It depicts the desperation of Chunhyang and Mongryong who are breaking up.

Lee Nan-cho Master singer is the owner of the national intangible cultural asset No. 5 Pansori Heungbo.

Flag and entertainment for producing "paper flowers (Jihwa)" for traditional Korean paper, which are used in traditional rituals and Buddhist ceremonies by natural dyeing of traditional Korean paper.

- There are a total of 17 types of finger paintings in possession of functions, including wood, peony, etc., and 13 types of pigments collected from plants are mixed and used for dyeing.

Made by repeatedly folding, cutting, pasting, and tying dyed paper with a string.

- Ingredients include hanji that makes flower petals and flower shapes, and bamboo, sari trees and grass for adhesion needed to make flower beds.

Dongnae Rubber is a drum dance that is handed down in Dongnae-gu, Busan. Although it was performed by the gisaengs of Gyobangcheong, which was in charge of court music during the early Goryeo Dynasty, it was introduced as Gyobang of Dongnae Gamyeong during the Joseon Dynasty and was called Dongnae Rubber depending on the characteristics of the region. According to the records recorded in "Goryeo Temple" and "The Akji," drumming was created by a nobleman named "Debate," who lived in exile during the reign of King Chungnyeol of Goryeo (1274-1308), as a raft that floated down to the sea was the origin of drum dance.

Dongnae Rubber puts a big drum in the center and four dancers dance to the Yeongsan Hoesanggok, Janyeongsan Mountain, Yeombuldodry, and Taryeong Military Music, while four other dancers mingle and dance together singing Jihwaja. The dance moves include the head son-in-law, the birim son-in-law, the custom son-in-law, the side room, the rank-and-file son-in-law, the eight-man-law, the relative dance, the drum dance son-in-law, and the situation of the person. The dance is delicate and elegant under the influence of the royal court, and the composition of the dance is monotonous, varied, and colorful.

Dongnae Rubber is a type of dance in the middle genre, not a pure folk dance, but a type of Gyobangmu. Currently, the Busan Folk Arts Preservation Association is striving to succeed and preserve the art.

Hwanggeum-ri, Damyang, is a typical rural village located in the middle of a wide field in the upper reaches of the Yeongsangang River. It is a village with a wide field and rich property, and has a unique artistic tradition, and the songs sung while farming rice paddies are being handed down.

Damyang's Golden Driedle Song covers the entire process of steaming unknowns, planting unknowns, tying rice paddies, and jangwonjil. And each song is composed of late sounds and frequent sounds, especially in the non-maggi area, various songs such as <Jihwasori>, <Tteol소리, <Nahesori소리, and 사Sadu YeoSori소리 are arranged. The composition and composition of the songs are well illustrated by the fact that they have been passed down with the style and spirit of folk art in Namdo. In particular, the transfer of various songs, including the mock-up song, which is hard to see in other regions, the collective spirit sung with strength and excitement, and the various and colorful musical composition and melody, illustrate the degree of tradition and artistry of the golden song.

Damyang's Hwanggeum Deul song represents the upper reaches of the Yeongsangang River. The tradition of folk art in the Yeongsangang River basin, which is the lifeline of South Korea, is preserved intact. It is a well-known wild song for its participation in the 13th Namdo Cultural Festival since 1983 and the 26th National Folk Arts Competition in 1985.

Nam Gwi-hee (born in 1948), a singer-songwriter, succeeded her father's entertainment and has been leading the Golden Singing Performance since her 30s, and is a native musician who has been living in Geumgeum-ri for three generations as a local musician with excellent singing ability. And residents of Hwanggeum-ri have a special passion for preserving wild songs. The village of Hwangyum has organized the Wild Song Preservation Society and established the Wild Song Training Center to continue the transmission.

As such, Hwang-Yi-Yum's wild song is well equipped with songs that correspond to the whole process of rice paddy farming, and has the characteristics of wild songs that belong to the upper reaches of the Yeongsangang River and inland areas of South Jeolla Province, which have academic value comparable to wild songs in the islands and coastal areas of South Jeolla Province, is well expressed by male singers, and is a collective labor art for the preservation of wild singing. In addition, it is necessary to recognize Nam Gwi-hee as an entertainment holding organization, Damyang Golden Ddeul Song Preservation Society, and as an entertainment holder.