Jisung Craft is also known as Nojikkae, which is made by twisting paper into a container. Although the exact date of the outbreak is unknown, it is estimated that there were many paper bowls during the Joseon Dynasty, which had been handed down since then.

Cut Korean paper and soak it in water to make it. Fold the twisted paper string in half and weave it one by one. A pattern or shape can be freely changed and a pattern is applied to a paper bowl with a form. Finally, it is finished by polishing with cashew, a kind of paint. They make baskets, trays, suspenders, shoes (meturi) with paper straps.

Jiseungjo was designated as an Intangible Cultural asset in order to transfer and protect technology as a traditional craftsmanship. It has been cut off for some time by Choi Young-joon, a functional holder living in Hongseong-gun, Chungcheongnam-do.

Heungboga is also called 'Park Taryeong' as one of the five Pansori family members.

Heungbo, a poor but kind-hearted brother, is blessed for fixing swallow legs, and he is punished for deliberately breaking swallow legs in order to become richer as a rich man who plays with a mean brother.

It is a story that contains a typical lesson of good and bad, and emphasizes brotherly friendship.

The Boryeong area has been famous for producing excellent stones called Nampo Oseok since ancient times.

Nampo Oseok was used as a monument to preserve writing for a long time due to its good stone quality, and about half of the royal tombs of the Joseon Dynasty were made of Nampo Oseok, and today the president's tombstone also used Nampo Oseok. As a result, the stone industry was developed more than anywhere else in Boryeong, and excellent stone burials were found.

Currently, there are many stone statues in the Boryeong area, including Goseoksan Mountain (1955~ ) from Ungcheon, Boryeong, which is an excellent stonesmith in Boryeong, and produces many excellent stone crafts, including statues of Buddha, and was designated as an Intangible Cultural asset.

Goseoksan Mountain, which was first introduced as a stone craftsman in 1968 with Jeong Jong-seop as a teacher, has a splendid history of winning the best sculpture award at an exhibition of Buddhist art, winning a prize in the stone crafts section of a national functional competition, selecting a master of Korean stone crafts, and designating a Cultural Heritage repair technician.