He started his career as SM Entertainment's No. 1 singer.

It is a hip-hop song from singer Hyun Jin-young's second album "New Dance 2" (1992). It was composed by Lee Tak.

With its explosive popularity, it heated up the end of 1992. It was the mega-hit number of the time when it topped the KBS top 10 list for a total of five weeks, followed by MBC's 'Your Popular Song' for seven consecutive weeks and SBS's SBS Popular Song for six consecutive weeks.

It is a representative music of Generation X with a high degree of perfection, hoodie, costumes represented by a large X mark, and colorful performances.

♡ Kim Beom-soo's debut song is the title track of his first album, "A Promise," released in 1999.

The lyrics are about a man who broke up with his lover due to unavoidable circumstances.

I received vocal training from Park Sun-joo and made my debut in April 1999 and became very popular.

As a faceless singer for a while, he did not appear on TV at all.

In 2000, the English version of 'Hello Good-bye Hello' entered No. 51 on the Billboard sales chart and was named on the global singing stage.

The song is a reinterpretation of hip-hop sounds that are rich in the '90s to suit the emotions of 2013.

This pinpointed the recent trend of the hip-hop scene, 'Return to Golden Era in the 1990s.

The bass performance in the intro, which creates a strange tension, is reminiscent of hip-hop musician Dr. Dre's "Deep Cover". *What is your dream, your dream is only that?* The straightforward lyrics and intense beats make your heart beat.

As soon as you focus on the rap that is catchy and the lyrics that everyone can relate to, you fall into the charm of real hip-hop.

Park Yong-tae (present name: Park Dae-sung) is a first-generation apprentice to Han Il-seop, the founder of the Ajaeng Sanjo, and the legitimacy of the Korean traditional music scene is clear, and there is no doubt about the legitimacy of the melody, and the general Sanjo is composed mainly of the rhythms of Gyemyeonseong Fortress, giving a feeling of pleading and desolation, but Park Yong-tae (Park Dae-tae's Aja's (pyeon's) has a strong sense of superiority.

Intangible Cultural Property No. 16 designated by Busan Metropolitan City (designated on December 7, 2009)

☆Kim Juk-pa (1911-1989), a master craftsman from Yeongam, Jeollanam-do, was born in the late 19th century as a granddaughter of Kim Chang-jo, who first made gayageum sanjo, and learned gayageum from him, and learned pungnyu, sanjo and byeongchang(sing along with playing) from his disciple Han Seong-gi.

Later, Kim Jukpa refined the gayageum sanjo rhythms learned from his grandfather and master Han Seong-gi, and added her own melody and rhythm to complete the 55-minute-long Kim Jukpa ryu(style) Gayageum Sanjo.

Kim Juk-pa ryu(style) Gayageum Sanjo is characterized by a soft, stable tone and delicate and profound Nonghyeon refined over the years by a master of a woman Kim Juk-pa.

It was designated as Important Intangible Cultural Property No. 23 in 1978 as the tune currently played by the largest number of performers. Today, the performer will play using 'Gyeopcheong Johyeon Beop' that led to master Kim Juk-pa and master Moon Jae-sook.

○ Gayageum/Lee Seulgi, Janggu/Kim Cheongman

☆Cheoyong-mu is a dance in a Cheoyong mask. It is also called Obang Cheoyong-mu, which is the only dance in the shape of a human being among royal dances of Korea.

It is based on a myth that Cheoyong, who lived during the reign of King Heongang of the Unified Silla Dynasty (r. 875-886), sang a song he wrote and danced in front of a deity who was about to commit a crime against his wife, defeating the ghosts.

Soban is a small table of dishes that is used for various purposes from Korean diet to ritual ceremonies. The art of making soban or its craftsman is called sobanjang.

Various types of tomb murals such as the Gakjeochong Tomb and the Dance Tomb of Goguryeo were found in various types of tomb murals. Records such as "Samguk Sagi," "Byeolsa" and "Gyeongguk Daejeon" indicate that the state-affiliated organizations were divided into two groups to produce the paintings. During the Joseon Dynasty, Buddhist statues were mainly used rather than statues due to the influence of Confucian ideology, and small and large statues were needed for various purposes such as rituals and weddings, which naturally led to the development of small and medium-sized soban production.

The type of soban is classified into about 60 types depending on the area, type, and use of the soban. Haeju-ban, Naju-ban, Tongyeong-ban, Chungju-ban, and Gangwon-do. Haeju-ban is a sculpture-oriented soban, Naju-ban is a medium-sized soban, and Tongyeong-based soban is a rhyme-oriented one. In addition, in terms of bridge shape, Jukjeol-type (bamboo-shaped), Hojok-type (tiger-shaped), and Gujok-type (dog-shaped) in Gangwon-do and Gyeonggi-do are the main features.

The musical instrument, commonly known as the instrument used to play music, has been used in traditional music since the Three Kingdoms Period, and about 60 types of musical instruments have been introduced, including unique instruments from Korea, and foreign instruments imported from China, the West, and other regions. As Korea was adjacent to the northern continent, Chinese and Western music was already introduced during the Three Kingdoms Period. Especially after Silla unified the three kingdoms, Tang Dynasty music was imported.

By the Goryeo Dynasty, Song Dynasty folk music and aak were imported, and by the time of King Yejong's reign, Ahak was introduced, and it still came in large quantities. These instruments were classified according to the main ingredients needed to make musical instruments in "Jeungbo Munheongo," and in particular, the musical instruments used for the unique traditional music, as well as the instruments used for Ahak and Dangak.

By the Japanese invasion, national sovereignty was lost and court musicians became free men. Of course, unlike the heads of government-affiliated musical instruments who made Jeongak-centered instruments, Sanjo-centered instruments were being produced in the private sector. This sanjo instrument can be said to be for individual performance, making it more cheerful and easier to transport than a group-oriented Jeongak instrument. During the Japanese Colonial Period, Kim Myeong-chil was named in Jeonju, and Kim Boong-gi (Kim Hak-gi) was named in Jeongeup.

After Korea's liberation from Japan's colonial rule, Kim Myeong-chil's technique was followed by his son Kim Gwang-ju, who became the No. 42 instrument master in 1971. He moved to Seoul to teach Choi Tae-gwi, Go Heung-gon, and Lee Young-soo before passing away in April 1984. Originally, Yi Yeongsu was designated as a cultural asset of Jeollabuk-do with the functions of Kim Bungi in Jeongeup, but he also received the functions of Kim Gwang-ju.

The musical instrument director originally thought he would make all instruments, but now he is divided into a drum, a jango, a gong, a gong, a jing, a salted fish, a flute, a gayageum, a geomungo, and a haegeum.

Born in Boseong, South Jeolla Province in 1954, Kim Ok-su came to Seoul at the young age of 13 and has been on the same path for 40 years after learning stone techniques from Jeong Sun-bung and Go Geum-dong.

He won prizes at the National Skills Competition, and specialized in Buddhist sculptures to repair stone structures at major Buddhist temples across the country.

Tongqing Myeong-dong Cathedral is a cathedral of the Catholic Archdiocese of Seoul located in Myeong-dong 2-ga, Jung-gu, Seoul, and is both a symbol and heart of the Korean Catholic Church.

This is the first place where the Korean church community was born and the remains of many martyrs were enshrined.

It is the first large-scale Gothic Catholic church built on the Korean Peninsula and the first main hall in Korea (a cathedral where priests reside and minister).

On November 22, 1977, it was designated as Historic Site No. 258.

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Founded in 1972 by Chairman Chung Ju-yung, Hyundai Shipbuilding changed its name to Hyundai Heavy Industries in 1978 and continued to grow.
In 1983, the company not only won the $1 billion export tower for the first time among Korean companies, but also became the world's No. 1 shipbuilding company in terms of ship building volume, beating Mitsubishi Heavy Industries of Japan.
In June 2019, Hyundai Heavy Industries Group launched Korea Shipbuilding & Marine Engineering Co., an integrated shipbuilding corporation.

Pony, Korea's first unique model, has become a touchstone for Korea today to stand shoulder to shoulder with the rest of the world in the ranks of automobile producers.

Pony, which began production on Dec. 1, 1975, was 140 kilometers at a maximum speed, 1,238 cc in emissions and 2.289 million won at the time, at its Ulsan plant, which was created under Hyundai Motor's basic plan to build a comprehensive auto plant since 1973.

The sleek fast-back style Pony, designed by Italian designer Georgeto Zizuaro, is regarded as the No. 1 domestic car that opened the doors of the Micah era in Korea while exporting its first overseas in 1976, starting with its first production of 50 units.