Turtle play in Cheonan, Chungcheongnam-do, is a folk game in which people visit houses on Hangawi to pray for the well-being of their families. It was passed down mainly on the plains, where rice farming was the main focus.

In fact, if you look at the areas where turtle play is handed down, Yeoju, Gwangju, Yongin, Suwon, Pyeongtaek, Chungcheong Province, Asan, Eumseong, Chungju, Cheongju, Haenam in Jeolla Province, and Changnyeong in Gyeongsang Province, centering on Icheon, Gyeonggi Province, south of the Han River.

Among them, Cheonan was one of the most popular areas of turtle play, which was conducted on a natural village basis.

☆Pangut: Music and play such as tightrope walking of puppet show by geollippae of Yeonhuipae in the wide yard of villages.

Beokku dance: Beokku is a word indicates not normal and slightly lacking. The instrument called "Beokku" is called by that name because it is neither big nor small. Beokku dance is a stage version of Pungmul Nori, which was played in the coastal area of South Jeolla Province.

Yeonhui Playground 'The Nolja' (Beokku Dance; Jung Ji-hye, Taepyeongso;Jeong Jin-guk):
- It is an organization composed of members of the Siheung Traditional Music Association, which strives to publicize the charm of traditional performances with the splendor of Pungmul and cheerful dance.

Seoljanggu was originally referred to as the head of Janggu Jab in Panggut of Pungmulgut, which in turn referred to Seoljanggu's play.

As it is played during the individual play in the latter part of Pangut, the composition of the melody varies depending on the region or person.

The Seoljanggu has continued to be newly choreographed by dancers, one of which is the Seoljanggu Dance.

The National Gugak Center's "Seoljanggu Dance" is a piece of military dance organized by Park Eun-ha of the National Gugak Center's Yeonhui Department.

It is designed to contrast solo and group dance to the Hwimori-Obangjin-Gutgeori Samchae (Jajinmori)-Hwimori rhythm, which reveals the tension and relaxation of the rhythm.

Sandae nori refers to the mask dance of the central region. Songpa Sandae Nori is a popular play that combines dance, mime, words of virtue and humor as a branch of Sandae-do Gamgeuk enjoyed in Seoul and Gyeonggi Province. This play was performed every year on the fifteenth day of the first lunar month and on Dano, Baekjung, and Chuseok.

Songpa Village was the commercial base of Gyeonggi Province, and it was said that about 200 years ago, when Songpa Market was the most prosperous, Sandae Nori became popular and was completed in the form of a play that still conveys to this day. Songpa Sandae Nori consists of seven chapters, and prior to the play, it is equipped with masks and costumes, played on the road to the venue of the performance while playing music, arranged masks and performed ancestral rites.

The composition of the play, exaggeration, dance, and mask are almost similar to Yangju Byeolsandae Nori, but several masks, dances, and roles are characterized by their old forms. In other words, in Yangju Byeolsandae Nori, the cremation dance moves that have already disappeared, and the masks of the mother of childbirth, Shin Hal-mi, and the shaman remain, so there are separate roles for these masks. Thirty-three masks made of a bowl, pine bark, and paper are used, and the play style, like other mask dances, is mainly dance, accompanied by jokes and movements.

Byeolsingut refers to a rite to pray to Seonghwang (Seonang), the guardian of the village, every three, five, or ten years for a good harvest of peace and farming in the village.

About 500 years ago, Hahoe Village in Andong, North Gyeongsang Province, performed a byeolsingut to Emperor Mujinsaeng on the fifteenth day of the New Year (December 15) every 10 years, and played mask games to entertain him along with the exorcism.

Hahoebyeolsingut Talnori consists of eight madangs of Mudong Madang, Jujumadang, Baekjeong Madang, Halmi Madang, Pagye Seung Madang, Yangban, Seonbi Madang, Honrye Madang, and Sinbang Madang.

Before the game begins, the day after the beginning of the first lunar month, if you go up to the cathedral, grab the descending pole with the sugar droplets, and lower the Holy Spirit, you move the sugar droplets to the Seonghwangdae and come down from the mountain. If Seonghwangdae and Naerimdae are built against the eaves of a verb, the play begins.

The characters include Ju Ji-seung, Gaksi, Jung, Yangban, Seonbi, Cho Rang-i, Imae, Bunae, Baekjeong, and Halmi. The book is based on ridicule of Pagye-seung and biting satire and interpretation of the nobleman.

Hahoe Byeolsingut Talnori has a ritualistic nature. In particular, Gaksital is believed to be a substitute for Seonghwangsin, and only Byeolsingut is to be seen. When taking it out, the ritual must be performed.

The masks used for the game were made of 11 kinds of 10 types of duckwood, including jija mask, and the original was designated as Hahoe mask and Byeongsan mask (National Treasure No. 121) in 1964 by applying lacquer and pigments in two or three layers.

The accompaniment of mask play is performed by a pungmul player with a gong-gwaengi at the center, and dance moves with a little bit of dance moves mixed with improvisation and routine movements.

Hahoe Byeolsingut Talnori is characterized by the lack of a back-to-back party enjoyed by burning masks, and is valuable as a valuable source of information on the origin and origin of mask dramas in Korea.

Ogwangdae refers to mask dance in the southern part of the country, and it is widely believed that the name Ogwangdae comes from Ohaengseol. This game is played on the night of the fifteenth of lunar January, during which the ritual of Cheollongje was held on the first day of the first lunar month, and then the jisinbapgi was performed.

The origin of Gasan Ogwangdae was that a box adrift on the beach of Gasan 100 years ago, and when residents opened it, it contained documents containing the lines of mask and play, and the mask was stored in the ark and used only for play.

Gasan Ogwangdae Nori consists of six madangs of Obangsinjangmu, Yeongno Dance, Mundung Dance, Yangban Dance, Halmi Dance, and Yeonggam Dance, reflecting the life of the people, satire about yangban and pagyeseung, and the problems of wife and concubine.

The characters include a total of 30 characters, including General Obang, Yeongno, Yangban, small yangban, Maltuki, Mundoong, Oldjang, Sangjwa, Seoul Baby, Somu, Halmi, Madangso, Yeonggam, Ongsaengwon, and Mudang.

Gasan Ogwangdae is the only Ogwangdae in the country where the dance of Obangsinjangmu remains, and the only Ogwangdae where inspiration dies, not Halmi.

In addition, one or two other Ogwangdae characters, but in Gasan Ogwangdae, five people come out to dance and play Jangtaryeong and Tujeon.