The original version of "Pungmulnori" and "Taepyeongso Sinawi," was re-organized into Gugak(K-Traditional) orchestral music.

original https://youtube/w2yr09_QHUG



The ringing of Jing was organized into a chord composed of six-part harmony. As a composer who used to analyze and create sounds that were almost harmonized from the gong, I couldn't let it go. It's a simple task, but I've waited until I've mastered the technology to do it, and I'm happy to finally do it.




Composed by Nacco Song

Copyrightc 2019 All Rights Reserved by Nacco Song




* This work is made with a virtual instrument of Korean Traditional music developed by Seoul National University's Arts and Sciences Center. http://catsnu.com/Main/Main.aspx




This is Korean Traditional music. Taepyongso Sinawi (Taepyongso is a wind instrument with a tone similar to Trumpet that of Western instruments, and Sinawi is type of Sonata in Western music).




The original piece of this work is played by Taipyong-so and four percussion instruments (caled Phungmul-nori). I reconstructed it into orchestra consensus of Korean Traditional instrument.




The ring of a instrument called Jing, similar to the Gong of Western Instruments, was organised into a series of six vocalizations.




Its a simple task, but I've waited until I've mastered the Skills to do this, and I'm happy to be able to do it now.




* This work was conducted by the Korean Traditional virtual infrastructure developed by the Center for Arts & Technologies at Seoul National University. http://catsnu.com/Main/Main.aspx

Gayageum /Kim Young-eon, Geomungo/Lim Young-ran, Haegeum/Oh Jung-moo, Daegeum/Lee Min-ju, Piri/Kim Jong-kyun, Ajaeng/Cho Seung-hee, Janggu/Kang Jin

Sanjo is a piece of music that was performed exclusively by musical instruments such as Gayageum and Geomungo based on the Traditional Korean music.

The Sanjoju, presented by the Jeonju Municipal Gugak Band, offers a glimpse of the distinctive features, the harmony of the instruments, and the Skills of outstanding performers.

Born in Boseong, South Jeolla Province in 1954, Kim Ok-su came to Seoul at the young age of 13 and has been on the same path for 40 years after learning stone techniques from Jeong Sun-bung and Go Geum-dong.

He won prizes at the National Skills Competition, and specialized in Buddhist sculptures to repair stone structures at major Buddhist temples across the country.

"Kimchi-making" is a daily and repetitive culture in which the entire Korean people participate as a community beyond regional, social, and economic differences. Kimchi is an indispensable food for Koreans regardless of the region, and it has become one of Korea's representative foods in recognition of its excellence internationally.

It is an important component of Korean culture for a considerable period of time that contains the spirit of cooperation and sharing, and through this culture, individuals have become united in their relationships with the people, relatives, villages, neighbors, and new communities and have formed their identity.

"Kimjang," the core of kimchi-making, contains Traditional knowledge that nature and humans can live together, and the spirit of sharing, solidarity and harmony that emphasizes to maintain the good of society continues to modern society.

In the past, if intergenerational transmission was carried out mainly in women's communities such as mothers and daughters-in-law based on accumulated experience and knowledge, Hyundai is becoming an active entity where science is integrated and men participate in kimchi, and schools, private organizations, and local governments are also actively participating in various forms of kimchi culture.

In addition, the various fermented bacteria in kimchi show biological diversity and local diversity, giving a glimpse of cultural diversity derived from natural environment.

Making kimchi did not recognize certain holders or organizations in that it was a lifestyle and culture handed down throughout the country rather than requiring high-level special Skills.

The apportionment refers to a Traditional painting processing technique that enhances not only beauty but also practicality and preservation by attaching paper, silk, etc. to letters and paintings. It was introduced during the Japanese Colonial Period and is now called "Pyo-gu." Baechapjang refers to a person who was in charge of painting the royal court in the early Joseon Dynasty.

Known as the origin of the Han Dynasty of China, the Chinese Tang Dynasty developed further and reached its founding stage. I don't know how it was passed down to Korea, but judging from the folding screen paintings of Goguryeo tombs, it is estimated that the foundation of the Korean layout was formed during the Three Kingdoms Period. Baechop was developed steadily after the Unified Silla and Goryeo Period. During the Joseon Dynasty, an expert named Baechapjang appeared.

There are five types of arrangement: frame, folding screen, scroll, scrolling, and ancient painting processing. The frame goes through the process of working on the silk foundation - the cultivation of the painting plant - the preparation of the frame and the preparation of the frame. One width of a folding screen is the same as a frame.

The work process of the scroll consists of foundation - vinegar - double - drying - triple - drying - and half - month attachment. A binding refers to the treatment of ancient books that have been damaged by a cover or slip. Ancient painting processing requires high insight and detailed Skills as it is a work to revive damaged ancient paintings.

Baechapjang was designated as an intangible cultural asset at the cultural level as a Traditional craftsmanship, and Hong Jong-jin, a functional holder living in Cheongju, North Chungcheong Province, continues to live there.