spontaneous, but never distracting or dissonant, so they sometimes use the expressions "harmony in discord" and "order in chaos" over Sinawi.

It is intended to share the resonances of resonance rather than the inner echo and sympathy of the listeners with the full logic of traditional yin and yang.

○ Daegeum/Hyun Ba-rom, Gayageum/Cho Yeon-hee, Ajaeng/Shan Yeo-reum, Percussions/Cho Ae-ra, Geomungo/Park Seul-gi, Piri/Yoon Bo-young

Sinawi is so called "Free and spontaneous, but never distracting or dissonant".
"Harmony in discord," and "Order in chaos."

♡ Sinawi is a type of improvised instrumental ensemble with the roots of shamanic music.

pansori/waterproof+Jang Mun-hee
Geomungo/Hee Ik-soo+Lee Jeong-seok
Bill/Wan Wan Railway+Lee Chang-seon
a flute/Lee Seung-heon+Park Chi-wan
Ajaeng/Shin Hyunsik+Shin Jae Hyun
Janggu, Jing/Injuries+Jeong Junho