☆Suryongeum means 'a dragon is reciting like playing with water.'
It is a instrumental version of the accompaniment melody of Pyeongrong, Gyerak, and Pyeonsakdaeyeop of Gagok Gye-myeonjo. Although it is mainly played as a double accompaniment of Danso and Saenghwang, it is sometimes performed by organizing Yanggeum and dae-ajaeng. When the clear Danso sounds rise through the clouds of the saenghwang sound, a harmonic instrument, you will be able to feel the beauty of harmony and communication that creates a wave of melody, with the sound of a heavy, low-pitched Dae-ajaeng.
- Mun Ju-seok, a curator at the National Gugak Center.


Video information
National Gugak Center Saturday Luxury Performance [2015.03.14.] 02. Suryong Eum Quartet (7 minutes)
The form of playing traditional music as instrumental music without singing is called "Jajin Hannip." Jajin Hannip is played in various forms, such as instrumental solo, duet, ensemble, and wind ensemble, and the texture of music varies depending on the composition of the instruments.
Originally, the music "Suryongeum" was imported from the Song Dynasty in Goryeo Dynasty and used as court music until the Joseon Dynasty, and is now a music that has been cut off from transmission. Today, among the various tunes of the song, Pyeongrong, Gyerak, and Pyeonsudaeyeop are called "Suryongeum" when they are played as instrumental music.
○National Gugak Center Orchestra - Saenghwang/Kim Chul, Danso/Lee Seung-yeop, Yanggeum/Joyu, Ajaeng/Kim In-ae

It refers to a comprehensive stage in which a series of school affairs and Yeonhwa dance are performed after a ritual held to exorcise evil spirits in the royal court during the early Joseon Dynasty.

Hak(crane) dance has been performed at royal ceremonies since the Goryeo Dynasty, and is the only dance in Korea to perform under the mask of a bird. Yeonhwa Daemu tells the story of two girls born with lotus wine, and they are thrilled by the king's virtues and repay their grace by dancing and singing.

When two dancers with crane masks all over their bodies dance and peck at the two pre-installed flower peaks with their beaks, the lotus blossoms open, the girl pops out and the crane runs out in amazement. After that, the dance performed by two girls is Yeonhwa Daemu. In terms of performance, the two dances have been handed down for many years, forming inseparable relationships.

For accompaniment music, Seryeongsan Mountain, Samhyundodry, and Taryeong are used for the school dance, while only court music is used in Yeonhwadaemu.☆

The sword dance of Korea is seen in various documents, including "The History of the Three Kingdoms," as the sword dance of the Silla Dynasty's Guanchang is Hyoshiim.

However, during the Goryeo Dynasty, the appearance of Guanchang was replaced by a mask, and during the Joseon Dynasty, the female Guan Changmu was recorded, so the sword dance, which was a brave dance, seems to have changed into an elegant Yeo.

After the Silla Dynasty, it was passed down or destroyed by government officials who had been subjugated to the royal court and government offices, and it was eventually established in Gwonburn nationwide.

In Gyeongsangnam-do, Jinju, Tongyeong, and Dongnae were handed down from Jinju, but they disappeared with the abolition of Kwon Beon, but they have been restored from Jinju to this day.

The musical instrument, commonly known as the instrument used to play music, has been used in traditional music since the Three Kingdoms Period, and about 60 types of musical instruments have been introduced, including unique instruments from Korea, and foreign instruments imported from China, the West, and other regions. As Korea was adjacent to the northern continent, Chinese and Western music was already introduced during the Three Kingdoms Period. Especially after Silla unified the three kingdoms, Tang Dynasty music was imported.

By the Goryeo Dynasty, Song Dynasty folk music and aak were imported, and by the time of King Yejong's reign, Ahak was introduced, and it still came in large quantities. These instruments were classified according to the main ingredients needed to make musical instruments in "Jeungbo Munheongo," and in particular, the musical instruments used for the unique traditional music, as well as the instruments used for Ahak and Dangak.

By the Japanese invasion, national sovereignty was lost and court musicians became free men. Of course, unlike the heads of government-affiliated musical instruments who made Jeongak-centered instruments, Sanjo-centered instruments were being produced in the private sector. This sanjo instrument can be said to be for individual performance, making it more cheerful and easier to transport than a group-oriented Jeongak instrument. During the Japanese Colonial Period, Kim Myeong-chil was named in Jeonju, and Kim Boong-gi (Kim Hak-gi) was named in Jeongeup.

After Korea's liberation from Japan's colonial rule, Kim Myeong-chil's technique was followed by his son Kim Gwang-ju, who became the No. 42 instrument master in 1971. He moved to Seoul to teach Choi Tae-gwi, Go Heung-gon, and Lee Young-soo before passing away in April 1984. Originally, Yi Yeongsu was designated as a cultural asset of Jeollabuk-do with the functions of Kim Bungi in Jeongeup, but he also received the functions of Kim Gwang-ju.

The musical instrument director originally thought he would make all instruments, but now he is divided into a drum, a jango, a gong, a gong, a jing, a salted fish, a flute, a gayageum, a geomungo, and a haegeum.

■ Origin of the King's reign

Jeongjeonggok, a song written by Jeong-seo, who was raised to Busan Dongnae during the reign of King Uijong of Goryeo, was settled as a song during the Joseon Dynasty, and Sijo was derived from this song.

Songs and sijo use sijoshi as a yellow word. The sijo is designed to simplify the melody and rhythm of the song so that anyone can sing it easily, so just the daegeum and janggu accompaniment is enough to play it. Furthermore, it is simple and simple, and it is a song enjoyed by scholars and nobles, not professional singers.

The sijo word is a song that reduces and simplifies the song so that you can express your composure and style to the fullest.

To indicate this, a fully qualified sijo is the Anglo-Sijo.

Pulpis literally mean playing a flute with grass. The Chinese character is also called Chokjeokkeum, which is played by folding leaves or grass leaves and whistling them on the lips. It is said that peaches and citron leaves are used a lot.

The record of the grass flute is the oldest recorded reed or reed flute in "Suseo" and "Dongdongjeon-dong" and also features a portrait performance in the poem "Someone picks a green leaf from a forest, blows it in his mouth, and makes a clear sound" in the poem "Moon Ga-seong" by Lee Gyu-bo during the Goryeo Dynasty. In 1493, "Akhakwebeom School" compiled by Seonghyeon and others during the reign of King Seongjong of the Joseon Dynasty recorded the types, materials, and methods of performing the full flute in detail. In "The Annals of the Joseon Dynasty," there are several records showing that the court had a musician playing the initials. In addition, a collection of calligraphic works by various writers showed that they enjoyed playing them from the top to the king to the commoners below. And Kang Choon-seop, a first-time music expert on meteoric albums, has recorded music such as "Hwimori" and "Gutgeori" with the same music as Sanjo. As such, the Pulpieri has been one of the musical instruments enjoyed by the Korean people throughout its long history, and has been recognized not only by the private sector but also by the official instrument.

"The Evil Trapezius" records that anyone can play the instrument so easily that it is not difficult to make a sound and play it by saying, "You don't need the teachings of your ancestors, and you can only know all the syllables first." In fact, the full flute is easy for anyone to learn and play, and any music can be freely played. Today's first play is a folk song, a Cheongseong song, a Sanjo song, and other traditional pieces of music.

In Gyeonggi-do, Oh Se-cheol was designated as the holder of a full flute, and he continues to perform actively.

The Tripitaka Koreana Tripitaka Correana, or the Tripitaka Koreana in Hapcheon, South Gyeongsang Province, began its first edition in 1236 (the 23rd year of King Gojong's reign) in Ganghwa County, Korea, in order to prevent the invasion of Mongolia by force in Haeinsa Temple, Hapcheon County, South Gyeongsang Province.

On December 20, 1962, it was designated as the 32nd National Treasure of the Republic of Korea, and changed to the current name on August 25, 2010.

The Tripitaka Koreana, which is considered to be the oldest of the existing world's great wonders and the most complete of its stay and contents, was designated as a World Heritage Site in 2007.

Goryeo porcelain was a pottery made during the Goryeo Dynasty, which refers to celadon made during the Goryeo Dynasty, such as celadon, white porcelain, black yuja, and iron yuja, but has generally been recognized as a reference to Goryeo celadon.

Goryeo celadon was developed under the influence of pottery from the Song Dynasty and its techniques were much better than those of the Song Dynasty, so the Song Dynasty people praised it as the best in the world.

The excellence of Goryeo celadon can be attributed to its beautiful color. Some are yellowish or yellowish brown, but others are especially beautiful.

There is National Treasure No. 115 of the celadon Sanggamdang First Gate Wan, which represents the period.

Bulguksa Temple is a temple belonging to the Jogye Order of Korean Buddhism on Mount Toham in the east of Gyeongju, North Gyeongsang Province. It was reconstructed on a large scale during the reign of King Gyeongdeok of Silla and King Hyegong of Silla.

Since the Silla Dynasty, it has been contracted several times from Goryeo to the Joseon Dynasty, and was burned down during the Japanese Invasion of Korea in 1592. It is the headquarters of the 11th Diocese of the Jogye Order of Korean Buddhism and was designated as a UNESCO World Heritage Site in 1995.