The first electronic trap (ELECTRO TRAP) hip-hop song ' BTS' tries.

They described themselves as the second year of their debut as 'second year in the music industry.

Teacher, is there a college entrance exam here, too. If you win first place, is that a successful singer? That's good, but I want to do music.The lyrics " give us not only a sense of lyrics for BTS, but also a sense of determination to pursue 'real music' in the future.

Jongmyo Jerye is a festive ritual in which the king wishes the nation and the people to be peaceful with the help of heaven and earth, and Jongmyo Jeryeak refers to instrumental music, songs and dances performed to hold a solemn ceremony for Jongmyo Jerye.

Jongmyo Jerye and Jongmyo Jeryeak were designated as Important Intangible Cultural Properties No. 56 and No. 1, and were preserved and handed down as UNESCO Intangible Cultural Heritage of Humanity on May 18, 2001.

Jongmyo Jerye is a festive ritual in which the king wishes the nation and the people to be peaceful with the help of heaven and earth, and Jongmyo Jeryeak refers to instrumental music, songs and dances performed to hold a solemn ceremony for Jongmyo Jerye.

Jongmyo Jerye and Jongmyo Jeryeak were designated as Important Intangible Cultural Properties No. 56 and No. 1, and were preserved and handed down as UNESCO Intangible Cultural Heritage of Humanity on May 18, 2001.

Jongmyo Jerye is a festive ritual in which the king wishes the nation and the people to be peaceful with the help of heaven and earth, and Jongmyo Jeryeak refers to instrumental music, songs and dances performed to hold a solemn ceremony for Jongmyo Jerye.

Jongmyo Jerye and Jongmyo Jeryeak were designated as Important Intangible Cultural Properties No. 56 and No. 1, and were preserved and handed down as UNESCO Intangible Cultural Heritage of Humanity on May 18, 2001.

Gold gourd is a craftsman who prints various patterns using thin gold foil on top of a fabric. Today, it can be seen in women's wedding clothes.

The gold foil decorations were used in the royal family in the Joseon Dynasty, and there were not many relics that existed due to storage problems, but the three daughters of Sunjo (1822-1844) said they were worn at the wedding of Princess Deogon, the third daughter of Princess Sunjo, are decorated with gold and the characters 'su and 'bok' (Chinese Folklore Cultural Heritage No.211).

The gold foil decoration is made by stamping the adhesive pattern plate where it wants to be placed, attaching the gold foil before the adhesive dries completely, and then removing the gold foil outside the pattern again.

The gold gourd technique is completed based on the woodwork technique of carving pattern plates based on the eye of selecting and placing patterns suitable for the composition of clothes, and the long experience of making and utilizing the properties of glue and gold foil, the main ingredients.

Gold gourd refers to a piece of gold that is made like thin paper by continuously tapping on it, but today it is understood as a technique for decorating patterns on fabrics using gold foil.

Gold Bakjang is a craftsmanship that embellishes Korea's doubles culture in a splendid and dignified manner, and it is significant in that it is able to revive the legacy by designating it as a national intangible cultural asset.

Song Gwang-mu (1911-1998), who was born in 1954 in Unsu-dong, Gwangsan-gu, Gwangju, began studying Buddhist painting with his father, Song Bok-dong (1911-1998). In the year when it was designated as a tang crematorium, it moved from Gwangsan-gu to Hwaam-dong, Buk-gu.

He continued his tradition by learning from his father about the functions of the Buddhist temple, and conducted tanghwa, dancheong, ancestral statues, and gaegeum (re-painting the statue) at more than 100 temples across the country, including Odaesan Mountain, Baekyangsa Temple, and Seonunsa Temple. Recently, he has been working on the research of traditional Buddhist paintings through the excavation and reproduction of natural stone-colors, whose production techniques have not been handed down.

The main characteristics of his Buddhist paintings are the use of iron wire among the 18 brush strokes, the use of the side, the natural coloring used in traditional Buddhist paintings, and the use of traditional natural stoneware. Also, the difference between Gubong and Song Gwang-mu's discord is that the most distinctive feature of the Gubong picture's tanghwa is the expression of 'clouds'. Hwamaek leads to Bakseokcho→Songbokdong→Songgwangmu.

Song Kwang-moo's investigation report on fire (tang) makeup (2012)

Nakjukjang refers to a person who has the ability or skill to engrave decorative paintings or writings while burning a fire-burning indu in bamboo.

It was from ancient China that porridge was used in objects, and it was a very rare technique in Korea, but it was passed down to Japanese colonial era by Park Chang-gyu during the reign of King Sunjo of the Joseon Dynasty (1800-1834).

Nakjuk requires work experience and speed because it needs to be drawn at a temperature and finished with a pattern or writing before the pharynx cools down. It is mainly used for arrowheads, acupuncture needles, calves, folding screens, tobacco poles, fans, and bamboo pencil cases.

Nakjuk is most commonly used in thick bamboo (hapjukseon) flesh, which is used at the beginning and end of folding fans. Butterfly designs are often used in Hapjukseon, but bat patterns are sometimes seen.

Hunminjeongeum is a commentary written in Chinese characters and published in 1446 by a group of renowned Jiphyeonjeon (Academy of Scholarly Worthies) scholars according to a royal edict issued by King Sejong (r. 1418-1450). The commentary has the same title as the original, Hunminjeongeum, given to the newly invented Korean writing system but different names, including The Explanatory Edition of the Correct Sounds for the Instruction of the People (Hunminjeongeum Haeryebon) and The Original Edition of the Correct Sounds for the Instruction of the People (Hunminjeongeum Wonbon). It is a single-volume xylographic book consisting of 33 chapters. In the book, the chapters are grouped into 3 parts wherein the first part contains the main text of Hunminjeongeum in 4 chapters printed on 7 pages, each containing 7 lines of text with 11 characters per line; the second part contains a commentary in 26 chapters on 51 pages, each containing 8 lines of text with 13 characters per line. The third part contains a 3-chapter introduction of the writing system written by Jeong In-ji (1396-1478) and which ends with a date, suggesting that the Korean writing system was promulgated in 1446. According to The Veritable Records of King Sejong (Sejong Sillok), the Korean alphabet called Hunminjeongeum was invented in 1443 by King Sejong himself and proclaimed in 1446. The commentary and Jeong In-ji’s introduction as contained in this book provide information on the scholar-statesman’s active participation in the creation of the alphabet and the basic principles used for it.

Deoksugung Palace is unique among Korean palaces in having a modern seal engraving and a western style garden and fountain. Medieval and modern style architecture exists together in harmony in Deoksugung Palace. The Changing of the Royal Guard can be seen in front of Daehanmun (Gate) and is a very popular event for many visitors. During the Joseon Dynasty, the royal guard was responsible for opening and closing the palace gate as well as patrolling around the gate area. Outside the palace is a picturesque road flanked by a stone wall which is much loved by visitors.

Originally, Deoksugung Palace was not a palace. The Imjin War (the Japanese invasions in 1592) left all the palaces in Korea severely damaged. When King Seonjo (the fourteenth king of the Joseon Dynasty) returned to Seoul from his evacuation, the primary palace Gyeongbokgung Palace had been burnt to the ground and other palaces were also heavily damaged. A temporary palace was chosen from among the houses of the royal family. This is the origin of Deoksugung Palace. King Gwanghaegun (the fifteenth king of the Joseon Dynasty) named the palace Gyeongungung, formalizing it as a royal palace. Since then it has been used as an auxiliary palace by many Joseon kings. In 1897, Emperor Gojong (the twenty-sixth king of the Joseon Dynasty) stayed here and expanded it. The modern buildings such as Seokjojeon (Hall) were constructed during this period. In 1907, the palace was renamed Deoksugung.

Heunginjimun Gate was built to protect Hanseongbu, which historically housed important government facilities. Heunginjimun Gate was the gate on the east side of the outer wall of Seoul Fortress among eight gates. It is referred to as Dongdaemun Gate as well. The gate was constructed during King Taejo’s 5th year in 1396, remodeled during the reign of King Danjong in 1453 and was newly built in 1869 during the sixth year of King Gojong’s reign in 1869.

The gate features a hipped roof which has five front compartments and two side compartments on a two-storied building. The thin and weak bracket system supports the eaves and is excessively decorated, reflecting the construction features of the late Joseon period. Also, outside of the fortress is the half-circle shaped Ongseong, a small wall, to protect the gate.

One of the unique factors of Heunginjimun Gate is that it is the only gate among Seoul’s eight to have Ongseong, further exhibiting the style of construction used during the late Joseon period as well.