Taemin is a Korean singer.

He is a member of SM Entertainment's boy groups SHINee and SuperM, and is the youngest, sub-vocal and main dancer in SHINee.

The title track of the solo album, "Idea," is a dance pop song where you can meet Taemin's charming vocals and performances.

He declared himself a witch without being swayed by others' gaze or judgment, expressing his frank desire and positive and confident attitude as a splendid and brilliant festival.

With retro synthesizer riffs, danceable drum beats and disco bass lines that captivate the ears with disco genre songs, the 1980s-style music was recalled in GFRIEND's own style in 2020.

Sing me who blooms anew and proudly becomes the master of life.

Special collaboration content between EXO and the movie [Star Wars: Awakening Force] (Import/distribution: Walt Disney Company Korea)

The song combines strong beats with EXO's energetic vocals to give a dynamic feeling of watching a movie.

It's a song that was included in member Kai's debut teaser video that was rearranged to fit the concept of the movie.

♡ It is a scene where a housewife avoided a tiger she met on land and finally met a rabbit.

The member of the National Changgeuk Company, Yu Taepyungyang, will sing along with his teacher, Jo Tong-dal.

Jongmyo Jerye is a festive ritual in which the king wishes the nation and the people to be peaceful with the help of heaven and earth, and Jongmyo Jeryeak refers to instrumental music, songs and dances performed to hold a solemn ceremony for Jongmyo Jerye.

Jongmyo Jerye and Jongmyo Jeryeak were designated as Important Intangible Cultural Properties No. 56 and No. 1, and were preserved and handed down as UNESCO Intangible Cultural Heritage of Humanity on May 18, 2001.

Lee Mong-ryong appeared as a fisherman at the birthday party of Byun, saving Chunhyang from the brink of death.

It is one of the key points of Chunhyangga because Chunhyang, who is in crisis, is saved through Eosa Publishing.

Sandae nori refers to the mask dance of the central region. songpa Sandae Nori is a popular play that combines dance, mime, words of virtue and humor as a branch of Sandae-do Gamgeuk enjoyed in Seoul and Gyeonggi Province. This play was performed every year on the fifteenth day of the first lunar month and on Dano, Baekjung, and Chuseok.

songpa Village was the commercial base of Gyeonggi Province, and it was said that about 200 years ago, when songpa Market was the most prosperous, Sandae Nori became popular and was completed in the form of a play that still conveys to this day. songpa Sandae Nori consists of seven chapters, and prior to the play, it is equipped with masks and costumes, played on the road to the venue of the performance while playing music, arranged masks and performed ancestral rites.

The composition of the play, exaggeration, dance, and mask are almost similar to Yangju Byeolsandae Nori, but several masks, dances, and roles are characterized by their old forms. In other words, in Yangju Byeolsandae Nori, the cremation dance moves that have already disappeared, and the masks of the mother of childbirth, Shin Hal-mi, and the shaman remain, so there are separate roles for these masks. Thirty-three masks made of a bowl, pine bark, and paper are used, and the play style, like other mask dances, is mainly dance, accompanied by jokes and movements.

Jindo Sushi Kimgut is a ritual in Jindo area that wishes the spirit of the dead to go to a pleasant and comfortable world after solving the lingering resentment in this world. It is called washinggimgut because it cleanses the resentment.

Because of its strong Buddhist nature, it seems to have been made during the Goryeo Dynasty, and the contents of the rite vary depending on time and place.

Gwakmeori Washing Gimgut, which is performed next to the corpse when the portrait is made, and 'Sosang Washing Gimgut'On the night of death on the night of the second year's death'Daesang Washinggut'When the sick or bad things happen frequently in the house, and when the tomb is temporarily built (at the beginning of the burial), the grave, the funeral.

The order of washing gimgut is to announce the celebration to the ancestors and the Cao Wangban on the day of King Cho's descent or the city's assembly, 'Honmaji'Honmangseok'that brings out the souls of the dead, 'Churimaji', which delights the souls of the souls of the dead, and the friends of the dead who serve the dead. *'Wangpul', 'Soulp', 'Samegappul'Samepole'Samepole'Samepole'Semplating the dead for not getting the medicine, 'Snowing', to see if the dead man's grudge has been relieved when his family or relatives hold hands, the dead man's soul comes down and says grudges.

The music of Jindo Sushi Kimgut will be composed of a flute, daegeum, haegeum, jango, and gong, centering on Yukjabaegimok (Sinawimok). The shaman is dressed in simple clothes, such as white clothes and scarlet bands, and performs the Jijeon dance, which is similar to the Buddhist monk's robe, and solves the resentment of the dead. The song is in the form of a single syllable and a long verse that carries the sound and receives the sound from the back, and is very exciting and beautiful with the sound of the melody and various refined woodwork.

Jindo Sushi Kimgut is a Buddhist ritual that wishes for the safety of not only the dead but also the living, and has excellent artistic elements and great material value in dance and music.

Jongmyo Jeryeak refers to music played using dance, songs, and musical instruments when performing ancestral rites (Jongmyo Jerye) at a shrine (Jongmyo) that honors kings and queens of the Joseon Dynasty.

In each procedure of the Jongmyo rite, a song called Jongmyo movement is sung to praise the virtues of ancestors, focusing on the music of Bo Tae-pyeong and Jeong Dae-up. While the Jongmyo Jeryeak is played, it is accompanied by a literary figure, Bo Taepyeongjimu (honor of the kings' virtues) and a martial artist, Jeong Dae-upjimu (praise of the kings' exploits).

Jongmyo Jeryeak was originally created for use in the royal banquet in 1447 (the 29th year of King Sejong's reign), and has been handed down to this day after being repaired in accordance with the 10th year of King Sejong's reign (1464). Eleven songs by Bo Tae-pyeong and 11 by Jung Dae-up are played at the Jongmyo Daeje, which is held on the first Sunday of May every year.

Jongmyo Jeryeak is the essence of court music, which combines instrumental performances, songs and dances of the Joseon Dynasty, and has a unique style and beauty that can not be seen in other countries while well showing our cultural traditions and characteristics.

The National Intangible Cultural Property No. 1 Jongmyo Jeryeak is currently listed as a representative UNESCO Intangible Cultural Heritage of Humanity.

The Royal Ancestral Ritual in the Jongmyo Shrine and Its Music is also known as 'Jongmyomusic' as the general name for instrumental music, song and dance performed at the memorial service for the kings and queens of the Joseon Dynasty.

It is also called Jongmyo Daeje because it was a large and important ritual held in Jongmyo during the Joseon Dynasty

Liberation Day was established under the National Day Act enacted on October 1, 1949 as a day to commemorate Korea's liberation from Japan in 1945 and to celebrate the establishment of the Republic of Korea government in 1948.

Every year on August 15th, the celebration is held and the Liberation Day is celebrated.