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K-Pop & Trot (171)

  • 2018.11.12
    release date
    Jennie's first wing move to the sky as a solo artist.

    "SOLO" is a hip-hop song with proper pop elements, featuring sophisticated production and songwriting of "TEDDY" and "24."

    The straightforward and straightforward lyrics added above the beautiful code and concise melody line of the intro naturally concentrate the listener, and the strong Bass and addictive lead sound of the DROP Part, which reverses the rising energy as it develops, further accentuates the two aspects of Jenny's exterior and inner co-existing weak girl and independent strong woman.
  • 2014.11.18
    release date
    It's a song that Park Jinyoung wrote to show off his powerful performance.

    On top of the strong hip-hop beat, the members' voices were transformed into Vocoder, completing GOT7's groovy hip-hop dance beat.
  • 2014.11.18
    release date
    A hip-hop song characterized by sampling the "Umna" part of the Wonder Girls' mega hit "Tell me".

    It is a song written and composed by Park Jin-young and features JYP-style swag.

K-Traditional Music (1)

K-Cultural Heritage (3)

  • 1994.1.31
    designated date
    Daljip(the Moon house) Burning is one of the seasonal customs in which people set fire to piles of pine branches when the moon rises on the fifteenth day of the first lunar month. The history of the festival seems to be very old, considering that it is a kind of ritual that is widely practiced in the mountains of the southern part of the country and is widely distributed in China and Japan.

    Songcheon Daljip Taeugi is handed down to Songsan Village in Songcheon-ri, Woldeung-myeon, Suncheon-si, and is distinguished from other regions in many ways.

    When the nongak is heard, villagers carry a forklift and go to cut bamboo and pine branches, some of which break down moon houses in neighboring villages and steal bamboo trees. In the wide front yard of the village, a log is placed in a cone shape and wrapped around a vine. The sound of a large knot bursting is said to drive away the evil of the village, so a large number of large vials are put in and burned. A bundle of straw collected from each house is piled up in the moon house, and a pine branch is raised to make it catch fire. On top of the moon house, there is also a kite attached to it, which had been floating since the beginning of the year. I waited for the moon to rise. They light a fire, and when the flame rises red, they strike nongak, dance until the fire is burned out and goes out, and shout cheers.

    Believing that there will be a good harvest if the fire rises higher than the neighboring village, the Daljip-taewoo is said to put out the moon as the smoke rises to the sky. Some predict a good harvest when the moon house is burnt down, but it is said that a good harvest will occur only when it falls at the end of the night.

    The Great Full Moon is a symbol of abundance, and the fire is a symbol of purification that sweeps away all injustice and evil, and the Moon House Burning has a close relationship with the Moon. The moon house burning contains the hope of a generous New Year and a bright New Year with no diseases or worries.

    ※ Date of name change: June 20, 2006 (Turn on the Ride of the Ride Burn the Ride of the Songcheon) ☆
  • 2005.7.28
    designated date
    Kim Sam-sik was born on September 9, 1946 at 131 Naseori, Nongam-myeon, Mungyeong-si, Gyeongsangbuk-do. At the age of 9, he lost his father and went to a dak factory run by his cousin Yoo Young-woon (male, 80 years old, Galdong-ri, Nongam-myeon) to work on making hanji, and has been a close relationship with Hanji for 48 years now.

    Thirty years ago, there were about 20 hanji factories in Mungyeong, but now there is only one run by Kim Sam-sik.Traditional hanji is too difficult to produce, with all the work done manually, and there are many difficulties in producing traditional hanji due to the distribution of general paper due to the development of the modern paper industry, and the reduction of the acceptance of traditional hanji due to the distribution of modified hanji using cheap imported materials.

    Despite these social conditions, the company only insists on producing traditional hanji (soji), Imulji, Samhapji, Dujangmui, and Seokjangmui (Jangpanji) using traditional buckwheat straw ashes.

    In addition, with the belief that "our species should be the dacha tree grown on our soil," he also creates quality traditional hanji from the nature of our country, the dachapult, clear water and abundant solar energy, and supplies it to customers who know his true craftsmanship.

    In particular, he prepared a new workshop at his home in 1999, which means "planting the truth, planting conscience, and planting tradition will be a branch of traditional Korean paper." He also developed a drying rack that uses boilers to reduce fuel costs, setting aside all his work and lecturing on traditional Korean paper without missing an explanation of traditional Korean paper, showing any enthusiasm for the promotion of traditional Korean paper.

    Currently, he is making hanji with his wife Park Geum-ja and son Chun-ho, and his only successor, Chun-ho, is concentrating on the technology transfer of traditional hanji, helping his father make hanji.

    With traditional Korean paper rapidly disappearing, it is a traditional Korean paper representing the western region in addition to Cheongsongji in the eastern region.
  • 2017.11.2
    designated date
    Byeorujang refers to a craftsman who has the skill or function of making a inkstone.

    Yoo Gil-hoon (born 1949, 68 years old) began his career in March 1967 under the late Kim In-soo, the master of the Sangsan Dam in Jincheon, North Chungcheong Province. He worked at the foot of Mt. Duta in Cheongju, where the material of the inkstone was made, and came down to Gyeongju in 1993 to find a better one. In 2001, he found the best one in the Bangudae area of Eonyang-eup and settled in the current workshop and has been making the inkstone for 15 years.

    Eonyang inkstone is two types of yellowish and dark red, and is widely used as a type of inkstone, spspan class='xml2' onmouseover='up2(3733)'onmouseout='dn2()'dn2())spspspan>pan>g>g 강g 강gayobos(s 흑 흑 흑((((((((((((()))))(((())((()))))))))))))))))))))))) This compares with China's spspan class='xml2' onmouseover='up2(1057)' onmouseout='dn2()'dn2()단계단계단계단계단계단계단계단계단계단계단계단계, which is slightly lighter than the red phase and stronger than the green phase. It is said that the particles of the stone are not murky, the ground ink is not permeated by the stone, and the writing is glossy. It is often said that a stele can be eaten with breath, but this can be done with Eonyang inkstone.

    The tools for making inkstone include hammer, chisel, gumegae, furry, saw, push, carving, abrasive stone, sandpaper, lacquer, etc. The inkstone work is carried out in the stage of collecting stones →Wonseok Foundation→Sangsaing→Painting밑Painting조각Painting→Painting→Painting조각Gwangtaeking. Yoo Gil-hoon has a number of traditional tools that have been used since the late Kim In-soo's apprenticeship, and is still using traditional tools in the entire process from roughing to finishing after collecting the stone.

    Yu Gil-hoon's inkstone inherited the tradition of the Sangsan Bamboo in Jincheon, and Yeonsu ( 부분: the grinding part of the food) was dug a little deep so that if it stopped, the ink would be concentrated in the middle, and if possible, the lotus paper (where water was stored) would not contain any carving or patterns. This is because if you put a pattern here, there will be food scraps between the pieces and the patterns. Also, the surface of the surface is not angled as much as possible and is shaped like a circle or curve, which is also to prevent any ink residue from getting stuck in the corners. In addition, the pancake of the inkstone was cut in half into bamboo so that the ink could flow inside without overflowing.

    The representative patterns of Yoo Gil-hoon's inkstone are various, including the dragon, phoenix, hawk, egg, soup, porridge, Ten Jangsaeng, grape, painting, Ilwolyeon, and Sansuyeon, which are related to Ulsan or Bangudae. The size of the inkstone is usually about 40 to 60 centimeters, and it is characterized by a large realistic and three-dimensional pattern. Also, the shape of Danyang Bamboo in Danyang-gun, North Chungcheong Province, which uses "span class='xml2' onmouseover='up2 (4394)' onmouseout='dn2()((sp magnets using magnets such as </span>, has a three-dimensional lid, compared to the fact that it emphasizes decorative beauty.

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Special (0)

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