■ Origin of the King's reign

Jeongjeonggok, a song written by Jeong-seo, who was raised to Busan Dongnae during the reign of King Uijong of Goryeo, was settled as a song during the Joseon Dynasty, and Sijo was derived from this song.

Songs and sijo use sijoshi as a yellow word. The sijo is designed to simplify the melody and rhythm of the song so that anyone can sing it easily, so just the daegeum and janggu accompaniment is enough to play it. Furthermore, it is simple and simple, and it is a song enjoyed by scholars and nobles, not professional singers.

The sijo word is a song that reduces and simplifies the song so that you can express your composure and style to the fullest.

To indicate this, a fully qualified sijo is the Anglo-Sijo.

Pansori refers to a single singer weaving a long story by mixing a spear (sound), horse (aniri), and gesture (nareum) to the rhythm of a master.

Park Nok-ju Body Pansori Heungbo of Chung Soon-im, the holder of the obvious entertainment record, is joined by Song Man-gap - Kim Jung-moon - Park Nok-ju - Park Song-hee (Park Jung-ja) - Jeong Soon-im, and was born as the eldest daughter of (Go) Jang Soon-ae (Jangwoljungseon), the 19th intangible cultural asset, and inherited her artistic talent from her mother.

Around the age of 10, Shimcheongga, Chunhyangga, etc. were already learned, and Heungbo, Sugungga, and Yeonsa continued to learn. Jung Soon-im is known as a master singer of pansori in name and reality by winning the Presidential Prize for the Pansori Department of the Namdo Arts Festival in 1985 and the KBS Korean Music Awards in 1997.

Pansori, a combination of a singer (a singer, a clown), a master, and an audience. When the singer sings a spear, the master beats the drum and adds chimes. The audience also gets excited by singing together. The singer does not adjust to the rhythm, but talks (or does not) as usual, and sometimes uses a fan to act according to the rhythm or editorial content. The outstanding broadness grips the audience.

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Born in Buan in 1935, Kim Bong-gi lived in Han village with Jeong Gyeong-tae, Seokam, and learned the lyrics when he was young, and was later taught by Go Min-soon, an intangible cultural asset of Jeollabuk-do.

Kim Bong-gi is not only clear and quiet, but also has the feeling of continuing the sound flexibly like a bead rolling, even though it seems to be cut off by high-pitched processing.

Kim Bong-ki won a number of prizes, including the Jeonju National Women's Poetry Competition and the National Southern Women's Poetry Competition.