Onggi is a General term for earthenware and earthenware, and onggi is a pottery that does not have a glaze, and onggi is a pottery that is made of glaze, which corresponds to a narrow meaning.

Unglazed pottery was the main focus until the Goryeo Dynasty, but from the mid-Joseon Dynasty, black-brown pottery with onggi was produced, and glazed pottery became common in the late Joseon Dynasty.

Records show that large earthenware jars, called "Ong," were used to store or store liquids or foods such as alcohol, water, soy sauce, and salted fish before the Goryeo Dynasty. It was recently discovered that large quantities of pottery jars excavated from the Taean Mado Sea were used to store water or transport salted fish.

During the Joseon Dynasty, pottery craftsmen were referred to as "gongjang." According to the "Gyeonggukdaejeon" exhibition factory, 104 of them belonged to 14 central Government offices and produced pottery needed by the royal family and Government offices.

Pottery, including onggi, was used in a wide class from the royal family to the private sector and developed with regional characteristics in relation to climate or use.

Kim Il-man, who was designated as an intangible cultural asset in Gyeonggi Province in 2002, is from a family that has been making pottery for six generations and has devoted himself to making traditional pottery in Gyeonggi Province using three traditional kilns from the late Joseon Dynasty.

In 2010, he was promoted to the state-designated Important Intangible Cultural Property No. 96, and his sons, Kim Seong-ho and Kim Yong-ho, were designated as messengers, continuing the tradition of Onggi production in Gyeonggi Province.

Pansori is a traditional Korean genre of epic musical storytelling in which a sorikkun (single performer) presents a long narrative work comprising sori (singing), aniri (lyrics), and neoreumsae (gestures) to the accompaniment of a gosu (drummer). While its exact origin is unknown, some scholars believe that pansori developed during the reign of King Sukjong of the Joseon Dynasty on the basis of Chunhyangga, which was composed by Yu Jin-han in 1754, while others trace its origin to an entertainment mentioned in a document dating back to the early days of the Joseon Dynasty. Still others argue that it dates back to Silla, where folk entertainments called pannoreum were widely performed. the musical accompaniment of Pansori consists of a variety of rhythms called jinyangjo, jungmori, jungjungmori, and hwimori. the drummer accompanying the singer breaks out into shouts of praise and encouragement, such as “Great!” and “Perfect!”, known as chuimsae, at the appropriate endings. During the reign of King Sunjo (1800-1834) of Joseon, there were eight masters of pansori, including Gwon Sam-deuk, Song Heung-rok, Mo Heung-gap, Yeom Gye-dal, Go Su-gwan, and Sin Man-yeop, each of who played a key role in the development of the musical genre into the form we know today. the current tendency is to divide Pansori into the following three schools: Dongpyeonje, which developed in the northeast area of Jeolla-do; Seopyeonje, which developed in the southwestern region of the peninsula; and Junggoje, which developed in Gyeonggi-do and Chungcheong-do. In its early stage, there were twelve great Pansori works, including Chunhyangga (Song of Chunhyang), Simcheongga (Song of Sim Cheong), Sugungga (Song of the Rabbit and the Turtle), Heungboga (Song of Heungbo), Jeokbyeokga (Song of the Red Cliff), Baebijang taryeong (Song of General Bae), Byeongangsoe taryeong (Song of Byeon Gang-soe), Jangkki taryeong (Song of the Cock-Pheasant), Onggojip taryeong (Song of the Miser Onggojip), Musugi taryeong (Song of Military officials), and Gangneung maehwa taryeong (Song of Plum Blossoms of Gangneung), which were much shorter than the five works remaining today, namely, Chunhyangga, Simcheongga, Sugungga, Heungboga, and Jeokbyeokga. these five Pansori works have been designated as Important Intangible Cultural Heritages by the Korean Government and are performed widely across Korea by various performers, including the following select group of Government-acknowledged masters: Kim Yeo-ran, Kim Yeon-su and Kim So-hui (Chunhyangga); Jeong Gwon-jin (Simcheongga); Park Nok-ju (Heungboga); Jeong Yong-hun and Park Cho-wol (Sugungga); Park Dong-jin, Park Bong-sul, and Han Gap-ju (Joeokbyeokga).

☆Songseo refers to the act of scholars reading Chinese characters or novels at a certain tone in traditional society. In traditional society, this was a kind of culture of aristocrats, as the contents of the letter were written in Chinese characters and novels. Transcripts are both artistic and historical.

In General, letters are sung in the musical language of the Seoul area. This is why Songseo is characterized by its historical nature as a product of the Joseon Dynasty and its locality as Seoul.

On March 5, 2009, Yoo Eui-ho (Yuchang) was recognized as the holder of the event.

※※ For detailed information on the above cultural assets, please refer to the Seoul Metropolitan Government Department of Historical and Cultural Heritage (02-2133-2616).

On November 13, 1996, the Government-General of Korea building was completely demolished.

the Japanese Government-General's office was completed in 1926 and was used as the U.S. Military Government office and the Central office after the liberation of Korea.

It was used as the National Museum of Korea in the 1980s, but was demolished in commemoration of the 50th anniversary of the liberation of Korea in 1995.