Search Result > Little Korea

SEARCH CONTENT

Search for content in Little Korea

Search Keyword : Folk music

K-Pop & Trot (6)

  • 2020.12.19
    Broadcasting day
    ☆ Singer Kim Ji-ae made her name known in 1986 when Park Chun-seok's original trot "Muleya," composed of lyrics and lyrics, became a hit.

    In 1989, the song "The Ugly Person" (composed by Jeon Young-rok) rose to stardom with the highest popularity upon its release.

    In December 2020, 'Lee So-na', a Korean traditional musician who majored in Gyeonggi Folk music, received great attention for singing at ' KBS Broadcasting Station (Trot National Contest). ☆
  • 2019.4.2
    Release Date
    I want him to look at me as he likes me. That's why I want to have spring only.

    My heart almost got caught because of the warm spring atmosphere. "Only I, Spring" contains the lovely heart of an adolescent girl who doesn't know my heart and wants to be with him even if she hates the spring breeze blowing.

    With Fluxins' repeated riffs and acoustic guitars, the string in the first half and chorus of the song, which starts cute, adds freshness and you can enjoy the spring emotion.
  • 2019.4.2
    Release Date
    The soulmate like me who likes my favorite star, who happened to meet my eyes.

    And we just went to see the stars together. It is a romantic song that depicts the fate of two men and women running around on the sandy beach and chasing stars like a movie.

    Overall, the pop-like sound and rhythmic vocal lines create grooves, and it gives you the fun of listening to them by making arrangement changes between each theme, including the first half, the second half, and the middle part.

K-Traditional Music (162)

  • 2020.11.13
    Recommended music
    The Jeongdaeseokryu Geomungo Sanjo is characterized by its colorful and colorful melody using various techniques that were not used in the Geomungo Sanjo. It is characterized by the maximization of Geomungo's expressive power by exploring the use of the Yuhyeon 2-GwaeGyo, the emergence of the high-pitched range from 9 to 16 trigrams, and the change of tone through the movement of gwae.
  • 2020.11.15
    Recommended music
    Gyeongsang Province, late Kim So-hee song made by the singer features an enchanting melody, and the Japanese occupation of the menarijo bukkando lost wind-swept heart of people who moved to country representation.A Folk song(Minyo).

    Gayageum Byeongchang: Jeon Hai-ok, Oh Ju-eun, Choi Ye-rim
    Ajaeng: Seo Young-ho
    Daegeum: Won Wan Chul
    Ko Soo: Jung Joon Ho
  • 2020.11.17
    Recommended music
    Park Yong-tae (present name: Park Dae-sung) is a first-generation apprentice to Han Il-seop, the founder of the Ajaeng Sanjo, and the legitimacy of the Korean traditional music scene is clear, and there is no doubt about the legitimacy of the melody, and the general Sanjo is composed mainly of the rhythms of Gyemyeonseong Fortress, giving a feeling of pleading and desolation, but Park Yong-tae (Park Dae-tae's Aja's (pyeon's) has a strong sense of superiority.

    Intangible Cultural Property No. 16 designated by Busan Metropolitan City (designated on December 7, 2009)

K-Cultural Heritage (114)

  • 1995.11.10
    designated date
    The musical instrument, commonly known as the instrument used to play music, has been used in traditional music since the Three Kingdoms Period, and about 60 types of musical instruments have been introduced, including unique instruments from Korea, and foreign instruments imported from China, the West, and other regions. As Korea was adjacent to the northern continent, Chinese and Western music was already introduced during the Three Kingdoms Period. Especially after Silla unified the three kingdoms, Tang Dynasty music was imported.

    By the Goryeo Dynasty, Song Dynasty Folk music and aak were imported, and by the time of King Yejong's reign, Ahak was introduced, and it still came in large quantities. These instruments were classified according to the main ingredients needed to make musical instruments in "Jeungbo Munheongo," and in particular, the musical instruments used for the unique traditional music, as well as the instruments used for Ahak and Dangak.

    By the Japanese invasion, national sovereignty was lost and court musicians became free men. Of course, unlike the heads of government-affiliated musical instruments who made Jeongak-centered instruments, Sanjo-centered instruments were being produced in the private sector. This sanjo instrument can be said to be for individual performance, making it more cheerful and easier to transport than a group-oriented Jeongak instrument. During the Japanese Colonial Period, Kim Myeong-chil was named in Jeonju, and Kim Boong-gi (Kim Hak-gi) was named in Jeongeup.

    After Korea's liberation from Japan's colonial rule, Kim Myeong-chil's technique was followed by his son Kim Gwang-ju, who became the No. 42 instrument master in 1971. He moved to Seoul to teach Choi Tae-gwi, Go Heung-gon, and Lee Young-soo before passing away in April 1984. Originally, Yi Yeongsu was designated as a cultural asset of Jeollabuk-do with the functions of Kim Bungi in Jeongeup, but he also received the functions of Kim Gwang-ju.

    The musical instrument director originally thought he would make all instruments, but now he is divided into a drum, a jango, a gong, a gong, a jing, a salted fish, a flute, a gayageum, a geomungo, and a haegeum.
  • 1995.11.14
    designated date
    The song refers to a musical style in which Sijo poem, one of the literary genres of the Joseon Dynasty, is added to the melody of five chapters.

    It is called Jeongga along with the lyric and sijo, and is also considered one of Korea's top three vocal music songs along with Beompae and Pansori.

    In the late Joseon Dynasty, it was a representative piece of music for the Folk and Folk, and it was also their living music.

    Playing to the accompaniment of the gale, the tune is divided into clear, vigorous U-jo and sad-feeling surfactants, and divided into male and female chants.
  • 2002.11.15
    designated date
    Pulpis literally mean playing a flute with grass. The Chinese character is also called Chokjeokkeum, which is played by folding leaves or grass leaves and whistling them on the lips. It is said that peaches and citron leaves are used a lot.

    The record of the grass flute is the oldest recorded reed or reed flute in "Suseo" and "Dongdongjeon-dong" and also features a portrait performance in the poem "Someone picks a green leaf from a forest, blows it in his mouth, and makes a clear sound" in the poem "Moon Ga-seong" by Lee Gyu-bo during the Goryeo Dynasty. In 1493, "Akhakwebeom School" compiled by Seonghyeon and others during the reign of King Seongjong of the Joseon Dynasty recorded the types, materials, and methods of performing the full flute in detail. In "The Annals of the Joseon Dynasty," there are several records showing that the court had a musician playing the initials. In addition, a collection of calligraphic works by various writers showed that they enjoyed playing them from the top to the king to the commoners below. And Kang Choon-seop, a first-time music expert on meteoric albums, has recorded music such as "Hwimori" and "Gutgeori" with the same music as Sanjo. As such, the Pulpieri has been one of the musical instruments enjoyed by the Korean people throughout its long history, and has been recognized not only by the private sector but also by the official instrument.

    "The Evil Trapezius" records that anyone can play the instrument so easily that it is not difficult to make a sound and play it by saying, "You don't need the teachings of your ancestors, and you can only know all the syllables first." In fact, the full flute is easy for anyone to learn and play, and any music can be freely played. Today's first play is a Folk song, a Cheongseong song, a Sanjo song, and other traditional pieces of music.

    In Gyeonggi-do, Oh Se-cheol was designated as the holder of a full flute, and he continues to perform actively.

K-History (0)

no data

Special (0)

no data