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K-Traditional Music (3)

  • 2020.12.1
    Recommended music
    Jongmyo Jerye is a festive Ritual in which the king wishes the nation and the people to be peaceful with the help of heaven and earth, and Jongmyo Jeryeak refers to instrumental music, songs and dances performed to hold a solemn Ceremony for Jongmyo Jerye.

    Jongmyo Jerye and Jongmyo Jeryeak were designated as Important Intangible Cultural Properties No. 56 and No. 1, and were preserved and handed down as UNESCO Intangible Cultural Heritage of Humanity on May 18, 2001.
  • 2020.12.11
    Recommended music
    Jongmyo Jerye is a festive Ritual in which the king wishes the nation and the people to be peaceful with the help of heaven and earth, and Jongmyo Jeryeak refers to instrumental music, songs and dances performed to hold a solemn Ceremony for Jongmyo Jerye.

    Jongmyo Jerye and Jongmyo Jeryeak were designated as Important Intangible Cultural Properties No. 56 and No. 1, and were preserved and handed down as UNESCO Intangible Cultural Heritage of Humanity on May 18, 2001.
  • 2020.12.21
    Recommended music
    Jongmyo Jerye is a festive Ritual in which the king wishes the nation and the people to be peaceful with the help of heaven and earth, and Jongmyo Jeryeak refers to instrumental music, songs and dances performed to hold a solemn Ceremony for Jongmyo Jerye.

    Jongmyo Jerye and Jongmyo Jeryeak were designated as Important Intangible Cultural Properties No. 56 and No. 1, and were preserved and handed down as UNESCO Intangible Cultural Heritage of Humanity on May 18, 2001.

K-Cultural Heritage (81)

  • 2016.11.11
    designated date
    "Woljeongsa Top Doll" was handed down through Japanese colonial era and 6.25, and Monk Manhwa, who was appointed as the host in 1969, restored and systematized the traditional top Dori.

    Since then, the "Woljeongsa pagoda" has been in service every year since its demonstration at the Odaesan Buddhist Culture Festival in 2004 after going through a period of stagnation in the 1980s and 1990s. Since 2013, the tower has been held every month on the fifteenth and the first day of the month.


    In addition to Woljeongsa Temple, Tapdol is performed by Beopjusa Palsangjeon Tower Stone, Chungju Central Tower Stone, Tongdosa Pagoda, and Manboksa Pagoda, but it is the only one designated as an intangible cultural asset.

    Tapdoli is a Ritual that has a long history that was mentioned in the history of the Three Kingdoms.


    Source: Hyundai Buddhist Newspaper (http://www.hyunbulnews.com)
  • 1980.11.17
    designated date
    Yangju Sonori Gut is also known as Sogut, Sogeum Gut, Soeogut, Sonoreum Gut, and Mabutaryeong Gut to pray for family prosperity and good harvests during the Lunar New Year and Ipchun.

    Some say that the origin of Yangju Sowonolgut was derived from Gamaksa Temple, which is regarded as a mountain god in the Yangju area, from a good harvest, from a good harvest, from a good harvest, from a royal rite, and from the entertainment of the rite, but no exact origin was revealed.

    However, it is regarded as a game that originated from Somec Nori, which worships the cows, horses, and the sky, and was played not only in Yangju but also in Seoul, Gyeonggi, Gangwon, Chungcheong, Yellow Sea, and South Pyongan Province.

    The oxenolgut is not performed alone, but is played following the jeseokgeori because it is similar in the nature of farming Rituals for cattle and praying for their offspring and longevity.

    At the end of the Jeseok Street, fill a wooden head in front of the jango with beans and stick a dried pollack with a dried pollack to make the sogo stick a stake. Jo-mu, who plays the musician and jango, sits in the yard, and when the gutgeori rhythm rings, Ju-ja, who has white ginseng in her white cone, stands at the end of the floor with a stone fan in her right hand.

    The calf enters first and plays, then heads to the gate to guide the horsemen and cows. Wrap a rubber band with straw to make a head, and with the stone folded in half, five to six people enter and pretend to be cows. A calf plays with a straw mat on its back. The horse-riding one horseman wears a black vest and a navy abalone, a three-shin fan in his right hand and a reins in his left hand.

    The stage of Gut will be moved from the floor to the yard, and the main character will also be changed from shaman to horseman. Gut consists of a conversation between a shaman and a horseman, a horseman's taryeong and words of blessing, a horseman's dance and movement, and a cow's taryeong has a long but sophisticated commoner lyric.

    The sound of oxenolgut starts with (Who's looking for me) (Treasure No Jung-gi) (Taemultaryeong) (Mabu Colonel) (Mabu Colonel) (Cutting the head of a cow) (Cutting oxen) (Teaching oxen) (Taeryeong) (Gullet Tare of cows) (Gulle Tare of cows) (Taryeong))

    Yangjuso Nori Gut is the largest play among other rites, with the lyrics of the rite in a sophisticated commoner style.
  • 1980.11.17
    designated date
    Jeju Chilmeori Dangyeondeunggut is a rite held at Chilmeoridang, the main hall of Geonip-dong, Jeju.

    Geonip-dong is a small fishing village on Jeju Island, where residents held a Ritual to pray for the peace and prosperity of the village to the two couples, the city's guardian deities, Dowonsu Inspection and Local Government, and the Yowwanghae Shrine, by catching fish and shellfish or making a living by working as a haenyeo.

    Along with the couple's guardian deity, a Ritual was held to honor the deity of Yeongdeungpo, which was held on February 1 from the Oenunbaeki Island or Gangnam Cheonjaguk to enrich the fishermen and haenyeo and return to their home country on February 15.

    Danggut is held on February 1 and February 14 of the lunar calendar every year. On February 1 of the lunar calendar, when Yeongdeungpo god enters, Yeongdeungpo Hwanyeongje is held, and on February 14, the day before he leaves Yeongdeungpo god, Yeongdeungpo Songbyeolje is held.

    Residents believe that the god of Yeongdeungpo receives a bigger farewell than the welcoming Ceremony and leaves the next day after receiving a farewell Ceremony in Udo, Gujwa-eup. Therefore, during the welcoming Ceremony, only the owners of the ship or the religious people gather to perform a simple exorcism, and the farewell Ceremony is held all day long, with many fishermen, haenyeo and other religious people gathering.

    On Good Day, fishermen and haenyeo in Jeju City as well as residents of Geonip-dong will participate. And each family prepares food for ancestral rites and brings it to the sugar. Main Simbang performs the exorcism with singing and dancing to the rhythms of musical instruments such as gong, drum, and seolsoe.

    The order of the exorcism rite is to invite all the gods to pray for the good fortune of the families who participated in the rite, to call in the local magistrate of Dowonsu, the local magistrate of the hometown, and Mrs. Yowanghae to pray for the peace of the village, to welcome the dragon and the god of Yeongdeungpo, to the safety of the fishermen and the haenyeo, to the sea again, and to the seeding of the sea.

    Jeju Chilmeori Dangyeondeunggut is a rite containing Jeju Island's unique haenyeo beliefs and folk beliefs about Yeongdeungpo-shin, and has its unique and academic value in that it is the only haenyeo rite in Korea.

    ※ Rename: Jeju Chilmeoridanggut 제주 Jeju Chilmeoridang Yeondeunggut (Changing Date: 2006.6.19).

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