Miryang Baekjung Nori refers to a play in which the servants, who had been busy farming and had been working hard, chose Yongnal around July 15 of the lunar calendar to take a day off from the landlords.

This type of play is common in rural areas in the central and southern regions of the country, where rice farming was mainly done during the Homi washing season. In Miryang, it is also called Geombaegi Chamnol because it is called Munchaegi Chamnol because it is called Munchaecham, which refers to liquor and food prepared by landowners.

Baekjung Nori in Miryang is composed of Nongsinje, smallpox horse riding, dance boards, and back games. When the festival begins with Obangjingut while playing Nongak, the three generations of Nongshin University are set up in the yard and the dragons are tied together.

Standing in a circle around Nongshin University, one of them reads a congratulatory message while bowing down three times. Sock-dum-riding is a game in which an outstanding farmer is selected from among the servants and mounted on a horse made of woodpecker woodpecker to cheer them up with Nongak.

The dance starts with the yangban dance, and if you dance slowly to the rhythm, the servants drive out the yangban and perform the humorous Byeongsin dance such as dwarves, Jungpungjang, Paebulttugi, Kkoburi Halmi, Seolleun, Mundungi, Gopchu, Hijuldaegi, Volunteer, and Jeolreumbal.

Subsequently, the Beombu dance and Obuk dance were performed, in which the two alternately performed a trick in front of Janggojab. Obuk Dance is a unique dance that can only be seen in Miryang, where five drum jabs dance roundly or move inside and outside the circle, making it a powerful and stylish dance.

The back play is a dance in which all the players mingle together in the sense of harmony, and each of them is decorated with individual or impromptu dances, as the rhythm and rhythm change frequently.

The characteristic of Baekjung Nori in Miryang is that the resentment of the common people and the common people is humorously expressed in the whole play. Byeongsin dance and Obuk dance have been handed down only in Miryang, and Bae Gimnae son-in-law's dance moves are the main dance moves of the game, and it is unusual for him to move his right and right feet, his left and left feet move together.

In the Mangsang area, at the time of the New Year, the village has been forbidden to play any musical instruments until the ritual of Gocheong on the fifteenth day of the first lunar month and Seonanggut is played in Seonangdang.

Since the festival, which connects God and man with Gocheongje Nongak, was held, each village has freely sounded the sound of iron and walked around the village to pray for peace and well-being of the family. At this time, each family pays drinks, snacks, and provides rice or money, all of which are collected and used as a joint fund for the village.

Mangsang Nongak greeted Seonangdang on the morning of the fifteenth day of the first lunar month, and went to a well near Seonangdang to say, "Let's go through the well, let's go through the water hole," and said, "Let's go over the bridge to Duam Village," and all the people gathered in front of Seonangdang and came back to the big vacant lot.

1) Section Chief: Seonanggut

2) Section Chief: Jisinbapgi

3) Section Chief: Playing games

4) Fourth section chief: Obangnori

5) Section Chief: Twelve-legged nori and receiving dong-ori.

6) Section Chief: Ddoldolmali and Hwangdeokgut Nori

The Gyeonggi Gokal Sogo Dance, which is performed by wearing a cone hat and making fun of Sogo, was part of a cheerful Nongak, a folk dance embodying the sogo sticks inserted into Nongak in Gyeonggi Province.

However, rather than feeling that Nongak overlaps with its roughness or excitement, the movement is soft, and even the sogo in the hand is as beautiful as if it were part of the hand. It is a man's dance because his feet and hands are refined and quiet, but the joy of seeing a dance is great.

Unlike other regions, it is not only organized by the talented people, but also there is a movement only in this dance. They include "Saekgyeongbuk," which is a mirror-looking movement, "Jegibook," which is a leg movement, and "Kkuri Book," which is a movement that is like winding thread. There is a record of the dance with flowers on top of the vestibule, and the palace wore a colorful cone hat.

The genealogy of Gyeonggi Gokal Sogo Dance goes up to Kim In-ho, a dancer of Hwaseong Jaeincheong, and Hanseong Sunbo has a one-line record of "He is good at rope riding and even jesting in pansori, and he is especially good at bucking dance."

Lee Dong-an, the owner of the Bal Tal Tal Talent, was taught about 30 traditional dances and rhythms by Kim In-ho, which led to Jeong In-sam, the owner of the Gyeonggi Gokal Sogo Dance. Jeong In-sam's Sogo dance features clear dance moves and accurate composition.