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K-Traditional Music (4)

  • 2021.3.7
    Recommended music
    ☆Kim Juk-pa (1911-1989), a master craftsman from Yeongam, Jeollanam-do, was born in the late 19th century as a granddaughter of Kim Chang-jo, who first made gayageum sanjo, and learned gayageum from him, and learned pungnyu, sanjo and byeongchang(sing along with playing) from his disciple Han Seong-gi.

    Later, Kim Jukpa refined the gayageum sanjo rhythms learned from his grandfather and master Han Seong-gi, and added her own melody and rhythm to complete the 55-minute-long Kim Jukpa ryu(style) Gayageum Sanjo.

    Kim Juk-pa ryu(style) Gayageum Sanjo is characterized by a soft, stable tone and delicate and profound Nonghyeon refined over the years by a master of a woman Kim Juk-pa.

    It was designated as Important Intangible Cultural Property No. 23 in 1978 as the tune currently played by the largest number of performers. Today, the performer will play using 'Gyeopcheong Johyeon Beop' that led to master Kim Juk-pa and master Moon Jae-sook.

    ○ Gayageum/Lee Seulgi, Janggu/Kim Cheongman
  • 2021.5.1
    Recommended music
    Sangsabyeolgok is one of twelve Gasa.

    It sings the love between a man and a woman who are separated.

    Geomungo: Hwang Jin-ah, Daegeum: Bang Chorong, Piri: Kim Seul-gi, Lee Hyang-hee, Haegeum: Park Soo-min, Percussion: Kim In-soo, Kim Hyun-soo
  • 2020.8.1
    Recommended music
    Julpungnyu in the styles of Kim Juk-pa

    Hyeonak Yeongsanhoesang, known as "Yeongsanhoesang" or "Julpungryu," was developed from the scholars' pungryubang of the late Joseon Dynasty and passed down to this day. Depending on the region and type of transmission, it is divided into the national Gugak Center's, local's, and Sanjo master's pungryu. Traditional Korean traditional music was passed down around Seoul, using the legal capital, while other local customs and master's customs were performed in various provinces using the Sanjo Gayageum.

    From the gayageum masters Kim Chang-jo, Han Sook-gu, Han Soo-dong, Han Seong-gi, Choi Mak-dong, Sim Sang-gun, Kim Yun-deok, and Seong Geum-yeon, the Sanjo masters were also well versed in the arts, and Jukpa was also a master of the Sanjo, and played bonpungnyu(Dasureum-gunak) and the duitpungryu (Cheonnyeonmanse, Gutgeori).

    Jukpa said, "In principle, the technique of playing pungnyu is the same as Sanjo, but the Nonghyeon is not deep or heavy, so you should ride it without being messy and also ride it refreshingly." Among the customs handed down to Kim Chang-jo, Kim Juk-pa and Moon Jae-sook, styles of Kim Juk-pas is consisted of "Dasureum-Hahyun-Yeombul-Gunak" and "Gye-myeon, Glgeyangcheong-Ujo-Gutgeori." You can see the spirit of the old masters who wanted to look at "pungryu" with an artificial and restrained gaze, not focusing on the feelings of human joy and anger.

    ○ Gayageum/Lee Seul-gi, Daegeum/Kim Jung-seung, Janggu/Kim Cheong-man
    ○ Hosted and filmed/National Gugak Center

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