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  • 1980.12.30
    designated date
    Byeolsingut Nori is a ritual for the god of dance. It's not a family rite, but a village-wide special offer, and the Martial Arts organiser <span class='xml2' onmouseover='up2(141)'onmouseout='dn2('dn2(( 독) 독 독 아닌 독 아닌무무 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 아닌 < < < 아닌 아닌 아닌 아닌 아닌<<<< < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < < 제의 제의 제의 제의 제의 제의 제의 제의 제의 제의

    It has more Gutgeori than other subjects, and has a rich collection of long-length narratives, humor, and various folk literature in its content, so it is the aggregate of oral literature and a comprehensive art of differentiation.

    In addition, the Gut features a cosmic pavilion, a spirit pavilion, a pavilions, and myths, and is skilled in the singing and dancing, providing the villagers with peace and vitality.

    Usually, Byeolsingut is performed on a village basis every three to ten years, depending on the region, but it is usually held during the New Year's, March, April, September, and October.

    The process of performing the exorcism of byeolsingut was first carried out by a maid to the ancestral shrine by <span class='xml2' onmouseover='up2(140)'onmouseout='dn2()'dn2(')'dn2(')'강강강강강강강 청 청 청 청 청 청 청 청 청 청spspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspspsp However, even at this time, Ja-bi (the accompanist) sat facing the altar and performed the accompaniment.

    <span class='xml2' onmouseover='up2(1648)' onmouseout='dn2()'dn2()span로는로는로는spspan class='xml2' onmouse2' <span class='xml2' onmouseover='up2(1658)' onmouseout='dn2()'>무복(巫服)</span>은 쾌자와 장삼, 그리고 갓과 고깔 등이 있다. <span class='xml2' onmouseover='up2(4820)' onmouseout='dn2()'dn2()( ritual water제/span설 varies from village to village, and the method or type is so simple that there are one or two more pros in daily life without any specific regulations. <span class='xml2' onmouseover='up2(4837)' onmouseout='dn2()'dn2()제일spspan 결정전에spspan class='xml2'onmouse='onmouse='(484'48'). After shouting at the party while raising the possession, Jeju has self-defense through the bath system until <span class='xml2' onmouseover='up2(4837)'onmouseout='dn2())제일제일제일제일제일제일제일제일제일 고 고.

    The rite is performed in the order of Jeongjeonggut, Golmegi Cheongjwagut, Dangmaegi Cheongjwagut, Hwahwagut, Sejongut, Jojogut, Seongjugut, Janggungut, Cheonwanggut, Simcheonggut, Nonddonggut, Guksugut, Gyesugut, Gyemyeongut, Yongwanggut, Talgut and Gilgut.
  • 2000.4.20
    designated date
    Arrow shooting is a Traditional Martial art or game in which one uses a bow and arrow to hit the target. Archery has been used as one of the major Martial Arts since ancient times, and was handed down as elegant sports or play centered around the noble family.

    Pyeonsa Nori was a game of archery, with turpyeonsa, osteoporosis, Janganpyeonsa, Sarangpyeonsa, and Hanyangpyeonsa, which were divided into three grades, respectively. Among them, Jangan Pyeon Sanoori is played in one place inside the capital city and in the other with several bouncer areas on the outskirts.

    The place where archery is performed is also known as a place of activity, or a place of business, or a place of activity, and there is a pavilion in the place where there is a pavilion called "span class='xml2' onmouseover='up2 (2458)' onmouseout='dn2()'사Sajeong정/span>." During the early Joseon Dynasty, government offices managed the situation, but after the Japanese Invasion of Korea (1576-1608), King Seonjo (r. 1562) built a "span class='xml2' onmouseover='up2(3747)' onmouseout='dn2()Ounjeong정/span' to the general public. Since then, there have been many incidents in the provinces, which have become popular throughout the country, and at the end of the year, it was called "Seochon Osajeong" due to the five internal circumstances of the capital city.

    Jangan Pyeonsa Nori originated from archery, which was revived in 1994 as a 600th anniversary celebration of Hanyangcheon Stream and was designated as Seoul Intangible Cultural Heritage No. 7 (owner Kim Kyung-won, conservation organization Jangan Pyeonsa Preservation Association) in April 2000. Since October 28, 2017, there has been no holder.

    The archery of Jangan Pyeonsanol will be played by selecting a certain number of players, and the total number of arrows shot by each player in three order (five shots in one order) will be combined to form a competition.

    In addition, Jangan Pyeonsa Nori has Pungak and Gisaeng, which are played by two or three people standing side by side behind the bow-shooter to stimulate the excitement of the bowlers.

    bbb※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (202-2133-2616). </bb
  • 2018.6.1
    designated date
    The village ritual in Bucheon, Siheung, Ansan, Osan, Hwaseong, Suwon, Gwangju, and Anseong, which are located in the southern part of Gyeonggi-do, is called Gyeonggi-gut. This village ritual is performed by the hereditary succession of Martial Arts, which are called hwarangi or mountain, and women are called miji. The dance of Gyeonggi-do Danggut, which is centered on Hwarangipae or Sani-eul in southern Gyeonggi-do, means the dance that was performed at Gutpan in a broad sense, and in a narrow sense refers to the Gyeonggi-do Danggut Sinawi dance, which is an art of performance, leaving Gutpan. In addition, the accompaniment of the dance is called Gyeonggi-do Danggutsi Nawi Dance because it is so-called Gyeonggi-do Sinawi Dance, which is difficult for experts to understand, such as Seopchae, Banseolumumjangdan, Onigutgeori, Jinsojangdan, Olimchae, Sangjimachi, Garaejo, Valkudre, and BujeongNoridan. Gyeonggi-do Danggut Sinawi Dance, which is stylized on stage against the backdrop of shamanistic tradition in Gyeonggi-do, includes "Boojeong Nori Dance," "Turberim Dance," "Jinchigi Dance," "Sneakchae Dance," "Olimchae Dance," "Jeseok Dance," and "Dosalpuri Dance," and Maeheon Kim Sook-ja, who is at the center of the dance.

    Maeheon Kim Sook-ja (梅軒 19 19: 1926-1991) learned the dance music contained in shamanism from her father Kim Deok-soon, a native of Jaeincheong, Hwaseong, and the entire shamanism from her mother, Jung Gwi-seong. The characteristic element of Kim Sook-ja's Gyeonggi-do Danggut Sinawi Dance, a former hereditary dancer, is that she recreated it as a Traditional dance by developing the dance of ritual dance that Hwareang and Moohyeo used to perform at Gyeonggi-do Danggut, which has been handed down in Gyeonggi-do Province. Therefore, Kim Sook-ja's dances were originally performed at Dodang Gutpan in Gyeonggi Province, but they are representative shamanistic dances that were staged and entertainmentized in the process of re-creation and transmission.

    The Gyeonggi-do Danggut Sinawi Dance and Gyeonggi-do folk dance, which were passed down to Kim Sook-ja from Kim Deok-soon, father of Maeheon Kim Sook-ja ( 19 1926-1991), and his mother Jeong Gwi-seong, are now preserved through his disciple Lee Jung-hee, and are handed down to his disciple Hansumun.

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