Whistle-jobs means fast-paced ones. The name Whistle Japga was given as the relative meaning of the long japga. The sit-down songs of the Jitchang line, such as the Gyeonggido and Whistle Japga, were developed by singers in and around Seoul, focusing on the Manrijae and Cheongpa Island, which were called the Four Seasons of Seoul, during the late Joseon Dynasty.
When the miscellaneous singers sang, they sang the lyrics and sijo first, followed by a long jagga, a male jagga, and a Whistle jagga before ending the game with a popular folk song. In other words, it can be seen that Whistle Japga was mainly a song that was sung at the end because the humorous lyrics of Whistle Japga played an exciting role. The lyrics of Whistlejapga are usually variations of the long-shaped sijo, which are tightly woven on the stir-frying Taryeong rhythm. For this reason, Whistle Japga is included as a branch of the private poem.
Whistling is characterized by humorous lyrics. Listing the lyrics quickly has the effect of making you focus more on the lyrics. The lyrics of Whistling Japga evoke laughter by exaggerating, enlarging, enumerating, and reversing. Some of the current Hwimori jagga include "Gombo Taryeong," "Gimmaejabong," "Manhakcheonbong," "Gisaeng Taryeong," "Bawi Taryeong," "Bareung Taryeong," "Byeongjeong Taryeong," "Yook Chilwol-ryun Day," "SoongeomTaryeong," and "Bidan Taryeong."
It is common for a whirling singer to sit alone and sing while playing janggu. The rock Taryeong is a mixture of song and Changbu Taryeongjo, and the silk Taryeong is read like a book, and is sung in the sound of Maengindeokdamgyeong at the end. In addition, GisaengTaryeong, MaengkongTaryeong and RockTaryeong are stir-fried Taryeong.
Currently, Kim Kwon-soo, the owner of the Whistlejacka entertainment show, continues to perform and pass on Korean traditional music.