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K-Cultural Heritage (5)

  • 1964.12.7
    designated date
    Jongmyo Jeryeak refers to music played using dance, songs, and musical instruments when performing ancestral rites (Jongmyo Jerye) at a shrine (Jongmyo) that honors kings and queens of the Joseon Dynasty.

    In each procedure of the Jongmyo rite, a song called Jongmyo movement is sung to praise the virtues of ancestors, focusing on the music of Bo Tae-pyeong and Jeong Dae-up. While the Jongmyo Jeryeak is played, it is accompanied by a literary figure, Bo Taepyeongjimu (honor of the kings' virtues) and a martial artist, Jeong Dae-upjimu (praise of the kings' exploits).

    Jongmyo Jeryeak was originally created for use in the royal banquet in 1447 (the 29th year of King Sejong's reign), and has been handed down to this day after being repaired in accordance with the 10th year of King Sejong's reign (1464). Eleven songs by Bo Tae-pyeong and 11 by Jung Dae-up are played at the Jongmyo Daeje, which is held on the first Sunday of May every year.

    Jongmyo Jeryeak is the essence of court music, which combines instrumental performances, songs and dances of the Joseon Dynasty, and has a unique style and beauty that can not be seen in other countries while well showing our cultural traditions and characteristics.

    The National Intangible Cultural Property No. 1 Jongmyo Jeryeak is currently listed as a representative UNESCO Intangible Cultural Heritage of Humanity.
  • 1986.12.11
    designated date
    A gong is one of the percussion instruments, also called gilt or simply gold. It is a musical instrument widely used since ancient China. It was imported from the Ming Dynasty of China during the reign of King Gongmin of Goryeo (1351-1374), and was widely used in Jongmyoak, Muak, Beopak and Nongak.

    The gongs are made by melting them in a weight ratio of 160 copper and 43 cinnamon, and are produced in a group by Daejeong, GajiDaejeong, a front hawker, a reseller, a Senmae, and a puller.

    The production process is the order of brass rusting, elongating, dopping, potting, wrapping, dangling, crying, Gaji, and Jaewool, which is a sensitive work that makes a completely different sound with a hammering.

    Jing's life is in sound. Depending on the region, there are many different sounds, such as the buzzing, the bending, the long ringing, and the rising sound of the sound of the end. The sound of a proper gong has a deep and long afterglow and deep appeal, and this is what Kim Chun-jing's sound is characterized by.

    Kim Il-woong, a holder of jingjiang functions, has been continuing Kim Chun-jing's cycle for more than 40 years by setting up a farm instrument factory in Gimcheon's Hwanggeum-dong drug bet after learning the technique under his grandfather, who has been making gongs in Hamyang for four generations.
  • 1990.12.20
    designated date
    Soongseonjeon Hall is a pavilion dedicated to the ancestral tablets of King Sijo of Garakguk and his queen Heo, and is dedicated to supporting local folk paintings. This pavilion is one of the eight exhibitions, along with the Royal Tomb of King Gukjodan and King Dongmyeong of Goguryeo, the Sunginjeon of King Hyukgeose of Silla, the Sungdeokjeon of King Talhae, the Sunghyejeon of King Algi, King Munmu and King Gyeongsun of Baekje, the Sungyeoljeon of King Onjo of Goryeo, and the Sunguijeon of King Sijo of King Sijo of Goryeo.

    The Great Festival of Soongseonjeon is held on March 15 of the lunar calendar for Chunhyang and September 15 of the lunar calendar for the second time, and the time is held for about an hour from 10 p.m. of Sango. It was originally said that it was held for 334 years until the 12th year (532) of the 10th King Guhyeong (Goohae or Guchungwang) when it began to accept the memorial services for five times a year on the 3rd, 7th, 5th, and 15th of January.

    Even after the annexation of Silla, ancestral rites continued. In the 30th year of Silla and the year of the reign of King Munmu (661), the ancestral rites were held at the Jongmyo Jerye, and 30 royal protocols were dedicated to the royal family near King Suro's tomb and managed by the Gaya army.

    In 1792 (the 16th year of King Jeongjo's reign), the entire school of Chunchushihyang, the founder of Garakguk, was established. Since then, the congratulatory message of the ChunchuDaeje Festival has been issued under the name of the king of the Joseon Dynasty, and 53 articles of incense and other products, including Uiseong, were prepared by the Gimhae-bu and protected them. In addition, the Lunar New Year, the Lunar New Year, the New Year, Dano, the same year, the same year's Day, Dano, the same year's Day, the same year's Day, the same year's Day, the same year'

K-History (1)

  • 2001.5.18
    Registration date
    The Royal Ancestral Ritual in the Jongmyo Shrine and Its Music is also known as 'Jongmyomusic' as the general name for instrumental music, song and dance performed at the memorial service for the kings and queens of the Joseon Dynasty.

    It is also called Jongmyo Daeje because it was a large and important ritual held in Jongmyo during the Joseon Dynasty

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