"Fire" is a painting that expresses the religious ideology of Buddhism. Although it is not known exactly when Buddhist paintings were produced, experts speculate that they were produced from the early days of Buddhist introduction based on records that they were painted in "Giwonjeongsa," one of the primitive Buddhist temples. Because Buddhist paintings contain Buddhist doctrines, the artisans who produce Buddhist paintings were particularly called 'Geumoong' , 'Hwaseung', 'Hwasa' , and 'Hwawon' .

Since Dancheongjiang City Hall was designated as National Intangible Cultural Property No. 48 in 1972, the Buddhist painting production function has been passed down by the owner of Dancheongjang, but has been separately designated and operated as a national intangible cultural asset since 2006. The Buddhist painting by Lee Yeon-wook, the 57th Gyeonggi Intangible Cultural Property, began in 1977 by learning from the late Cho Jung-woo, the head of the 14th Dancheong of Daegu Intangible Cultural Property. After that, he entered the temple in 1987 under the late Buddhist monk Deokmun, the late chief of Dancheong, the 48th Important Intangible Cultural Property.

To become a master of Buddhist painting, one must have artistic sense and artistic skills, but hard work is required. Most Buddhist paintings are painted on ceilings and walls, and are of considerable size. Another reason is that there are various types of paintings such as "Yeongsanhoesangdo," which are based on the scriptures of Buddha's "The Lotus Sutra" on Yeongchuksan Mountain, and "Seokga Palsangdo," which describes Sakyamuni's life in eight important scenes. A poem that should be painted in discord.

It is not something anyone can do because they must learn all the traditional patterns that go into discord, including dragons, Bong, medicine, tigers, non-celebrities, and Sakyamuni's Birthday.

Lee Yeon-wook, the holder of the painting, has a wide range of conditions as a Buddhist cremator and is the only one in Korea to paint a golden tangerine. The 15-year study was original, and it attempted to paint a golden tangerine painting on a black background and a red tangerine painting on a red background, rather than a traditional tangerine painting. In particular, the "high-molecular fitting" method, in which major parts such as ornaments and patterns are processed and gold is attached, was patented in 2005. He is promoting Korean discord around the world with his own technique, and his work "King Jijiangshib and Mimodo" is in the Los Angeles County Museum in the U.S.

Dancheong refers to the use of five colors, blue, red, yellow, white, and black, to paint beautifully by drawing patterns and paintings on buildings or artifacts. A person with this technique of dancheong and its skill is called Dancheongjang, and if a person engaged in dancheong is a monk, he or she was called Geumi or Hwaseung.

Dancheong in Korea can be found through various ancient tomb murals dating back to the Three Kingdoms Period. Especially, the murals of Goguryeo tombs show the architectural style of the time and the appearance of dancheong, indicating the origin of dancheong. Dancheong was also found in vessels such as chaehwa and lacquer excavated from ancient tombs, but it was mainly used for wooden buildings. Dancheong also includes painting and painting of Buddha statues on the walls of buildings.

In the course of Dancheongjang's class, he practices drawing from the beginning of the year to the beginning of the year, and in the case of armor, he learns Cheonwangcho. If you are good at it, you will become a dancheong master by painting the upper tangerines that draw fire and bodhisattva. There are many types of dancheong, such as dancheong, which is simply drawn with black and white lines, morodancheong, which draws a draft of hair, and gilt dancheong, which is painted in five colors.

Dancheong is an area of Buddhist art that has been continued in our history by expressing Buddhist doctrines and ideologies. Dancheong, an expression of the sentiments and life of the Korean people as well as its role as a religious art, is a traditional craftsmanship, and Cho Jung-woo has been recognized as a function holder, continuing its existence.

Bulhwajang refers to the art of Buddhist painting or an artist who is skilled in such art. Buddhist paintings are considered objects of worship along with pagodas and Buddhist statues. Based on their forms, Buddhist paintings can be categorized as taenghwa (hanging paintings), gyeonghwa (sutra paintings), and byeokhwa (mural paintings).

In particular, taenghwa are hung behind the Buddhist altar after holding a number of religious ceremonies. These hanging paintings, found at traditional temples, are the major form of Buddhist painting in Korea; the monks in charge of producing the paintings go by several names such as geumeo, hwaseung, hwasa, or hwawon.

The art of Buddhist painting was formerly handed down by the holders of Dancheongjang (Ornamental Painting). Considering the differences in technique and function, however, it has now been separated from the ornamental painting to form its own category. Therefore, Buddhist painting and ornamental painting are being taught and handed down as two separate categories.

The colorful ornamental paintwork at Buddhist temples and palace buildings is clearly different from Buddhist painting in purpose and expression. While it is used to decorate the walls and structural members of wooden buildings with geometric patterns and drawings, Buddhist painting refers mainly to the production of paintings, expressing Buddhist doctrine in an easy-to-understand manner.