Producer Tricky Stewart, who has produced numerous hit songs by superstars around the world, including Rihanna "Umbrella", Beyonce "Single Ladies", Justin Bieber "Baby", Mariah Carey "Touch My Body", made the track especially for the current BTS.

The previous Cypher series focused on showing rapper line's rap skills, but this time, he relaxed a little and focused on delivering the song's message and style.

♡ Gasa are a song that sings the classic Chinese classics, which were frequently read by writers in the lyrics and literature that developed during the Joseon Dynasty, in a similar voice to the songs of the song and the founder.

Daegeum Lee Sam, GeoMungo Lee O-kyu, Haegeum Yoon Mun-sook, Janggu Sa Jae-seong

☆Composed by Lee Geon-yong, HanoBaeknyeon is a representative song of the 25th annual gayageum solo, and is also widely played as a concerto.

This piece transforms the theme melody of the folk song with the Same title into a variety of forms, which highlights the performer's ability to show various state laws and techniques of 25 stringed gayageum.

The performer Moon Se-mi was selected as a collaborator of the 2020 National Gugak Center's creative orchestra.

2018 Welfare Songs -. Seodo Sori Baebangi Gut

Musician - Kim Han-Sam, Lee Hyo-jung and Oh Young-bin

Baebangi Gut is a Musical drama with a lot of things to see, with Seodo-sori as its main theme, but it also accommodates local shamanism, folk songs, and pansori.

Jindo Sushi Kimgut is a ritual in Jindo area that wishes the spirit of the dead to go to a pleasant and comfortable world after solving the lingering resentment in this world. It is called washinggimgut because it cleanses the resentment.

Because of its strong Buddhist nature, it seems to have been made during the Goryeo Dynasty, and the contents of the rite vary depending on time and place.

Gwakmeori Washing Gimgut, which is performed next to the corpse when the portrait is made, and 'Sosang Washing Gimgut'On the night of death on the night of the second year's death'Daesang Washinggut'When the sick or bad things happen frequently in the house, and when the tomb is temporarily built (at the beginning of the burial), the grave, the funeral.

The order of washing gimgut is to announce the celebration to the ancestors and the Cao Wangban on the day of King Cho's descent or the city's assembly, 'Honmaji'Honmangseok'that brings out the souls of the dead, 'Churimaji', which delights the souls of the souls of the dead, and the friends of the dead who serve the dead. *'Wangpul', 'Soulp', 'Samegappul'Samepole'Samepole'Samepole'Semplating the dead for not getting the medicine, 'Snowing', to see if the dead man's grudge has been relieved when his family or relatives hold hands, the dead man's soul comes down and says grudges.

The Music of Jindo Sushi Kimgut will be composed of a flute, daegeum, haegeum, jango, and gong, centering on YukjaBaegimok (Sinawimok). The shaman is dressed in simple clothes, such as white clothes and scarlet bands, and performs the Jijeon dance, which is similar to the Buddhist monk's robe, and solves the resentment of the dead. The song is in the form of a single syllable and a long verse that carries the sound and receives the sound from the back, and is very exciting and beautiful with the sound of the melody and various refined woodwork.

Jindo Sushi Kimgut is a Buddhist ritual that wishes for the safety of not only the dead but also the living, and has excellent artistic elements and great material value in dance and Music.

Referring to farmers’ Music that has been handed down in Iksan (previously called “Iri”), Iri Nongak belongs to Honam Udo Nongak (Farmers’ Performance of the Eastern Jeolla-do). Nongak (farmers’ performance) has developed briskly in Saesil Village in Iksan. The village brought people who learned farmers’ Music from experts in nearby areas like Gimje and Jeongeup and who trained a high-quality farmers’ Music troupe as we see today. An Iri nongak troupe is composed of yonggi (dragon flag), nonggi (farmers’ flag), swaenap (conical wooden oboe), trumpet, saMul [four percussion instruments, i.e., two kkwaenggwari (small gongs), two jing (large gongs), two buk (drums), and four janggo (hourglass-shaped drums)], beopgo (Buddhist drum), and japsaek [referring to a group composed of yangban (nobleman), daeposu (drummer), jorijung (masked clown), changbu (male clown), gaksi (young girl), and Mudong (dancing boys)]. Troupe members who are called chiBae or gunchong wear black vest over white jacket, white trousers, and sangmo (hat with feathers or strings attached), with bands in three colors tied around the head. Kkwaenggwari (small gong)-based rhythms include those related to ilche, ichae, Samchae, oemachijilgut, pungnyugut, ochaejilgut, jwajilgut, yangsando garak, hohogut, and obangjin garak. Pangut (entertainment-oriented performance) proceeds in the order of insagut, ochaejilgut, jwajilgut, pungnyugut, yangsando, ginmaedoji (joint performance of kkwaenggwari and janggo), Sambangjingut, banguljingut, hohogut, dallachigi, short maedoji, jjakdeureum, ilgwang nori, gujeong nori (individual play), and gi sseulgi. There are diverse forms of bupo nori (hat dance) performed by sangsoe (leader of the farmers’ Music troupe). Well-developed janggo rhythms and dances are mixed with the Music. The performance also features sogochum (small drum dances) and jinpuri march. Many rhythms are relatively slow. The Music makes colorful rhythms, each played to meticulously transformed tunes. Pungnyugut and deongdeokgungi-related rhythms showcase highly sophisticated techniques. Iri Nongak is a folk art performance that has been handed down along with the village history, playing an important role as an event that provides consolation in the hard life of farmers and helps villagers get along with each other well.

Jindo Hongju can find its origin in Soju, which came from the Yuan Dynasty of China during the Goryeo Dynasty. Therefore, scholars argue that the Mongolians who came to destroy Sambyulcho may have introduced the secret method of lowering Hongju, but it is hard to say that the herb used as a ingredient was introduced to Hongju using raw medicine because it is difficult to grow in the devastated Mongo land.

Since the late Goryeo Dynasty, our ancestors have been making and drinking soju called hanju or Baekju in any province. Originally, soju was used only in the royal court, but it seems to have gradually become popular with the working class.

In this process, the wisdom of adding medicine to soju was developed, and the liquor was developed into weak soju or hansoju, giving birth to famous alcoholic beverages that were unique to each region. Jindo Hongju is also thought to have developed into a local silk.

The process of making is three stages of the manufacture, desalination and fermentation of yeast and distillation. Hongju is a liquor with a high alcohol content of 40 percent or more that helps digestion, and has a high alcohol content of 40 percent or more, which makes you feel drunk even with a small amount without Much stiMulation in your throat, and has the effect and characteristic of being able to do cocktails without a hangover.

Jindo Hongju had been generally manufactured in a well-to-do house until liberation, but since then, due to severe alcohol control, women and women who have a harder life than rich families secretly manufactured it as a means of living, and the secret recipe has been passed down to this day.

Currently, the Jindo Traditional Hongju Preservation Society, which was founded in 1993, preserves, develops, and industrializes, and is inherited by Heo Hwa-ja, the holder of functions.

Unlike the solemn and heavy national anthem we've heard for 23 years,
The new national anthem (arranged by composer Park In-young) was produced with a cheerful and friendly feeling.

☆SaMulnori means four types of Musical instruments: kkwaenggwari, janggu, buk, and gong.

SaMulnori is an adaptation of a large-scale outdoor PungMul Nori as a stage art in 1978.

While pungMul nori emphasized the activity of outdoor performances along with large-scale plays, saMulnori is a form of performance that emphasizes the emotion that can be felt in the instrumental sound itself.

It plays various rhythms and proceeds as a method of development of eccentricity (start, progress, climax, finish) in the periodic flow of tension and relaxation.