Byeolsingut nori is a ritual for the god of dance. It's not a family rite, but a village-wide special offer, and the martial arts organiser <span class='xml2' onmouseover='up2(141)'onmouseout='dn2('dn2(( 독) 독 독 아닌 독 아닌무무 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 < < < 아닌 아닌 아닌 아닌 아닌<<<< < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 제의 제의 제의 제의 제의 제의 제의 제의 제의 제의

It has more Gutgeori than other subjects, and has a rich collection of long-length narratives, humor, and various folk literature in its content, so it is the aggregate of oral literature and a comprehensive art of differentiation.

In addition, the Gut features a cosmic pavilion, a spirit pavilion, a pavilions, and myths, and is skilled in the singing and dancing, providing the villagers with peace and vitality.

Usually, Byeolsingut is performed on a village basis every three to ten years, depending on the region, but it is usually held during the New Year's, March, April, September, and October.

The process of performing the exorcism of byeolsingut was first carried out by a maid to the ancestral shrine by <span class='xml2' onmouseover='up2(140)'onmouseout='dn2()'dn2(')'dn2(')'강강강강강강강 청 청 청 청 청 청 청 청 청 청spspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspsp However, even at this time, Ja-bi (the accompanist) sat facing the altar and performed the accompaniment.

<span class='xml2' onmouseover='up2(1648)' onmouseout='dn2()'dn2()span로는로는로는spspan class='xml2' onmouse2' <span class='xml2' onmouseover='up2(1658)' onmouseout='dn2()'>무복(巫服)</span>은 쾌자와 장삼, 그리고 갓과 고깔 등이 있다. <span class='xml2' onmouseover='up2(4820)' onmouseout='dn2()'dn2()( ritual water제/span설 varies from village to village, and the method or type is so simple that there are one or two more pros in daily life without any specific regulations. <span class='xml2' onmouseover='up2(4837)' onmouseout='dn2()'dn2()제일spspan 결정전에spspan class='xml2'onmouse='onmouse='(484'48'). After shouting at the party while raising the possession, Jeju has self-defense through the bath system until <span class='xml2' onmouseover='up2(4837)'onmouseout='dn2())제일제일제일제일제일제일제일제일제일 고 고.

The rite is performed in the order of Jeongjeonggut, Golmegi Cheongjwagut, Dangmaegi Cheongjwagut, Hwahwagut, Sejongut, Jojogut, Seongjugut, Janggungut, Cheonwanggut, Simcheonggut, Nonddonggut, Guksugut, Gyesugut, Gyemyeongut, Yongwanggut, Talgut and Gilgut.

The hemp cloth refers to the whole process of weaving hemp cloth from a textile raw material called marijuana, which is a fabric worn by ancestors from the time of the Three Han Dynasty by hand by the three Han Dynasty due to its advantages of absorbing sweat quickly, drying quickly, and being cool due to its good ventilation and high heat conductivity, and its durability against friction makes it less damaged when washing. Among them, Andongpo, produced in Andong, Gyeongsangbuk-do, was a royal product of the Joseon Dynasty and was designated as a local specialty.

※ Since hemp was a collective technology that was produced through the collaboration of villagers, not individuals, and passed down to later generations, he did not recognize a particular holder and recognized a holding organization (a group without a holder).

A craftsman who makes musical instruments is called a musical instrument master. The names of artisans related to instruments such as pungmuljang, jangjang, and gongjang are visible on the factory lanterns of Gyeongguk Daejeon during the Joseon Dynasty. There are about 60 to 70 types of musical instruments produced in Korea and handed down to date, including our own instruments and those from China or the West. There is no craftsman who makes all of these, but each event is classified as a musical instrument.

There is no clear record, but it is believed that there have been professional craftsmen who make musical instruments since the Three Kingdoms Period. Various wind and string instruments for the murals of Goguryeo tombs.The percussion instruments and others appear, and musical instruments are also visible in the patterns of King Beomjong of Silla. A figure of Gayageum figures is also found in Tou, Silla, which is believed to have been around the 4th century. In addition, the birth of musical instruments can be seen in the tales of Wangsanak in Goguryeo, Kasil King in Gaya, and Manpa Sik in Silla, but there are no stories about artisans and methods of production.

During the Joseon Dynasty, the musical instruments were used to make musical instruments and clothing for national rituals and ceremonies, which were valued by Confucianism.instrumental colors, musical instruments inc.A special department was established, such as the Musical Instruments Agency. In addition, the state-run music organization, the Gukjawon, mobilized craftsmen from various fields to direct and supervise the work, and finally supervised the tuning and ending of musical instruments.

Traditional musical instruments can be classified as string instruments, wind instruments, and percussion instruments, or they can be classified according to their materials, and eight important materials are called selling. Gold and silver are instruments made of metal and have backs. Seok is a stone instrument made of pyeongyeong and special features. These include geomungo, gayageum, haegeum, ajaeng, and Bipa, which are made of silk strings attached to a resonator box. The musical instruments made as dead include a flute, milk stand, sugar drum, and Danso. Po has a raw yellow lantern as an instrument with ingredients of a bowl, and clay is baked with soil, with Hun and Bu.Hyuk is an instrument made by covering a round barrel with leather, including Janggo, Galgo, Jwago, Jeolgo, and Sogo. The neck is made of wood and includes Bak, Chuk, Eo, etc.

There are two types of gayageum: Jeongak Gayageum and Sanjoyageum, which differ in materials, size, tone, and coordination. Jeongak Gayageum makes a resonator by digging a thick oak tree, and Sanjo Yageum makes a resonator box by adding chestnut wood board to make a resonator. Unlike standardized Western instruments, the size gradually grows and becomes smaller depending on the physical condition of the performer. Jeongak Gayageum is about 160 to 170 centimeters wide, 30 centimeters wide and 140 centimeters long.Sanjo Yageum is much smaller and lighter in length and width, but it is said that Jeongak Gayageum was reduced and modified to play folk songs at the end of the Joseon Dynasty.

The paulownia tree should be naturally dried for more than five years by roughly trimming it from 30 to 50 years old. When attaching to a tree with different top and bottom, the sides are placed on the left side, where flowers or cherry trees are used. Yongdu and Bongmi are placed at both ends of the upper plate. Yongdu is the head of the gayageum, and Bongmi is the lower part.

On April 23, 2002, Kim Bok-gon was recognized as the holder of the event.

※For more information on the above cultural assets, please contact the Seoul Metropolitan Government Department of Historical and Cultural Heritage (☎02-2133-2616).

Pony, Korea's first unique model, has become a touchstone for Korea today to stand shoulder to shoulder with the rest of the world in the ranks of automobile producers.

Pony, which began production on Dec. 1, 1975, was 140 kilometers at a maximum speed, 1,238 cc in emissions and 2.289 million won at the time, at its Ulsan plant, which was created under Hyundai Motor's basic plan to build a comprehensive auto plant since 1973.

The sleek fast-back style Pony, designed by Italian designer Georgeto Zizuaro, is regarded as the No. 1 domestic car that opened the doors of the Micah era in Korea while exporting its first overseas in 1976, starting with its first production of 50 units.

Changdeokgung Palace was the second royal villa built following the construction of Gyeongbokgung Palace in 1405. It was the principal palace for many kings of the Joseon dynasty, and is the most well-preserved of the five remaining royal Joseon palaces. The palace grounds are comprised of a public palace area, a royal family residence building, and the rear garden. Known as a place of rest for the kings, the rear garden boasts a gigantic tree that is over 300 years old, a small pond and a pavilion.

The palace gained importance starting from the time of Seongjong, the 9th king of Joseon, when a number of kings began using it as a place of residence. Unfortunately, the palace was burned down by angry citizens in 1592 when the royal family fled their abode during the Japanese invasion of Korea. Thanks to Gwanghaegun, the palace was restored in 1611. Even today, it houses a number of cultural treasures, such as Injeongjeon Hall, Daejojeon Hall, Seonjeongjeon Hall, and Nakseonjae Hall.

Changdeokgung Palace’s garden behind the inner hall, called the Secret Garden, was constructed during the reign of King Taejong and served as a resting place for the royal family members. The garden had formerly been called Bugwon and Geumwon, but was renamed Biwon Garden after King Gojong came into power. The garden was kept as natural as possible and was touched by human hands only when absolutely necessary. Buyongjeong Pavilion, Buyongji Pond, Juhamnu Pavilion, Eosumun Gate, Yeonghwadang Hall, Bullomun Gate, Aeryeonjeong Pavilion, and Yeongyeongdang Hall are some of the many attractions that occupy the garden. The most beautiful time to see the garden is during the fall when the autumn foliage is at its peak and the leaves have just started to fall.

Though it has been treasured by Koreans for centuries, Changdeokgung Palace was recognized as a World Cultural Heritage site by the UNESCO World Cultural Heritage Committee in December of 1997 during the committee meeting in Naples, Italy.