Soban is a small table of dishes that is used for various purposes from Korean diet to ritual ceremonies. The art of making soban or its craftsman is called sobanjang.

Various types of tomb murals such as the Gakjeochong Tomb and the Dance Tomb of Goguryeo were found in various types of tomb murals. Records such as "Samguk Sagi," "Byeolsa" and "Gyeongguk Daejeon" indicate that the state-affiliated organizations were divided into two groups to produce the paintings. During the Joseon Dynasty, Buddhist statues were mainly used rather than statues due to the influence of Confucian ideology, and small and large statues were needed for various purposes such as rituals and weddings, which naturally led to the development of small and medium-sized soban production.

The type of soban is classified into about 60 types depending on the area, type, and use of the soban. Haeju-ban, Naju-ban, Tongyeong-ban, Chungju-ban, and Gangwon-do. Haeju-ban is a sculpture-oriented soban, Naju-ban is a medium-sized soban, and Tongyeong-based soban is a rhyme-oriented one. In addition, in terms of bridge shape, Jukjeol-type (bamboo-shaped), Hojok-type (tiger-shaped), and Gujok-type (dog-shaped) in Gangwon-do and Gyeonggi-do are the main features.

Sandae nori refers to the mask dance of the central region. Songpa Sandae Nori is a popular play that combines dance, mime, words of virtue and humor as a branch of Sandae-do Gamgeuk enjoyed in Seoul and Gyeonggi Province. This play was performed every year on the fifteenth day of the first lunar month and on Dano, Baekjung, and Chuseok.

Songpa Village was the commercial base of Gyeonggi Province, and it was said that about 200 years ago, when Songpa Market was the most prosperous, Sandae Nori became popular and was completed in the form of a play that still conveys to this day. Songpa Sandae Nori consists of seven chapters, and prior to the play, it is equipped with masks and costumes, played on the road to the venue of the performance while playing music, arranged masks and performed ancestral rites.

The composition of the play, exaggeration, dance, and mask are almost similar to Yangju Byeolsandae Nori, but several masks, dances, and roles are characterized by their old forms. In other words, in Yangju Byeolsandae Nori, the cremation dance moves that have already disappeared, and the masks of the mother of childbirth, Shin Hal-mi, and the shaman remain, so there are separate roles for these masks. Thirty-three masks made of a bowl, pine bark, and paper are used, and the play style, like other mask dances, is mainly dance, accompanied by jokes and movements.

Pulpis literally mean playing a flute with grass. The Chinese character is also called Chokjeokkeum, which is played by folding leaves or grass leaves and whistling them on the lips. It is said that peaches and citron leaves are used a lot.

The record of the grass flute is the oldest recorded reed or reed flute in "Suseo" and "Dongdongjeon-dong" and also features a portrait performance in the poem "Someone picks a green leaf from a forest, blows it in his mouth, and makes a clear sound" in the poem "Moon Ga-seong" by Lee Gyu-bo during the Goryeo Dynasty. In 1493, "Akhakwebeom School" compiled by Seonghyeon and others during the reign of King Seongjong of the Joseon Dynasty recorded the types, materials, and methods of performing the full flute in detail. In "The Annals of the Joseon Dynasty," there are several records showing that the court had a musician playing the initials. In addition, a collection of calligraphic works by various writers showed that they enjoyed playing them from the top to the king to the commoners below. And Kang Choon-seop, a first-time music expert on meteoric albums, has recorded music such as "Hwimori" and "Gutgeori" with the same music as Sanjo. As such, the Pulpieri has been one of the musical instruments enjoyed by the Korean people throughout its long history, and has been recognized not only by the private sector but also by the official instrument.

"The Evil Trapezius" records that anyone can play the instrument so easily that it is not difficult to make a sound and play it by saying, "You don't need the teachings of your ancestors, and you can only know all the syllables first." In fact, the full flute is easy for anyone to learn and play, and any music can be freely played. Today's first play is a folk song, a Cheongseong song, a Sanjo song, and other traditional pieces of music.

In Gyeonggi-do, Oh Se-cheol was designated as the holder of a full flute, and he continues to perform actively.