The first song on this stage, which began with a quiet long breath of '평조 다스름(Pyeongjo Dasreum)', is 'Sangryeongsan'.

Jangdo was a small sword that was used as a self-defense tool or as a Jewelry, regardless of gender. It is called a pado because it is worn with a norigae on the waistband or on the neck of clothes, and it is said that it is a romanticism to carry around in the pocket of a long-distance person. The person who has the skill and ability to make such a jangdo is called jangdojang.

Since the Goryeo Dynasty, adult men and women carried it for self-defense, especially after the Japanese Invasion of Korea (1592) in the Joseon Dynasty, women from noble families carried it with them. Since the late Joseon Dynasty, symbolism and decorative features have been emphasized rather than practical functions as a hand knife, making it a part of the women's nori decoration, creating a variety of elaborate and colorful jangdoes.

The types of jangdo are divided into silver, ranch, and corrugated road according to the materials of the sword handle and the sheath. The shape also classifies the date, Eulja, and subscripts with chopsticks as . Monggae sword is used to have a jaw where the blade and the sheath are interlocked, and the cylindrical shape is called a flat and octagonal shape is called an octagonal sword or a prosthetic sword. A felon with a pattern on the decoration is called a felon, and a pentagon-adopted sword is called an obong-cal, or a minja-cal.

Ren Jae-chul of Jinju, Gyeongsangnam-do, is a successor of a rare folk craftsmanship due to his skill in carving traditional patterns, especially in Eunjang-do. Thus, Gyeongsangnam-do recognizes Lim Se-chul as an intangible cultural asset and preserves his craftsmanship.

Okjangbap refers to a craftsman who processes various kinds of jade and shellfish and works on royal logistics and men's and women's ornaments. As for jade stones and shellfish, Gyeongok, Yeonok, Sanho, Pumpkin, Mano, Sujeong, Gongjakseok, Yuri Jeok,

There are ivory, godmother, calligraphy, black-angle, pearl, and stonghwang.

These jade pagodas have been widely used from the royal court to the general public, including Norigae, tangerine, backrest, hairpin, earring, ring, intestine, dongje, gwanja, seonchu, needle, pungjam, danchu, and string. Royal ornaments were used for royal ornaments such as jade pedestal, jade seal, cotton crown, and pagodaejang. Traditional manufacturing processes go through quarrying → design → cutting → molding → drilling → digging → digging → carving → cutting 질 polishing 질 polishing 광 polishing → polishing → polishing.

In 1970, Kim Yeong-hui, the owner of the school, entered the school as a student of Kim Jae-hwan and practiced techniques. In 1988, he was recognized for his skills through numerous awards including the Grand Prize in the Korean Traditional Crafts Competition, the Special Prize in the Korean Traditional Crafts Competition, and the Minister of Commerce, Industry and Energy of the National Crafts Competition. He was selected as the winner of the state-designated Oksuk Pagakgapgi Crafts.

A total of more than 100 artifacts and reproduction projects have been actively carried out so far, including various exhibitions and activities at home and abroad, including the BaeKok Moranmun Memorial Hall (the head of the U.N. headquarters in Korea), the Royal Palace Museum's 60th anniversary of Korea's liberation from Japan's colonial rule (the head of the National Palace Museum).

In addition, the museum opened in 2014 as a first-class museum in Heyri Art Village, Paju, to inform the public of the beauty and excellence of traditional Jewelry. In addition, the government is trying to inherit and pass on the skills of the royal jade crafts of the Joseon Dynasty through the Soye region for the study of the Byeokbong Royal Cultural Heritage, and to continue the tradition of Korean royal jade crafts.