It is a song about Han Young-ae's "No One" (written by Yoon Myung-woon), a popular song of the 80s, adding Korean and retro lyrics that are inverted to the melody on top of the exotic sound of Indian style.

Lee Ha-yi's new charm can be seen by expressing her desolate heart in a provocative and frank and confident manner.

Citing Hwang Jin-yi's sijo, "A Long Night in the Dongjidal," the heart-rending story of waiting for a new love calmly unraveled, and iKON's B.I. participated in the featuring with rap making to add a sense of rhythm to the song.

Also, the songs in the album, which are in collaboration with a colorful featuring group, will give listeners the fun of listening.

sijo is a vocal genre that sings sijo poem with janggu accompaniment.

ᄋ Nam Chang/Moon Hyun, Flute/Na Young Sun, Daegeum/Kim Sang Joon, Haegeum/Ko Soo Young, Jang Gu/Hong Suk Bok

☆Noraet Garak is a representative popular folk song of Gyeonggi Province, drived from shaman songs around Seoul.

Because of this, it was also called "Mu-nyeo Yuga" (a song enjoyed by female shamans).

The song was originally sung after the shaman's exorcism in Gyeonggi Province and Gongsu's (talking to God) and King Gojong's court ladies sang sijo peom on top of the royal exorcism ceremony to present it to the king, which became widespread among the people.

Noraet Garak is a unique song that combines the characteristics of shaman songs, sijo and folk songs.

Unlike other sijo forms, Gaksijo has flexibility in its length depending on the length of the lyrics, and in particular, five or eight beats are repeated several times in the middle chapter. The first chapter(chojang) is similar to ordinary sijo, but in the middle chapter is chirped with a high note.☆

The Korean traditional music is composed of sijo poems (Korean traditional poetry) and sung to orchestral accompaniment. It is also known as 'Sakdaeyeop' or 'Song'.

The original version of the song is Mandaeyeop, Jung Daeyeop, and Sakdaeyeop, but the slow song, Mandaeyeop, disappeared before the reign of King Yeongjo (r. 1724-1776), and Jungdaeyeop (r. 1724-1776), and Jungdaeyeop (r. 1724-1676), which was not sung at the end of the Joseon Dynasty.

The current song is derived from the "Sakdaeyeop," a fast song that appeared since the late Joseon Dynasty, and various rhythmical related songs have formed a five-piece collection of songs.

Currently, 41 songs are handed down, including the Ujo and the Gyemyeonjo, 26 male and 15 female songs, but the female versions of the male and female songs are slightly modified so that women can sing the male and female songs, which are almost identical to the male chant. However, there is a difference between the melody that shows the delicacy of the female singer and the low-pitched voice.

According to the format, a poem is divided into five chapters, and the prelude, a rental note, and a second, three, three, four, and five chapters are repeated. The highly organized and well-organized performance consists of geomungo, gayageum, haegeum, daegeum, danso, and janggu.

Songs have been in existence for many years without change, and are of high artistic value that have been handed down by experts compared to other music being popular.

■ Origin of the King's reign

Jeongjeonggok, a song written by Jeong-seo, who was raised to Busan Dongnae during the reign of King Uijong of Goryeo, was settled as a song during the Joseon Dynasty, and sijo was derived from this song.

Songs and sijo use sijoshi as a yellow word. The sijo is designed to simplify the melody and rhythm of the song so that anyone can sing it easily, so just the daegeum and janggu accompaniment is enough to play it. Furthermore, it is simple and simple, and it is a song enjoyed by scholars and nobles, not professional singers.

The sijo word is a song that reduces and simplifies the song so that you can express your composure and style to the fullest.

To indicate this, a fully qualified sijo is the Anglo-sijo.

The song refers to a musical style in which sijo poem, one of the literary genres of the Joseon Dynasty, is added to the melody of five chapters.

It is called Jeongga along with the lyric and sijo, and is also considered one of Korea's top three vocal music songs along with Beompae and Pansori.

In the late Joseon Dynasty, it was a representative piece of music for the folk and folk, and it was also their living music.

Playing to the accompaniment of the gale, the tune is divided into clear, vigorous U-jo and sad-feeling surfactants, and divided into male and female chants.

The Baekje Cultural Festival originated in 1955 when Buyeo-gun residents established an altar in Buyeo Mountain Fortress and offered a memorial service to the Three loyalist of Baekje.

It has been held simultaneously in Daejeon, Gongju, and Buyeo since the 20th anniversary of 1974, and has been held in Gongju for one year after the decision of the Baekje Cultural Festival Improvement Committee in 1979.

This local festival is organized by Buyeo-gun or Gongju-si and organized by the Baekje Cultural Promotion Committee to have the characteristics of traditional cultural festivals.​

More than 60 events will be held as major events, including the National sijo Gyeongchang Contest, the Palace Contest, the Fireworks Festival, traditional folk performances, Baekje history and culture experiences, and academic seminars.

In particular, King Munju's Ungjinseong's Cheondo Ceremony and the disguise parade of Baekje Culture, where more than 5,000 people participate, is a central event that reproduces and inherits Baekje culture.​