BTS sang 'Let Me Introduce' by Kim Sung-jae (April 18, 1972, to November 20, 1995), who was very popular in 1995, at the MBC Music Festival in 2016.

☆The story of an elderly couple in their 60s is a song from Kim Mok-kyung's first album released in 1990, which was remade by Kim Kwang-seok in 1995 and gained huge popularity.

BTS has remade 'Come Back Home' to mark the 25th anniversary of Seo's debut.

The remake, 'Come Back Home', was released in 1995 by Seo Taiji and Boys, and was officially remade for the first time in 22 years. Created in July 2017 by BTS, 'Come Back Home' was perfectly reborn as a new song with BTS's signature sound, the heavy bass line, intense beats and impressive chorus intact.

The trendy and sensuous electro-trap beat and rap-making involving BTS members Rap Monster and j-hope show respect for the original author and even BTS's musical confidence. In particular, the original song, which contained the social message of runaway youth, adds the message of sweat, effort, and passion of the younger generation who strive for their dreams, and presents a new song interpretation that goes beyond a simple remake.

BTS's 'Come Back Home' is the first song from Seo's 25th anniversary remake project 'Time: Traveler' (TIME: TRAVELER). 'Time: Traveler' is a project in which his juniors remake Seo's masterpieces under the theme of Gift from the Future. BTS, who grew up as a representative team of K-pop around the world, was selected as the first remake player.

Kim Juk-pa (1911-1989), who was taught by his grandfather Kim Chang-chang (1856-1919), was passed down by his grandfather Han Seong-gi (1899-1950), his apprentice to Kim Chang-jo, forms the framework of the Kim Juk-pa-ryu Gayageum production.

Kim Ok-kyung (Kim Eun-hee, a student of Jeong Jeong-yeol) compares the characteristics of Kim Juk-pa's gayageum Sanjo, one of the most active sands currently played, with Kim So-hee (1917-1995), a half-brother of Kim Juk-pa, and once a girl's master singer, to the taste of gomguk, and the meaning of Sung Geum-yeon sancho was seasoned with the mountain.

This deep taste of Kim Juk-pa comes from his five-graft method of schizophrenia, a combination of grandiose low notes, various group changes, and colorful vocal sounds.

Meanwhile, the melody of the song is refined, woven, and composed by Kim Juk-pa, a woman for a long time, and also elaborates on Nonghyeon.

Iksan Gisebae Nori is one of the most popular folk games in North Jeolla Province. Gisebae is a folk game of the fifteenth day of the first lunar month, which has been handed down since the old Mahan and Baekje periods.

The purpose of this play is to gather together 12 villages in Geumma to pray for a good harvest to the god of farming and to create a sense of cooperation and solidarity among the villages.

The composition of the play consists of a ritual ceremony, a funeral guide, a ritual for Dangsan, a ritual for Gi Se-bae, a ritual for Gi-nori, and a group dance. Since 1995, the Iksan Gi Sebae Preservation Society has been working on the succession and development of this game.

Jindo Sopo Girlgun Nongak is a cultural heritage that is still alive in the community life of Sopo Village. It maintains the original form of a village ritual on the south coast with its history, characteristics of a thief, and genealogy of Sangsoe, and is valuable as a folk art that shows its artistic and systematic composition.

Jindo Sopo Girl County Nongak Preservation Society is a community organization that has been handed down from Sopo-ri, and its performance records have been confirmed since 1922. It was established as a Sopo Girl County Nongak Band in 1964 and has been taught through various activities such as the Namdo Cultural Festival and the Yeongdeungpo Festival.

Sangsoe's genealogy leads to "Park Hak-sam, Jeong Deok-gwan, Ko Yoo-kwon, Im Hwa-chun, Im Wol-pan, Kim Hong-guk, Kim Oh-hyun and Cho Yeol-hwan," while Cho Yeol-hwan started with Sogo, and has been in charge of Sangsoe since 1995.

Seolbuk is leading to Kim Nae-sik, who was taught since he was 17 years old by Park Tae-ju, a master of Sulbuk in Jindo. For more than 50 years, it has been active as a Seolbuk of Sopo Girl's Nongak and has maintained the original form of drum dance until today.

The Lunar New Year's holiday season has led to "Kim Heung-sik, Ju Dong-ki, Park Yong-ho, Park Bong-sun, Kim Hong-bae and Hongbok-dong." Nonggi does not raise an instrument at Gutpan, wears a sangmo on the head and holds a tricolor band in both hands.

Hong Bok-dong is continuing today with the ability to produce traditional style "shaking sangmo" and a series of teasing entertainment programs.

Kim Hye Mi Ja

Winning the 24th National Craft Competition in 1994

Grand Prize in the 1st National Hanji Craft Competition 1995

2015 Korea Color Craft Master (Korea Paper Culture Foundation)

On November 13, 1996, the Government-General of Korea building was completely demolished.

The Japanese Government-General's Office was completed in 1926 and was used as the U.S. Military Government Office and the Central Office after the liberation of Korea.

It was used as the National Museum of Korea in the 1980s, but was demolished in commemoration of the 50th anniversary of the liberation of Korea in 1995.

It is a representative native dog of Korea that our ancestors have been raising since long ago in Jindo-gun, Jeollanam-do.

Jindo dogs are 50 to 55cm tall for males and 45 to 50cm for females, and their heads and faces are octagonal in front of them, and their overall impression is mild.

The ears are slightly tilted forward and stand upright, and the eyes are triangular and dark yellow or gray.

The nose is almost black and has a light red color.

Jindo dogs have a bold personality and are very sensitive to smell and hearing, making them suitable for hunting.

It is also faithful and smart, and has a good nature of returning to where it lived even after going far away from where it lived, making it suitable for pets and keeping a house.

It was designated and protected as Natural Monument No. 53 on December 3, 1962.

In 1995, Jindo dogs were recognized as international protected breeding animals.

The construction of Seokguram Grotto was begun in 751 under the leadership of Prime Minister Kim Dae-seong during the reign of King Gyeongdeok of the Silla Dynasty, and was completed in 774 (the 10th year of King Hyegong’s reign), whereupon it was given its original name of Seokbulsa Temple.
Buddhist art reached its peak during King Gyeongdeok’s reign, which spanned the middle period of the Silla Period, Besides Seokguram Grotto, many other cultural treasures were built during this period, including Bulguksa Temple, Dabotap Pagoda, the Three-story Stone Pagoda of Bulguksa Temple, and the Bell of Hwangnyongsa Temple.
The artificial stone grotto was built halfway down Tohamsan Mountain with pieces of white granite. The principal statue of Sakyamuni Buddha was placed at the center of the grotto, and forty statues of various bodhisattvas, Buddha’s disciples, and guardian kings were carved on the surrounding walls, though only thirty-eight of them remain. The rectangular front chamber of the grotto is connected to the round main chamber by a corridor. The exquisite ceiling of the main chamber was made with more than 360 flat stones. The architectural technique used to build this grotto is unprecedented in its excellence. There are statues of four guardian deities on both the left and right sides of the front chamber, which functions as the entrance to the main chamber. Carved on both sides of the entrance to the corridor is a statue of the Vajra Guardians, while the narrow corridor is decorated with the Four Guardian Kings carved in pairs. There is an octagonal stone column on both sides of the entrance to the round main chamber. The Principal Buddha is placed slightly off center toward the back of the main chamber. From the entrance, the walls of the chamber are filled with the images of two devas, two bodhisattvas, and ten arhats. Standing behind the Principal Buddha is a statue of the Eleven-faced Avalokitesvara Bodhisattva, perhaps the most exquisitely carved statue found inside this grotto.
Every single sculpture contained in the grotto may be considered a masterpiece of East Asian Buddhist art. The list of masterpieces includes the principal image of Buddha, which was created with mature carving skills; the Eleven-faced Avalokitesvara Bodhisattva with its magnificently carved face and body; statues of valiant warriors and the majestic Four Guardian Kings; and the supple graceful statues of various bodhisattvas and arhats, each of which displays a distinctive individuality. In particular, the serene appearance of the Principal Buddha enshrined in the main chamber deepens the mystical atmosphere. The extremely natural appearance of the Principal Buddha seems to present to all living people the ideal model of a man harboring a profound and sublime mind deep within him and easily pass to them his everlasting mercy. Seokguram Grotto is a masterpiece of the golden age of Buddhist art in Silla. What makes it stand out all the more is its perfect combination of architecture, mathematics, geometry, religion, and art. Seokguram Grotto has long been preserved as National Treasure No. 24, and was jointly registered as a UNESCO World Heritage in December 1995 along with Bulguksa Temple.