It is a song of the Etonic fantasy genre that composer Lee Min-soo and IU met again.

Actor Lee Hyun-woo, who was the male lead of the music video for "You and Me," once again acted in a more mature way.

Hwang Soo-ah, the main Character of the IU fantasy series, will be directing the music video again.

Since the release of the teaser, fans who remember their images eight years ago have been highly anticipated.

A hip-hop song Characterized by sampling the "Umna" part of the Wonder Girls' mega hit "Tell me".

It is a song written and composed by Park Jin-young and features JYP-style swag.

It is a song that interprets the intense first encounter and process of the main Characters in the movie, and features a more colorful atmosphere through Kang Daniel's performance.

Starting with respect to pop sound, which was greatly loved in the 80s and 90s, the song combined each feature of various genres, including EDM, Rock, Pop and Dance, to create a rich sound, and focused on the powerful Bass of the chorus.

The Jeongdaeseokryu Geomungo Sanjo is Characterized by its colorful and colorful melody using various techniques that were not used in the Geomungo Sanjo. It is Characterized by the maximization of Geomungo's expressive power by exploring the use of the Yuhyeon 2-GwaeGyo, the emergence of the high-pitched range from 9 to 16 trigrams, and the change of tone through the movement of gwae.

The Seodo Band consists of practical music musicians, mainly singer-songwriter Seodo, and continues to perform actively overseas with excellent domestic awards.

In particular, a new genre of music called Joseon Pop is being created and pioneered, which is a combination of Joseon and Pop, and is a genre unique to Seodo Band that will lead to "Popular Music" of the present era based on tradition.

Based on the Characteristic story, rhythm and melody of Gugak, it presents a fresh, unique genre by mixing pop elements appropriately.

The Seoyong Pomegranate Daegeum Sanjo was handed down following Han Ju-hwan and Han Beom-su, who followed the tradition of the Park Jong-gi Daegeum Sanjo.

The Seo Yong-seokryu Daegeum Sanjo, composed of various group changes and well-organized rhythms, has become a favorite of those who want to feel the musicality of Sanjo.

In addition to the melodic aspects, the meticulousness of the rhythm composition and the janggu rhythm are Characteristic of the Seoyong Pomegranate Daegeumsanjo.

If you play the Seo Yong-seokryu Daegeum Sanjo for a long time, it takes more than an hour to play Jinyang, Jungmori, Jungjungmori, Jajinmori, Oomori, and Dongsalpuri.

In today's performance, Jinyang-Jungmori-Jungjungmori-Jajinmori will be played.

Jinyang is a place where visitors can appreciate the beauty of the group's transformation into Ujo and Gyemyeonjo. Jin Yang-man's melody is well illustrated by the echo of Cheongui.

Jungmori often comes out in a paper form in the middle of the song, so it's simpler and more cute than revealing a big stem.

The Ujo section of the main building in the early part of Jungjungmori has a magnificent and magnificent beauty. Even a small gourd is delicately displayed, adding to the beauty of tension and relaxation, as if listening to a cinawi.

Jajinmori is the most Pansori-like part of the Seoyong Stone Pond Daegeum Sanjo. It is often used to build up the tune step by step to create tension, and to relax the beat by stretching the beat, and to find the beat again to make it tense.

Sandae nori refers to the mask dance of the central region. Songpa Sandae Nori is a popular play that combines dance, mime, words of virtue and humor as a branch of Sandae-do Gamgeuk enjoyed in Seoul and Gyeonggi Province. This play was performed every year on the fifteenth day of the first lunar month and on Dano, Baekjung, and Chuseok.

Songpa Village was the commercial base of Gyeonggi Province, and it was said that about 200 years ago, when Songpa Market was the most prosperous, Sandae Nori became popular and was completed in the form of a play that still conveys to this day. Songpa Sandae Nori consists of seven chapters, and prior to the play, it is equipped with masks and costumes, played on the road to the venue of the performance while playing music, arranged masks and performed ancestral rites.

The composition of the play, exaggeration, dance, and mask are almost similar to Yangju Byeolsandae Nori, but several masks, dances, and roles are Characterized by their old forms. In other words, in Yangju Byeolsandae Nori, the cremation dance moves that have already disappeared, and the masks of the mother of childbirth, Shin Hal-mi, and the shaman remain, so there are separate roles for these masks. Thirty-three masks made of a bowl, pine bark, and paper are used, and the play style, like other mask dances, is mainly dance, accompanied by jokes and movements.

Pulpis literally mean playing a flute with grass. The Chinese Character is also called Chokjeokkeum, which is played by folding leaves or grass leaves and whistling them on the lips. It is said that peaches and citron leaves are used a lot.

The record of the grass flute is the oldest recorded reed or reed flute in "Suseo" and "Dongdongjeon-dong" and also features a portrait performance in the poem "Someone picks a green leaf from a forest, blows it in his mouth, and makes a clear sound" in the poem "Moon Ga-seong" by Lee Gyu-bo during the Goryeo Dynasty. In 1493, "Akhakwebeom School" compiled by Seonghyeon and others during the reign of King Seongjong of the Joseon Dynasty recorded the types, materials, and methods of performing the full flute in detail. In "The Annals of the Joseon Dynasty," there are several records showing that the court had a musician playing the initials. In addition, a collection of calligraphic works by various writers showed that they enjoyed playing them from the top to the king to the commoners below. And Kang Choon-seop, a first-time music expert on meteoric albums, has recorded music such as "Hwimori" and "Gutgeori" with the same music as Sanjo. As such, the Pulpieri has been one of the musical instruments enjoyed by the Korean people throughout its long history, and has been recognized not only by the private sector but also by the official instrument.

"The Evil Trapezius" records that anyone can play the instrument so easily that it is not difficult to make a sound and play it by saying, "You don't need the teachings of your ancestors, and you can only know all the syllables first." In fact, the full flute is easy for anyone to learn and play, and any music can be freely played. Today's first play is a folk song, a Cheongseong song, a Sanjo song, and other traditional pieces of music.

In Gyeonggi-do, Oh Se-cheol was designated as the holder of a full flute, and he continues to perform actively.

Gold gourd is a craftsman who prints various patterns using thin gold foil on top of a fabric. Today, it can be seen in women's wedding clothes.

The gold foil decorations were used in the royal family in the Joseon Dynasty, and there were not many relics that existed due to storage problems, but the three daughters of Sunjo (1822-1844) said they were worn at the wedding of Princess Deogon, the third daughter of Princess Sunjo, are decorated with gold and the Characters 'su and 'bok' (Chinese Folklore Cultural Heritage No.211).

The gold foil decoration is made by stamping the adhesive pattern plate where it wants to be placed, attaching the gold foil before the adhesive dries completely, and then removing the gold foil outside the pattern again.

The gold gourd technique is completed based on the woodwork technique of carving pattern plates based on the eye of selecting and placing patterns suitable for the composition of clothes, and the long experience of making and utilizing the properties of glue and gold foil, the main ingredients.

Gold gourd refers to a piece of gold that is made like thin paper by continuously tapping on it, but today it is understood as a technique for decorating patterns on fabrics using gold foil.

Gold Bakjang is a craftsmanship that embellishes Korea's doubles culture in a splendid and dignified manner, and it is significant in that it is able to revive the legacy by designating it as a national intangible cultural asset.

Dosan Park is a park in Sinsa-dong, Gangnam-gu, Seoul.

Construction began in 1971 and opened in 1973. The park was named after Ahn Chang-ho's penchant for patriotism and education.

It is the place where Dosan Ahn Chang-ho and his wife Lee Hye-ryeon were buried together. There is a statue of Ahn Chang-ho on the east side of the park, and a walkway stretches around the center, which is round like a Western-style garden.

The Dosan Ahn Chang-ho Memorial Hall in Dosan Park displays photos, letters, temporary government feedbooks and Dosan diaries that give you a quick look at Dosan's life and thoughts.

It is also equipped with a touch screen where you can see Dosan's notes, annals, and pictures.

Ahn Chang-ho (November 9, 1878-March 10, 1938) was an educational reform activist and patriotic enlightenment activist in the Korean Empire, and an independence activist, educator, and politician during the Japanese occupation.

Cha Bum-keun (born May 22, 1953) is a South Korean retired footballer who plays as a football coach, commentator and critic.

Cha Bum-keun, who started his career in Germany at the German Bundesliga SV Darmstadt in 1978, has a record of 121 goals.

When he played in the Bundesliga, it was difficult for Germans to call Cha Bum-keun's Romanization, so he called him Tscha Bum.

It was nicknamed the Brown Bomber because of its rapid penetration into space and its strong appearance in aerial warfare.

Cha Beom-geun was awarded the Cross Merit Medal for his decades of efforts to develop relations between South Korea and Germany.

As Koreans, the late Cardinal Kim Soo-hwan and the late President Kim Dae-jung were awarded.

It was also called Namdaemun because it was located in the south of the main gate of Hanyangdoseong during the Joseon Dynasty. It was built in 1396 (the 7th year of King Taejo's reign) and was the oldest wooden building in Seoul.

The building was rebuilt in 1448 (the 30th year of King Sejong's reign), and it was discovered that there was a big construction in the 10th year of King Seongjong's reign (1479) during the dismantling and repair of the building between 1961 and 1963.

Later, on February 10, 2008, the fire at Sungnyemun destroyed the roof of the second floor of the pavilion and partially destroyed the roof of the first floor. After five years and two months of restoration work, it was completed on May 4, 2013 and opened to the public.

This gate is a two-story building with a two-story square measuring 5 bays in front space and 2 bays in side space, with a rainbow-shaped gate in the middle of the stone pillars. The roof has a trapezoidal shape when viewed from the front, which is called the Woojingak roof. The multi-layered structure, which is decorated on the upper part of the pillars to support the eaves of the roof, is not only on top of the pillars but also between the pillars, and the composition is not too severe and is well-organized, showing the Characteristics of the early Joseon Dynasty.

It is said that Yangnyeongdaegun wrote the Hyeonpan, which reads "Sungnyemun," in the book "Jibong Yuseol." It is the oldest wooden structure in Seoul that shows the exact date of construction.

ᄋ Sungnyemun's fire-fighting fire(2008.2.10)

- The 2008 Sungnyemun arson attack was a case in which the Sungnyemun building was burnt down from February 10 to February 11, 2008. The fire broke out around 8:40 p.m. on February 10, 2008, and the second floor of Sungnyemun collapsed around 0:40 a.m. on February 11, 2008, followed by a fire on the first floor, damaging buildings except stone pillars at 1:55 a.m., five hours after the fire.