Search Result > Little Korea

SEARCH CONTENT

Search for content in Little Korea

Search Keyword : Menari

K-Pop & Trot (0)

no data

K-Traditional Music (4)

  • 2020.11.12
    Recommended music
    This song was composed by Kim Young-jae, a master of Haegeum and Geomungo High School, in 1982. It is a solo song of Haegeum, which is composed of traditional music from Seodo, Yeongnam and Honam, and is played to the rhythm of Omori.

    At the beginning of the Mu rhythm, the melody of Menarijo in Gyeongsang-do is improvised, making it feel like listening to the improvised performance of the Mu rhythm, or "Alap," prior to the main performance of Raga in India.

    It was followed by the improvisation of the Manari rhythm, which led to the sad melody of the Namdo Gye-myeon. It went back to the theme of Menarijo, and it was played with the heartfelt melody of Seodo jijang, and the theme melody was foreshadowed several times to the off-mori rhythm.
  • 2020.11.15
    Recommended music
    Gyeongsang Province, late Kim So-hee song made by the singer features an enchanting melody, and the Japanese occupation of the Menarijo bukkando lost wind-swept heart of people who moved to country representation.A folk song(Minyo).

    Gayageum Byeongchang: Jeon Hai-ok, Oh Ju-eun, Choi Ye-rim
    Ajaeng: Seo Young-ho
    Daegeum: Won Wan Chul
    Ko Soo: Jung Joon Ho
  • 2020.12.12
    Recommended music
    Composed/Ryu Hyung-sun, played/created by the National Gugak Center (Gayageum/Lee Ji-hye, Choi Bo-ra, Lee Joo-in, Lee Ji-yeon, Haegeum/Saju-hyeon)

K-Cultural Heritage (9)

  • 2009.12.7
    designated date
    San Joaeng is a musical instrument created by the originality of the Korean people, and Sanjo is also a music that can be designated as a World Heritage Site just like Pansori. Sanjo, which is rooted in shamanism and pansori, retains the history and tradition of the Korean people, and has become highly professional and artistic through the formation and development process of Sanjo.

    Currently, the Ajaeng Sanjo is not designated in any city or province in the country, and Park Yong-tae's Sanjo, based in Busan, has very few people who wish to be transferred due to the lack of a base population. In addition, due to economic and learning difficulties, effective transfer of young people, including early transfer, is not possible, and preservation is in danger.

    Park Yong-tae is a first-generation apprentice to Han Il-seop, the founder of Ajaeng Sanjo. Park Yong-tae's genealogy, along with other masters of the same-literature Korean classical music, is clear and the legitimacy of the melody is beyond question. It is no exaggeration to say that his musical skills and standards are unrivaled, and he is performing extensively on stages across the country, as well as in Busan and the Yeongnam region.

    Park Yong-tae's "Ajaeng Sanjo" (Park Dae-sung-ryu) has a lot of Ujo-seong rhythms, unlike ordinary mountains. In other words, the ordinary mountain bird is composed mainly of surfactant rhythms, giving the impression of pleading and purring, while the Park Dae-seong's Ajaeng Sanjo has a strong and magnificent feeling. This musical feeling is in line with the musical characteristics of Menarijo, a musical characteristic of Gyeongsang-do. Therefore, the Ajaeng Sanjo of Park Yong-tae (Park Dae-seongryu) can be seen as having enough of the characteristics of life of the people of Gyeongsang-do.

    Currently, he is transferring from a new building to a new building located in the former Dongnae area of the Dongnae-gu Hot Spring Park. Dongnae Kwon Bun was a popular attraction where master singers from all over the country gathered to inherit the tradition of Korean traditional music in Busan after Japanese colonial era.
  • 1999.12.7
    designated date
    Nongyo is a song that is sung to forget fatigue and improve efficiency while working on rice paddies and fields, also called wild songs or farming sounds. Nongyo, one of the folk songs, is sung individually or collectively, and the song may vary depending on the region.

    There is a theory that the name "Maddle" originated from the Korean word "Maddeul" in Sanggye-dong, which was raised by releasing horses in fields, and that this area originated from the pure Korean word "Maddeul." The contents include the sound of planting rice and the sound of rice paddies. The sound of non-maegi is composed of the sound of the durucha when first tied with a ho-mi, the water parsley when tied with two layers, and the sound of the kkeokumjo, which is sung excitedly in the evening at the end of the day. In addition, Bangataryeong, Nennell Sangsadiya, and Ouya-ddeul-ddeul-ddeul-dda are sometimes called.

    In Gangwon-do, where there are far more fields than rice paddies, the sound of rice planting or field farming was called Menari, which was spread through Pocheon, Gyeonggi-do, and a different style of folk song was formed. Therefore, Madeul Nongyo is a folk song that has been influenced by agricultural songs in Gangwon-do based on agricultural songs in Gyeonggi-do, and should be inherited well even in the current area, which consists of apartment complexes.

    On December 7, 1999, Kim Wan-su was recognized as the holder, and the holding organization was the Madeul Nongyo Preservation Association.

    bbb※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616). </bb
  • 1982.12.31
    designated date
    An oil painting is one of the folk songs handed down to some parts of Chungcheong-do, and is a labor song sung by farmers to forget their fatigue and improve their efficiency. Singing individually or collectively, the song may vary depending on the region.

    The oil painter is also called Menari, which is said to have been derived from the old folk song "Mona-ri is the Han-chul," and from the old folk song "Mona-ri is the Han-chul." Other names include the munol flower and water parsley. This folk song has been subdivided by the elderly. It is a song about the sadness of losing the kingdom (Baekje) and longing for the country, so it gives a sad and pathetic feeling. It is called as a type of exchange between men and women, and is thought to have been called not only rice planting and seaweed fulvescens, but also without labor.

    The oil-producing artists were designated as intangible cultural assets to protect and inherit the labor songs that contain the thoughts and sorrows of ordinary people. In addition to Park Hong-nam, an entertainment holder living in Buyeo, two others are continuing their careers.

K-History (0)

no data

Special (0)

no data